@dmitry_glushenko: thank you very much Dmitry for your beautiful comment. honoured.

Fivos,the melody encompasses the innocence of children,the sadnes of change and the uplifting mood of hope....powerful and emotional,intense and touching,you play this piece with thought and expression....wonderful phrasing,exceptional dexterity and exquisite composition sir. Peace :))

Great melodies, diving into those gorgeous chords !

hey everyone, this is not commercial music,that do you hear on the radio or television.
 is special. for an open mind, soul and heart feelings that we all have.
probably not going to like.
but maybe you will like. 
try.
you will gain a new experience that not cost you anything.
enjoy


enjoy

ancone likes

The years pass and we forget that when we were children and less conditioned, we could have fun with a little.
Our priority was the desire to have fun e don't to own the game.

If you like that piece and you can, please consider a donation to:
DOCTORS WITHOUT BORDERS / MEDICI SENZA FRONTIERE / ΓΙΑΤΡΟΙ ΧΩΡΙΣ ΣΥΝΟΡΑ.
Just go here http://fivos-music.bandcamp.com/ and make a gift for the price of a coffee!

Download

We Didn't Need Much, Nocturne 16 Oct - Piano Solo

Produced by www.stanleonard.com
If you download, pls share or like it
Thanks for listening...

Let's Go

In existence there are ideal forms and there are imperfect manifestations of these forms.  It is a matter of philosophy which is more real to us in our experience of the world:  the perfect idealized form of an apple, or the imperfect manifestation of this form that is said to "participate in apple-ness".  In fact we don't ever see the real idealized form of an object or an idea. It is as if, as Plato said, we are prisoners of a cave, where the objective form sits outside the cave and casts shadows on the interior wall of the cave.  We see only these shadows that are subject to the limitations of our perception and influenced by the collection of our emotional beliefs and past experiences.  More abstractly, these shadows may represet a potential relationship, any of our desires or goals, our self image, or a myriad of any possible other more mundane things. We reach towards these shadows trying to understand as best we can, trying to refine them to be one step closer to perfection.  Sometimes magic happens here. Other times it does not.  Sometimes we fail to realize when it has happened.  Other times we fool ourselves into believing it has happened when it has not. The best we can hope for is to remain humble and patient, and continue to believe our perception will eventually converge with reality if we continue growing and reaching for shadows...

//////////////////////////////////////////////////////////////

"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.

Andrew Souter -- Reaching For Shadows

from 'Carlos Cipa & Sophia Jani - Relive' [CD|LP|DIGITAL]
Denovali Records · den192
available in January on all formats at [denovali.com/carloscipa]

CARLOS CIPA, musician and composer residing in Munich (Germany), has been teaming up with pianist and composer SOPHIA JANI to follow up his highly acclaimed full length debut “The Monarch and the Viceroy“ with a two-piece collaboration record named RELIVE.

Carlos discovered his passion for music very early in his life. At the age of 6 he began taking classical piano lessons with various renowned teachers. Ten years later after he started playing drums in different bands he became more and more interested in composition and improvisation. In the following years he made experiences in different music styles like jazz, hardcore/punk, indie rock and orchestral music. For his debut record on Denovali Records he focused on his main instrument, the piano. Currently, he is studying classical composition at the “University of Music and Performing Arts Munich”.

Since the release of his debut record, Carlos so far shared the stage with marvelous acts like A Winged Victory For The Sullen, Valgeir Sigurðsson, Nils Frahm and Ólafur Arnalds.

Sophia Jani, being in the beginning of her twenties like Carlos, has discovered her fascination for piano in a similar age. She is classically trained on piano and violin and has deepened her skills at the conservatory of music in Munich before she began studying piano at the conservatory in Bordeaux, France. Sophia left Bordeaux after one year turning away from just interpreting classical pieces to concentrate on writing her own music. Taking this crucial step, a concert of Ludovico Einaudi she attended played an important role. Recently Sophia developed an interest in filmscoring as well as experimenting with vocals. Besides classical composers like Chopin and Ravel, filmmusic especially from Bernard Hermann and Thomas Newman influenced her compositions.

The two pieces “Anouk’s Dream” and “Whatever a Sun Will Always Sing” were written for Carlo’s and Sophia’s performance at the Denovali Swingfest 2013 in Essen. The idea was to jointly compose two piano pieces for four hands, which do not only include playing the ordinary way, but also utilising rather unusual sounds from inside the piano. Carlos and Sophia used all kinds of contemporary techniques to create these sounds, like plucking and beating the strings with their fingers or different kinds of beaters, bowing them with nylon guitar strings, creating harmonics while pressing fingers down on the strings during playing, using the „aeolian harp“-technique (used for the first time by Henry Cowell in 1923) or creating beats on the cast iron frame. Throughout the two tracks nothing other than their combined fingers, the two nylon strings and three different kinds of beaters were used to create the music, the pieces can be played live without using any electronics.

During the recording process of the album RELIVE, neither of the compositions has been changed in any way. They were played exactly as in the live situation, which was a very important theme throughout this collaboration.

Carlos Cipa & Sophia Jani - Whatever A Sun Will Always Sing (Snippet)

Hi all,

This track is taken from my forthcoming album Heart Strings, which will be released on 9th May 2015.  This piece was written a couple of years ago, but has been fully remixed.  I hope you enjoy this track.

Follow me on Facebook for details of my forthcoming album... www.facebook.com/EdHaydonMusician

Ed

Hope (from my debut album "Heart Strings")

:)
https://youtu.be/mhiXQXrvMyk?si=NUz2n5X2YLcQEfvR

ed sheeran - tenerife sea (lovely piano)

Hundreds

Winter trees

Lyrics and voice: Oddrun Eikli @oddruneikli
Keyboards: Vicente Bueso 
Artwork: Juan Carlos Grande

Time Will Tell Us.

They are waiting
they can not live there anymore
they are waiting to set sail

the rain looks like fastflowing streams
it gleams

they can not live there any more

they stand in the cold in a bitter wind

they can not live there anymore

time will tell us 
what we will be
we are waiting to set sail

time will tell us
they are waiting to set sail

Lachrymose

Time will tell us

Lachrymose V (Time will tell us) feat. Oddrun Eikli

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@edcarlsen
Ed Carlsen: piano, programming
Recorded by Ed Carlsen 
Mixed by Ed Carlsen
Mastered by Emil Thomsen

distorted strings:
Matias Emil Fyhn: Cello
Sofia Kongsgaard Lang: viola
Nanna Treu: violin

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Ed Carlsen - Weaved (Algorithmics/Piano Day 2017)

The soundtrack for my upcoming short film "The Future is Ours"

The Future is Ours

Closer, Still

Hindberg

formally composed for Stanieri, a play by Antonio Tarantino directed by Gianluca Merolli. With Francesco Biscione, Paola Sambo e Gianluca Merolli.

original music: luca longobardi

Stranieri (main theme)

Audiomachine  - Requiem of the Night

Jay Chakravorty - What Comes After

Imagine: the kingly suppressor enters the dystopian story and everyone is afraid of his judgement. The protagonist fails to escape his gaze and a confrontation follows. Although there shouldn’t be any hope, our protagonist manages to escape with flair and the journey begins.

The Puppet King

Torino, 01 September 2018
Welcome in my musical diary. Piano Solo.
I hope you enjoy it.
contact: soundcloud@valachis.com
-
http://about.me/fivos.valachis
-
More than 6.000.000 plays on SoundCloud and many friends from around the world in three years.
At 20 May 2013, when I made my first track sharing (Fivosvalachis – Starting-terminus), was not imaginable.

it is obvious that I'm happy and I want to share my happiness with all of you who have participated and helped me in this journey.

all of you who have encouraged me with listening, commenting, with your likes, the repostings and support in other social media:
facebook: www.facebook.com/FivosValachis/
youtube: www.youtube.com/user/fvalachis/
spotify: open.spotify.com/artist/25SRM5wLczZ3uTLcVXRoe7

all of you who bought my albums allowing me to take time to my work and dedicate it to music:
itunes.apple.com/artist/fivos-valachis/id791504632
fivos-music.bandcamp.com/

all the great musicians who have participated in my projects, adding their sensitivity to my compositions and those that have allowed me to work on their wonderful projects.
They are all listed here:
soundcloud.com/fivosvalachis/sets/collaborations
soundcloud.com/fivosvalachis/sets/collabs-in-other-projects-and

all the friends known in this virtual square, musicians and not, that for personal reasons, a composition was born, listed here:
soundcloud.com/fivosvalachis/sets/dedications

all the PianoCloud friends and specially Pamela Chng that has proposed me:
www.facebook.com/groups/ThePianoCloud/
thepianocloud.com/

Pascal Durif for its beautiful photographs that were often a source of inspiration:
www.facebook.com/pascal.durif.9

Nick Thomas to be chosen many times to transmit my music at Redruth Radio:
www.facebook.com/nick.thomas.58
www.mixcloud.com/tag/nick-thomas/
soundcloud.com/fivosvalachis/sets/radio-trasmissions

Giovanni Dissegna for the organization of my concerts:
@giovanni-dissegna

and of course my family:
soundcloud.com/fivosvalachis/sets/my-family-album

We Didn't Need Much, Nocturne 16 Oct - Piano Solo

Fivos Valachis

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