Taking parts from Teddy Pendergrass but inspired by Dj Sneak.

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Teddy Pendergrass - You Can't Hide From Yourself - GarcyNoise EDIT

Alan Dixon x Salsoul Reworks

Let No Man Put Asunder (Alan Dixon Remix)

The Balearic Gabba Soundsystem is back, back with a new EP that features three more leftfield remixes from curious electronic specialist Enzo Elia that have all been licensed officially by Irma Records. The source material for his three unhinged reworks is a track by 90s Italian house duo Soft House Company and two from cult Italian DJ and producer Don Carlos.

Soft House Company released only two EPs, both in 1990, but made a big impact with them: pretty much everyone has heard ‘What You Need’ and that’s the track that gets remixed here. Elia turns it into a slightly more bouncy and disco leaning cut with raw silvery drums, huge vamping piano chords and those classic vocal cries and already Eddie C and Gerd Jansen have been playing it. At the breakdown there is the sound of waves breaking on a beach before pianos go wild: It’s a freewheeling and sure fire party starting track that still does the trick nearly quarter of a century after original release.

Don Carlos was behind such seminal club tracks as 1991’s ‘Alone’ and produced five studio albums in the nineties and naughties. He fuses Afro rhythms with deep house vibes and has DJed all over the world since the 70s. The first of his to get re-worked is ‘Overture’, which starts with tropical bird cries, whistles and loon calls. It’s the sound of a humid jungle that gets slowly consumed by lush pads, delicate piano melodies and stirring string sounds. With a truly magical atmosphere and uplifting joyousness permeating the whole thing, it cannot fail to make you feel on top of the world.

Finally, Elia tackles ‘Chicago’ (a track that’s already been supported by Soft Rocks) and does so with swathes of mesmeric effects. Organic hand congas, breathy vocal snippets and a bristling nebula of synths, pads and strings all dance around each other in reservedly euphoric symphony.

This might just be one of the most beautifully and bizarrely Balearic releases yet from the ever unhinged Balearic Gabba Soundsystem.

Soft House Company - What You Need (Enzo Elia Balearic Gabba Style)

Available now from - http://www.zrecords.ltd.uk/new-releases

Dave Lee joins forces with London’s super disco collective, Horse Meat Disco to rework the T.S Monk classic, 'Candidate For Love'. This debut collaboration also features long-time Sunburst Band vocalists Diane Charlemagne and Donna Gardier.

There are three mixes on offer with the classic Joey Negro Disco Blend, a more sleezy Horse Meat Disco Mix and a Moroder-ish dub version from JN.

Believe it or not this is the 200th Z Records single release which saw a limited pressing on coloured vinyl as an exclusive for Record Store Day 2014, one that sold out within hours of hitting the stores.


Candidate For Love (Joey Negro Disco Blend)
Candidate For Love (Horse Meat Disco Mix)
Candidate For Love (Joey Negro Feelin' Love Dub)


Joey Negro vs Horse Meat Disco - Candidate For Love (Joey Negro & Horse Meat Disco Remixes)

what can I say..........TUNE!!!!!!!!!!!!!!

First Choice-The Player Classic 12  mix

Unbroken (By Michael Goedeker)

An Album About Resilience and Connection

Unbroken is a journey through the fragile yet unshakable core of the human heart. Each track carries the weight of what it means to care deeply—for those who enter our lives, those who leave, those who lift us up, and those who bring us down.

The album weaves together moments of joy, loss, longing, and renewal, reminding us that resilience is not the absence of pain but the strength to move through it. It celebrates the bonds that shape us, the memories that linger, and the courage it takes to remain open in a world that constantly changes around us.

At its heart, Unbroken is an anthem to endurance: no matter who stays, who leaves, or how deeply we are shaken, we find our way back to ourselves—still standing, still breathing, still unbroken.

Somebody (Clubmix)

Grafenberg’s debut full-length No Saints, No Proof is a hallucinatory collision of Anatolian psychedelia, dark electronic ritual, and surf-noir energy.
Ten tracks unravel like a midnight drive through shifting mirages: fuzz-saturated strings, trembling synths, hypnotic motorik drums, and a deep female voice bending between whispers and fire.

It is an album about memory and resistance — how glitches, ghosts, and fractured signals can become sacred. Ritual mantras (“Order Eats the Sun”, “Loom of Wires”) sit alongside spectral ballads (“Tape Ghost Mirage”, “VHS Desert Prayer”) and driving nocturnal anthems (“Motor Moon Communion”).

The sound is tactile, imperfect, and alive: warm compression, tape-delay halos, lo-fi grain.
For listeners of Gaye Su Akyol, Altın Gün, Tame Impala, and anyone seeking a darker, cinematic edge to psychedelic electronic music.

Let No Man Put Asunder (Alan Dixon Remix)

First Choice

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