the second half of a recording made by the London Contemporary Soloists, 2015

string quartet (second half) (2009)

Recorded in Pollack Hall, Montreal, QC. October 22nd 2016. 

Kate Maloney - violin I 
Frédéric-Alexandre Michaud - violin II 
Lauren Tyros - viola 
Thomas Beard - cello
Austin Stawowczyk - recording technician, mix and master

In the Wave-Strike Where the Brightness Bursts and Enacts Its Rose (2016) for string quartet

Dedicated to promote young and evolving artists, raster-noton is curating the unun series which name refers to the chemical elements 111-119. »Unalloyed, Unlicensed, All Night!« is Jesse Osborne-Lanthier’s first release on raster-noton, and the ninth and final release of this series.

Jesse Osborne-Lanthier is a Berlin / Montreal based, Canadian electronic music producer and multidisciplinary artist. His erratic research process incorporates the urgency of dance music and conceptual electronics by disassembling their grammar and acting through it. Refusing to follow the etiquette of a particular musical genre, he explores many creative practices in order to generate clashes of mood, expectation and technique.

»Unalloyed, Unlicensed, All Night!« was recorded by Osborne-Lanthier a mere two hours before a live set in Paris. Its specific purpose was to generate a response from the audience, to stimulate their bodies through sound. The toolbox for this task was stocked with automatic call-and-response music tropes drawn from EDM, big-room house, trance, and online production tutorials. Between the producer’s idiosyncratic by-the-numbers process and the rushed nature of the composition, the final product is rendered unpredictable; each signifier transforms into a distorted ghost of itself. This allows for unexpected responses to manifest on the dance floor as well as in the listener’s space of existence.

’Unalloyed, Unlicensed, All Night!’

jesse osborne-lanthier »blackwell dynonetics« taken from »unalloyed, unlicensed, all night!«

Excerpt of a performance with Anne Bourne and subwoofer installation at 8-11 Gallery, Toronto December 13th 2016 as part of the exhibition "Every sound is a small action and broke world".

More here: 
https://www.christopherwilles.com/every-sound-is-a-small-action-and-broke-world

--
December 13th, 2016 
8-11 Gallery
233 Spadina ave. Toronto

satellite: anne bourne (excerpt)

"Glaciers I (Pt I)" by Jessica Moss
From the album Pools Of Light
CST124

05 May 2017
Constellation
Deluxe 180gLP / CD / DL

cstrecords.com/cst124

Pools Of Light

Jessica Moss • "Glaciers I (Pt I)"

Points of Infinity (2017)
For viola and playback

Performer: Beth Meyers

Points Of Infinity

Eroding, for sextet  (2017)

Maria Luisk, alto flute; Michael Moy, bass clarinet; Matt Keown, vibraphone; Sophiko Simsive, piano; Kyungah Oh, violin; Yiqiu Chen, cello

Over thousands of years the glacial river Hvítá in Iceland has carved a deep gorge into the surrounding rock. At one particular twist in the river, the erosion has left several huge pillars of hyaloclastite rock, which look as if they were flung haphazardly into the riverbed. In fact they were revealed slowly over time from the process of the river carving away their surroundings. In Eroding, the players create a dense mass that gets worn down over time in order to reveal the spiky formations beneath the surface.

Eroding

Recorded on January 8, 2018 at Klangraum Krems Minoritenkirche in Krems an der Donau, Austria.

Krems an der Donau, Austria - Jan 8 2018

For voice and amplified chamber ensemble

Performed by Madeline Healey and the Refugee Orchestra Project, conducted by Lidiya Yankovskaya

Premiered at National Sawdust, 06.12.18

Constellations

For viola and electronics. Performed by Matt Laing, at the Australian National Academy of Music, 2012.

repose and vertigo in diluvial light (2012)

"The Farthest Place" by John Luther Adams
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for violin, vibraphone, marimba, piano, doublebass
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Matt Albert - violin
Leland Byrd - doublebass
Kevin Rank - marimba
Charlie Rockwell - vibraphone
Jason Smith - piano

Eroding

Fjóla Evans

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