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As has become traditional over recent years, around this time I like to give away a track as a token of my appreciation for those who have supported me so here it is, my 'These Are The Times' rework of Subspace - Thirteen. Enjoy! :)

Sub Space - Thirteen (Alan Fitzpatrick These Are The Times Rework)

Stephan Hinz - Hub One
[SECOND STATE: SNDST007]
 
A: Stephan Hinz & Pan-Pot - Tension
B1: Stephan Hinz & Philipp Ruhmhardt - Hak
B2: Stephan Hinz & Clint Stewart - Shimmer 

VINYL
Decks.de: http://bit.ly/1vljBNL 

DIGITAL
Beatport: http://btprt.dj/1BeKOS1

We here at Second State are thrilled to bring you our new concept entitled HUB. While most labels these days are doing various artists releases to showcase the overall talent on their label, we thought it would be better suited for both our listeners and ourselves to break the mold and bring you a series of true collaborations. Each HUB release will feature a single artist teaming up with others from the Second State family to create an EP of authentic musical compromises. A place where multiple minds find a harmony somewhere outside their own identity and each collaboration conceives a genuinely unique artifact. With this, there is no one we would rather have kick off the series than the man behind the massive EPs; 'Throwl' and 'Doch', Stephan Hinz with HUB One!

Second track of the EP is Next is 'Hak' with Philipp Ruhmhardt. Together they have already made waves with their tune, 'Doch' becoming an anthem almost immediately since it's release last May. This time they are back with a stormer that feels like racing through a metropolis at warp speed. Each chord stab is a quick, bright flash of color as the shakers and hi hats impersonate the rapid pulse of a speedometer. 'Hak' is a white knuckle ride. 

@stephanhinz
@hinzandruhmhardt


Beatport

Stephan Hinz & Philipp Ruhmhardt - Hak

Mars Bill - Panorama [INTACDIG047]

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D-Unity - Sensation



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

BITT093 - Raffaele Rizzi - Dreams Come True

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Mark Reeve is a name synonymous within techno, having released on labels such as Drumcode, Cocoon and Bedrock in recent years. These releases have served as a platform for him to tour the world as a DJ, playing esteemed festivals like Awakenings, Tomorrowland and B My Lake. 

2017 see’s him return to Truesoul with ‘New Path EP’, comprising of two blistering tracks in ‘New Path’ and ‘Acceso’. Both tracks are teeming with dark sounds and heavy textures and are typical of Reeve. The title track ’New Path’ is a homage to his groove laden past, calling on big bass lines and sweeping percussion that takes you on a ride through the track. ‘Acceso’ is more of a rolling affair with a thumping beat and some divine synth work. These are certified floor fillers and given the Adam Beyer stamp of approval.

Mark Reeve - New Path - Truesoul - TRUE1294

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

@laytongiordani is back on @Drumcode with three tracks including ’Take It Back’. Out Oct 9th, hear it here fist.

Layton Giordani - Take it Back

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

ID152 1. Umek Percussionix Mix 1

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D-Unity - Sensation

Azureon: First Edition

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