fire records

Maisie

Music for image, created for a deep ocean ambiance. It can be used to illustrate a doc about sahrks, dolphins... or a travel video about sea, ocean. Smooth, calm, beautiful.
I composed, played and recorded everything by myself. You can buy it on my website pond5.

Abyss (deep ocean sound, beautiful, smoothing music)

Buy on Beatport⇢ https://www.beatport.com/es/release/strong-memories-ambient-mix/5283378
Listen on Spotify⇢ https://open.spotify.com/album/33CJWlm72kvXaDA7GPigUP
Buy on Juno Download⇢ https://www.junodownload.com/products/astral-zephyrus-strong-memories-ambient-mix/7238588-02/
Buy on iTunes⇢ https://geo.music.apple.com/album/strong-memories-ambient-mix-single/1833872266?app=music
All Stores⇢ https://fanlink.tv/StrongMemories-AmbientMix

Release: Astral Zephyrus - Strong Memories (Ambient Mix)
Label: Skyward Harmony
Catalog: SKH082
Date Release: Aug 21th, 2025 Worldwide


Submit your demo here: highemotionsrecordings@gmail.com



© All Rights Reserved to Skyward Harmony


Astral Zephyrus - Strong Memories (Ambient Mix)

Synths, electric guitars and electric bass guitar played to a relaxed, positive vibe.

A slower pace of life

Television Personalities - The Painted Word (From The Painted Word)

Death And Vanilla
Release ‘The Tenant’
Out 2nd February 2018 
Limited Edition Magenta LP / CD

Pre-order link: https://deathandvanillamusic.bandcamp.com/

Following on from the deluxe reissue ‘Vampyr’ last year, comes Death And Vanilla’s unreleased live score of ‘The Tenant’ on limited edition magenta vinyl.

Originally scored by Philippe Sarde, this release sees Death And Vanilla reimagine the film’s soundtrack four decades on for a new audience. The haunting instrumental is a foreboding piece of dark and cinematic avant-garde music that’s alienated, lonely and melancholic. Moments of hallucination and delusion mirror the lead character Trelovsky. 

Recorded in 2015 at Cinemascore festival in Spain alongside a two-hour performance and screening of psychological thriller ‘The Tenant’ (1976).  With the band at their most minimal, the accomplished musicians once again bring the dark narrative to life with their expansive and ethereal noir sound. The recording features them as a trio - Marleen Nilsson (Farfisa Compact), Anders Hansson (Hagstrom Kent, Roland SP-404 and Technics SL-1200) and Magnus Bodin (Moog Prodigy and Musser M55).

Directed by Polish filmmaker Roman Polanski and based on the novel Le Locataire by Roland Topor, ‘The Tenant’ is the finale in his acclaimed apartment triology which included “Repulsion” (1965) and “Rosemary’s Baby” (1968).

Death And Vanilla - Dioz Delirium

Lost Library EP
Order link: http://www.firerecords.com/product/various-artists-lost-library/ 

'Lost Library' features new music from Jane Weaver, Virginia Wing, Noveller and Death And Vanilla.

If you simultaneously pull the correct two albums from the wall-to-wall collection, the wall spins in true Hammer Horror style to reveal a secret passage that leads to the Lost Library, an eclectic shadowy domain where the audio is unique and ubiquitous. This isn’t music found on the high street – it’s a secret passion purveyed by those lost in sound in need of a soundtrack beyond Spotify.

In the Lost Library you will find music like nothing else. Take three examples:

The first from this exotic space features an eerie homage to a private press album that’s unobtainable, Danish and created by the hands of a man responsible for fermenting new age music, the mysterious Klaus Schønning. He produced Suzanne Menzel’s long lost ‘Goodbyes And Beginnings’ album in 1981. It’s a pre-genre dreampop variation delivered by Virginia Wing joined by the wonderful Jane Weaver. A marriage of meandering majesty.

That is followed by the menacing ambience of John Carpenter’s self-penned opening mélange to his claustrophobic epic The Thing delivered by the evocative sepulchral string-bending drone of Noveller. It’s a sound that represents the brooding human-inhabiting menace that The Thing’s cast unlock when an alien catapulted to earth finally thaws out. No-one is safe.

And, to conclude, why not re-imagine tradition; think what would happen if you took a song of Aaron-sweatered folk legend and turned it into a piece of echoey soft-to-the-touch analogue minimalism. You might add esoteric instrumentation, take nothing for granted and deliver the iconic guitar virtuoso Bert Jansch’s ‘Moonshine’ as an all-new glinting piece of melancholy. Too late, Swedish duo, Death And Vanilla has already done it. And it’s a haunting three minutes that never evaporates.

Jane Weaver And Virginia Wing - I Feel It Starts Again

Half Japanese - Why Not

‘Watch You, Watch Me’ from Suuns new album ‘Felt’ out March 2nd, 2018 on Secretly Canadian

Pre-Order / Stream: https://suuns.lnk.to/felt

Suuns - Watch You, Watch Me

The Jazz Butcher 
Out 9th March 2018
4CD - book back

Pre-order:
www.thejazzbutcher.bandcamp.com/album/the-violent-years

Expansive book-styled package of the first four albums from The Jazz Butcher’s early Creation Records’ years – 1988-1991.

Featuring the much praised ‘Fishcotheque’, ‘Big Planet, Scarey Planet’, ‘Cult Of The Basement’ and ‘Condition Blue”.

A sonic journey that takes The Jazz Butcher from a Weather Prophets-propelled rock ‘n’ roll visionary through to a lean jazz-tinged pop exponent.

Underlining the clever lyrics, witticisms, one-liners, melancholy, irony and conceptualisation of main man Pat Fish that came to maturity across his previous four albums for Glass (collected on Fire and much praised later last year as ‘The Wasted Years’).

Hailed by the press of the day:

“Punning, clever displays of hurt and revulsion.” Select

“That rare beast, an LP of cool, laid back pop.” Record Mirror

“A vicious mismatch of outrage, black humour and sentiment.” Sounds

“If it emanated from a more in-vogue source, would currently be having its maverick genius analysed to death.” Melody Maker

Praise for The Jazz Butcher’s ‘Wasted Years’.

“They are a band well worth re-visiting or discovering for the first time. A release very much recommended.” 8/10 Louder Than War

“An incomparable genre-bending act that requires a substantive re-evaluation. Between the pages and the artwork of this reissue lies a time capsule of a time that is just as pertinent today as the time when it was created.” 9/10 Under The Radar

The Jazz Butcher - Racheland

Half Japanese
Release new album ‘Why Not’
Out on Fire Records January 19th 2018
Pre-order: https://halfjapanesefire.bandcamp.com/album/why-not

We’re locked in the basement where tongue twisters and alliterations are the order of the day for Half Japanese. At first the band sound like The Velvet Underground fronted by David Thomas, then a long-lost college marching band with glockenspiel and brass straight from the Sunday School interjects. Let those chimes ring. 

Half Japanese have returned to peel further layers from their onion. They have a new album that's a square further on in their unpredictable musical snakes and ladders board. ‘Why Not?’ is a magical thing – it’s Springsteen’s ‘Born To Run’ recorded in a cupboard, it’s an ode to love, it’s a Wire song with two duelling guitarists being Zappa on helium, it’s Parquet Courts in a tantrum, it’s The Crickets contorted into ? and The Mysterians, it’s everywhere and nowhere, baby, it’s where it’s at.

On ‘Why Not?’ nuances are mused, situations explained, questions asked. Outside, zombies and demons roam and everyday aliens emerge from spaceships: it’s a technicolor film transcribed by Jad Fair and friends John Sluggett, Gilles-Vincent Rieder, Mick Hobbs and Jason Willett, their faces at the cracked window of their subterranean habitat looking out at the real world. 

They’re on a high from their last release:

“After all these years, his wiry voice still hits every song with a shock that’s equal parts joy buzzer and defibrillator, each barely in-key bleat alternating between laughable and life-affirming,” said Pitchfork of their last opus ‘Hear The Lion Roar’.

To which All Music added that “after nearly 40 years of music-making, they're still creating some of the most engaging recordings of their lives, and that's truly something to believe in.”

‘Why Not?’ goes further. It’s an even more intense concoction, it’s further out there. It contains pieces of fluffy thought-provoking music, a bag of sentiments delivered with a real sense of wonderment at how the normal world revolves; all powered with heart and soul, some crunchy guitars, a cello and reverb set-to-kill infiltrating their storytelling.

‘Why’d They Do It?’ quizzes track 11. Because they can.

Half Japanese - Zombie Island Massacre

Pendant que les champs brulent

Flavien Berger - Pendant Que Les Champs Brûlent  (Niagara)

Kompromat

It Grows Under

Ghost Rider

Shiny Shiny

From the album "Love Profess", out November 27th, 2020 via Trouble In Mind Records (www.troubleinmindrecs.com)

First solo album in seven years from the acclaimed Chicago visual artist and musician. Free jazz and avant garde composition meet minimal pop and analog synth experimentation. An instrumental reflection and emotional artistic portrait of our times.

Mac Blackout "Wandering Spheres"

The Unders - Sleep For What?

"Daringly different and dazzlingly diverse" Rough Trade

VANISHING TWIN / JANE WEAVER / DECISIVE PINK / MARINA ALLEN / RVG / MONDE UFO / THALA / BAS JAN / MARTA DEL GRANDI / ISLET / ELLA RAPHAEL / FATEN KANAAN / LUCY GOOCH / HATER / RATS ON RAFTS / JOSEPHINE FOSTER / DEATH AND VANILLA / ROYAL TRUX / KRISTIN HERSH / THROWING MUSES / THE LEMONHEADS / PICTISH TRAIL / THE CHILLS / HALF JAPANESE / SEBADOH / BLACK LIPS / THE DREAM SYNDICATE / GRAHAM REYNOLDS / AMBER ARCADES and more

Death And Vanilla - Dioz Delirium

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