Name: Epilogue (Επίλογος)- Piano Live Somewhere in Italy. by Fivos Valachis in my list for my midnight
Duration: 6 min 14 s
Description: Live concert with Siri and Elena (voice).

I was listening to a group of tracks without watching the SC page and had to come back to it to see who's music this was.  Very well done Fivos!  You are truly a master at creating fine music in many styles!

I always wonder what life would be like if I could take her with me to Italy, warm idea but I want to do it so bad 
أفكر في هذا المشهد كيف سيلمس أعمق نقطة بروحي، فستراني أثرثر لك عن الفن والأيام الماطرة وتأثيرها الهادئ على النفس ويليها حديثنا عن لماذا أختار فان جوخ الأنتحار وكيف أبدع بيتهوفن بموسيقاه رغم أنه كان أصم او لماذا لم يستسلم أديسون وكيف أصبح دوستويفسكي روائيًا عظيمًا، سأحدثك عن القطط والشوارع والغربان والغيوم وأنواع القهوة ونكهاتها، سأحدثك عن التاريخ والفلسفة والأديان السماوية والسياسة وماهية الجنس وعدمية الحياة أو عبثيتها وعن أساطير لا يزالوا البشر يؤمنون بها وكيف يزداد اقتصاد العالم يوما بعد يوم ولماذا كان هتلر شخصًا شرسًا خلده التاريخ وكيف انتهت الحرب الباردة..

yo this sounds like that orochimaru Theme in Naruto. js

YES A VERY BEAUTIFUL  PERFORMANCE, RATHER CAPTIVATING (*;*)

my list for my midnight

Live concert with Siri and Elena (voice).

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Epilogue (Επίλογος)- Piano Live Somewhere in Italy.

Premiere of Joel Puckett's Concerto Duo (for solo flute, solo clarinet and orchestra)
Demarre McGill, flute
Anthony McGill, clarinet
Chicago Youth Symphony Orchestra Allen Tinkham, conducting
Recorded live at Orchestra Hall in Chicago on May 13, 2012

PROGRAM NOTE: As I began work on this concerto for the brilliant brothers, Anthony and Demarre McGill, my thoughts naturally turned to family and
childhood. To shared experiences and the joy of comradery and sibling rivalries. Although the entire piece is dedicated to the
brothers, the movements take their inspiration from, and their dedications are given to, three very special toddlers.
The first movement carries the title, “Great American Scream Machine.” Growing up in Atlanta, my folks used to take my sister and
me to Six Flags over Georgia every summer. That park features the world’s largest wooden rollercoaster, the Great American Scream
Machine. Even as a child, I knew in my heart that it was probably a terrible idea to build a rollercoaster out of wood and an even
worse idea to be proud of having the LARGEST one. Needless to say, this thing terrified me [and does to this day].
This movement is dedicated to Roya McAllister whose parents are my dear friends, Roshanne Etezady and Timothy McAllister. I first
came to know Roshanne’s music when we were in graduate school together. She wrote a fantastic piece about motorcycles [and life]
for the Albany Symphony’s Dogs of Desire project. I remember thinking, “That first measure is AWESOME!”
In December, Roshanne and Tim welcomed their daughter Roya to the world. I stole my memory of her first measure and created a
sketch version of what eventually became this movement as tribute to her and a testament to little Roya to make sure she knows how
cool her mom is. Roya, you are a lucky little girl!
If you have ever tried to put a toddler down for a nap, you will understand the sentiments behind the second movement. The image
of the soft lullaby gently and smoothly soothing children to sleep seems ridiculous in the face of my nightly reality! My daughter fights
sleep like a heavyweight prizefighter.
Our nighttime routine has become set in stone. I give her a bath, put her in her pajamas, and we read a book or two. And then we
come to my favorite portion of the routine: the lullabies. Doing my part, I sing her slow lullabies while rocking her and she does her
part, fighting the onset of sleep.
By far her favorite lullaby is the one my grandmother [Mama Dee] used to sing to me: “Sail Far Away, Sail Across the Sea, Only don’t
forget to Sail, back again to me.”
At least, I THOUGHT it was the one Mama Dee used to sing to me. I got curious about the rest of the verses and found that the
song was written in 1898 by Alice Riley and Jesse Gaynor and has only a passing resemblance to the song I remember Mama Dee
singing to me. Better yet, it has virtually no resemblance to the lullaby I had been singing to my daughter!
So this movement is both a journey of daddy trying to coax daughter to sleep and a journey of daughter enjoying the song, fighting
sleep and eventually succumbing to slumber.
I have had this material in my head, virtually nonstop, since the day my daughter was born. I first created a winds only version of this
“lullaby” as a gift for my daughter on her 1st birthday.
Following an extended introduction of the lullaby material by the soloists, you will hear the soloists take turns trying to coax the
toddler to sleep only to be interrupted by the little stomps of a very tired and stubborn [but very cute] little girl. Approximately two
thirds of the way through the movement a dramatic change over occurs where all involved [daddy and daughter] begin to succumb to
sleep.
As the haze overtakes daddy and daughter, the lullaby appears in four-part canon, with half the orchestra singing and half the
orchestra playing the lullaby then slowly dissolving into a sleepy A-flat major chord that is sung by the entire orchestra.
Happy birthday, little A!
The soloists emerge from this singing to begin the third movement by passing apeggiations back and forth, slowly picking up more
and more steam and launching into a sounds that are reminiscent of the cool breezes and sunshine of Southern California, which is
the birthplace of Audrey Simonds’s father. This movement is dedicated to the daughter of CYSO’s own general manager, Joshua
Simonds, who has been a sounding board and source of constant support throughout my time as CYSO’s composer-in-residence.
Audrey, your Dad is a very special person.
Concerto Duo is dedicated to the amazing brothers, Anthony and Demarre McGill and their parents. They are an inspiration and
fantastic models for how to live as an artist and, more importantly, as a human. I am humbled and grateful to have them turn their
attention to my notes.
Concerto Duo premiered on mother’s day 2012, in Chicago’s Orchestra Hall by the Chicago Youth Symphony Orchestra
with Anthony and Demarre McGill, soloists and Allen Tinkham, conducting.

Concerto Duo with Demarre and Anthony McGill [LIVE]

Angry, angular, aggressive, all the As. Bach owning the upside down fugue :)

Partita No. 6 In E Minor, BWV 830  Gigue (James Rhodes, piano)

In a writing career that spanned over twenty years during the explosion of poetic and theatrical creativity of late Elizabethan and early Jacobean periods, William Shakespeare produced a body of work that has become the bedrock of human thought, literature and language in English. His poetry and plays have endured for almost 450 years, such is their universal appeal and understanding of the human condition. And yet Shakespeare wrote almost nothing of himself. Who was this socially ambitious wordsmith who had neither pedigree nor university education? What was his family life like? How did he work?

Shakespeare: History in an Hour is the essential guide to the life of Shakespeare, his relationships, colleagues and his breathtaking works. From the Elizabethan world to which he was born, to the theorists and critics that continue to debate him to this day, this is the story of the most revered writer of all time.

Love history? Know your stuff with History in an Hour…

William Shakespeare: History in an Hour, by Sinead Fitzgibbon, read by Jonathan Keeble

Francis Lai - Un Homme Qui Me Plait 2

Karim Baggili - 2013 - Kali City Featuring Le Trio Gubran 

Karim Baggili - Big Fish HQ

find your clarity & stay in spectrum (lovely piano)

What Child Is This

Original composition by Maria Antonieta Rodriguez
© 2016 Maria Antonieta Rodriguez. All rights reserved
Artwork from web

A Frozen Moment In Time

Evgeny Grinko - Valse

This started as a quick improvisation on my Instagram and everyone started telling me to make a full track out of it.  Well, here goes a quick attempt at making this a full track.

One Bedouin Night

Emptiness?

14 June 2013
I 've composed that piece yesterday night, when i was thinking about what is happening in europe.
Someone has just listened and told me that is was plenty of joy and melancholy, calm and anger, lightness and gravity.
It is true. Is what i feel when i see what we are doing to the wonderful dream called Europe United.


Beta Version 0.01 (Europe Today) - Piano Solo

My Sweet Orange Tree & Amazonia Eterna (Original Soundtrack)

ZéZé (From "My Sweet Orange Tree") ~ Armand Ammar

Torino, 01 September 2018
Welcome in my musical diary. Piano Solo.
I hope you enjoy it.
contact: soundcloud@valachis.com
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http://about.me/fivos.valachis
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More than 6.000.000 plays on SoundCloud and many friends from around the world in three years.
At 20 May 2013, when I made my first track sharing (Fivosvalachis – Starting-terminus), was not imaginable.

it is obvious that I'm happy and I want to share my happiness with all of you who have participated and helped me in this journey.

all of you who have encouraged me with listening, commenting, with your likes, the repostings and support in other social media:
facebook: www.facebook.com/FivosValachis/
youtube: www.youtube.com/user/fvalachis/
spotify: open.spotify.com/artist/25SRM5wLczZ3uTLcVXRoe7

all of you who bought my albums allowing me to take time to my work and dedicate it to music:
itunes.apple.com/artist/fivos-valachis/id791504632
fivos-music.bandcamp.com/

all the great musicians who have participated in my projects, adding their sensitivity to my compositions and those that have allowed me to work on their wonderful projects.
They are all listed here:
soundcloud.com/fivosvalachis/sets/collaborations
soundcloud.com/fivosvalachis/sets/collabs-in-other-projects-and

all the friends known in this virtual square, musicians and not, that for personal reasons, a composition was born, listed here:
soundcloud.com/fivosvalachis/sets/dedications

all the PianoCloud friends and specially Pamela Chng that has proposed me:
www.facebook.com/groups/ThePianoCloud/
thepianocloud.com/

Pascal Durif for its beautiful photographs that were often a source of inspiration:
www.facebook.com/pascal.durif.9

Nick Thomas to be chosen many times to transmit my music at Redruth Radio:
www.facebook.com/nick.thomas.58
www.mixcloud.com/tag/nick-thomas/
soundcloud.com/fivosvalachis/sets/radio-trasmissions

Giovanni Dissegna for the organization of my concerts:
@giovanni-dissegna

and of course my family:
soundcloud.com/fivosvalachis/sets/my-family-album

Epilogue (Επίλογος)- Piano Live Somewhere in Italy.

Fivos Valachis

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