Electro Romantica

Operator Love

V/A - Sous le soleil de Saubrazil
BUY LINK:  https://blackpatternrecords.bandcamp.com
Label: Black Pattern Records (https://soundcloud.com/black-pattern-records)

"Sous le soleil de saubrazil" is a 6 track compilation that will be available on all streaming platforms as well as on vinyl. The project was born from a close collaboration between the label Black Pattern Records and the festival "Saubrazil" which will take place from the 27th to the 29th of July 2023.

What is Saubrazil?

3 days and 3 nights of madness on the program for the 1'500 expected festival-goers of the 3rd edition of Saubrazil.

Come and enjoy 2 bars, 3 food stalls, 1 campsite, 1 car park and much more...

A team of 60 Saubrazil volunteers will be on hand to ensure that you enjoy the performances of more than 25 local artists in a variety of styles in the best possible conditions.

Saubrazil being a festival mainly focused on house music, the idea was to give the festival its original music. Moreover, several artists present on the compilation will be on the festival's program.

It's an open project artistically, ranging from a very summery and festive music (faithful to Saubrazil), to more underground tracks referring more to the identity of the label.

Listen to this project will immerse you in the atmosphere of the festival even before it begins.

Web / Social Media Links:

IG : @blackpatternrecords

BUY LINK

PREMIERE : Stelvio - Evening Soul

Say My Name

DJ D.A.M.S.77 DICE Hakuna Matata 2025

Traxsource: www.traxsource.com/label/61340/spa-club
Beatport: www.beatport.com/label/spa-club/100718
JunoDownload: www.junodownload.com/labels/Spa+Club/
Bandcamp: https://spaindisco.bandcamp.com
Instagram: www.instagram.com/spaclubrecords
Facebook: www.facebook.com/SpaClubRecords

Buy On Traxsource

[SPC159]  - RUBEN COSLADA - Some Kind of House Music (SENIOR CITIZEN REMIX)

I'm Just Bouncing Around

Demontage

1st Release / Unsigned 

Playlisted on Houseum : 
https://www.youtube.com/watch?v=U9Ld_qIWV9o

Mars Jr. - The Floor Is Groove

Live Goes On

Rainmaker

For the second opus of the Popcorn Diary, Popcorn is proud to present a sparkling trio of Parisian collaborations… 
Vadim Svoboda & Paul Cut, Seuil & Yakine, Siler & Flabaire. Six producers, three original tracks !

V/A - Popcorn Diary Vol. 2

LISTEN ON YOUTUBE

PREMIERE : Siler & Flabaire - Venus Institut La Taille

Buy/stream: https://kompaktrecords.lnk.to/EverybodysKissingEveryoneSD

The story’s been told before, though perhaps it hasn’t been documented as well as it should have been: a group of young producers in Germany were knocked out by acid tracks, and in particular, the UK’s acid house moment, convinced by the way it negotiated pop’s pleasure and dancing’s drive. Across the turn of the decade, The Bionaut’s Jörg Burger, alongside friends and peers Wolfgang Voigt, Ingmar Koch, Cem Oral, Andreas Bolz, Gregor Luttermann, would produce a dizzying number of tracks under a mountain of pseudonyms.

1992 was a turning point for Burger. Moving between Frankfurt and Cologne, Burger produced Everybody’s Kissing Everyone with one eye on the dancefloor, the other on the lounge room. The productions from these fruitful sessions share a glam poppiness, even at their most supine, with Burger returning to his pop roots. This was a running theme across the nineties, as he released a stretch of pop-electronica albums and EPs as The Bionaut and The Modernist.

Vivid and welcoming, precision-tooled for the dancefloor, dewy-eyed and humbly melancholy, The Bionaut’s productions manage to make risk and experimentation welcoming, joyous – the inverse of so much studious experimental music. Talking about his productions as The Bionaut, Burger uses the term ‘metapop’ to explain his music, and that’s a perfect way of thinking about what he does – it’s at once pop and beyond pop, with a knowingness that gleefully ransacks pop’s history.

You can hear, in the seven tracks on Everybody’s Kissing Everyone, reflections of UK acid house, the spiralling squelch of Chicago acid tracks, the lilting lightness of pop-trance, but the connecting force is a lushness of tone and richness of melody that points forward to the pop-tronica of later Bionaut. Here, Burger takes a snapshot of that precise middle-point between the dancefloor and the bedroom and colours it in both primaries and pastels. It’s a most elegant swoon.

Demontage

Flaer

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