a natural

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Gabber Modus Operandi - Larung [digital only]

Misinput Tycoon (GEN052) is an album full of intricately engineered, futuristic sound explorations. More than ever, this album is littered with colorful, even contemplative segments: having an orchestrated, playful feeling. But make no mistake: more than mere intermezzos, this only a further dimension of the album's depth, the bright timbres ready to interface with a stroboscopic, liquid, granular counterpoint at any time.

Hungarian sound engineer, ex-media arts student, and sought-after producer Roland Nagy (previously on Infinite Machine or Pointless Geometry) says about his album:

“I’m constantly watching pixels since I was 5. This album reflects wasted time and digital traumas. MISINPUT TYCOON is a sequel of my FULLSCREEN album from 2019 - a sonic playground that feels much safer to me compared to my previous works. Also, it's the first album I made without hearing „What would XY think about this track?” in my head. These are my hymns for healing from the digital core - hope it will help.”

https://soundcloud.com/genotcentre
https://soundcloud.com/fausto_mercier

Misinput Tycoon

Premiere: Fausto Mercier - softlock by default [Genot Centre]

workin wit uncleard @tylerthecreatorofficial sorry not sorry samp-les

fuk em loop

Recorded along the south Platte river in the spring of 2024. Thank you all for coming out. ♄

Aqua Eros DJ Set, live from a beautiful meadow

Fortieth Cime show on @radio80000

w/ @ambiguouslimbo

Artwork by Tom

Cime w/ ambiguous limbo on Radio 80000 (May, 21st, 2024)

Interior proudly presents (O)nline (S)ound (T)erminal, a redesign & new approach to our mixes series Chronically Online. We had the opportunity to use Motif, a font developed by Neuume, past collaborator of the label and extremely talented artist.

As a prelude for this new series, we invited Cologne based artist @blu22y, host of @ctlinks, a multidisciplinary solo mixing series, who prepared two beautiful mixes ♪

(0.2) ♪ "Stadium Drive"

blu22ly ⭑
@blu22y
@ctlinks
www.instagram.com/blu22y

O.S.T.(0.2): blu22y ꩜ "Stadium Drive"

[UUA-052]
Elevation - BTTE
credits
released June 18, 2024

sequel to bound to this earth
ukiukiatama.bandcamp.com/album/bound-to-this-earth

music by Elevation

Art by Supply Chain Sigil

HOW TO SAVE A LIFE

First Circle

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