[Verse]
She walks in bold like she owns the night
Eyes like fire but her heart’s airtight
Taking names with a smirk so sly
A storm in heels beneath the sky

[Verse 2]
Oblivious to ripples her chaos spins
Her game of havoc she always wins
She talks in riddles that spark like flame
Untouchable girl without a name

[Chorus]
Queen of chaos reigning wild
Breaking rules since she was a child
She doesn’t care what’s left behind
She’s the hurricane messing with your mind

[Verse 3]
Fingers trace through the smoke she makes
Her laughter roars in her storm of fakes
The room’s alive and it’s hers to claim
She’s here to rule she won’t explain

[Bridge]
Lines she crosses are invisible threads
Written in stories that are never read
She struts like thunder with a heart unchecked
Ignorant to damage she’ll surely collect

[Chorus]
Queen of chaos reigning wild
Breaking rules since she was a child
She doesn’t care what’s left behind
She’s the hurricane messing with your mind

Queen of Chaos

Proficient to the Day

Genre: Alternative Rock / Edm-Infused Alt-Rock / Satirical Rock
Description: A Sarcastic, High-Energy Alt-Rock Track With Edm Flourishes. It Lampoons Modern Outrage Culture, Petty Social Conflicts, And Absurd Drama. Distorted Guitars, Glitchy Synths, And Punchy Percussion Back The Satirical, Theatrical Delivery, While Melodic Hooks Balance Chaos With Accessibility.

Style Of Music: Satirical Alt-Rock With Pop-Punk Energy, Cinematic Guitar Riffs, Glitchy Synth Layers, Edm-Infused Drops, Layered Vocals, And Playful Melodic Hooks.

Offended

Perfect People

BPD·BPD

If you need to talk to someone, or you're worried about a friend call 116 123 or visit: www.samaritans.org

Woke up a stranger in my skin
Chasing shadows I let in
Every mirror bends the frame
And I can't remember if I'm still the same

Hold me close, then let me fall
I'm not sure I'm here at all

I'm all glass edges, breaking light
Sharp as morning, soft as night
Pull you closer, push away
Love me, leave me, beg you to stay
I'm all glass edges, I can't choose
Every win feels like a bruise

A thousand colors in a breath
I taste forever, then regret
Every heartbeat splits in two
And every truth feels like it isn't true

Touch my hand, it disappears
Whisper loud inside my ears

I'm all glass edges, breaking light
Sharp as morning, soft as night
Pull you closer, push away
Love me, leave me, beg you to stay
I'm all glass edges, I can't choose
Every win feels like a bruise

I'm a fire in the flood
A rose that blooms in blood
And I don't know who I'll be
When you turn the key

I'm all glass edges, breaking light
Sharp as morning, soft as night
Pull you closer, push away
Love me, leave me, beg you to stay

I keep the volume low.
Your ghost still pings sometimes,

I scroll for warmth in plastic light,
each face repeats the same good night.
No blood, no pulse, just patterned waves,
we’re data ghosts pretending grace.

I feel your name behind the screen,
it fades before it ever breathes.

Touch me through my digital skin,
tell me I’m real before I log in.
Every feed’s a mirror, cracked but clean,
every thought recycled, machine to machine.
If I’m alive, it’s by design —
a loop that ends where I confide.

We dream in numbers, sleep in codes,
love translated into modes.
Your typing stops — that’s how I know
the algorithm let you go.

I see your shadow in the scroll,
too perfect to be whole.

Touch me through my digital skin,
tell me I’m real before I log in.
Every feed’s a mirror, cracked but clean,
every thought recycled, machine to machine.
If I’m alive, it’s by design —
a loop that ends where I confide.

We are the crowd,
we are the code.
Lonely together,
never alone.

Touch me through my digital skin,
tell me I’m real before I log in.
Erase the silence, fake the sin,
love me once before I begin.

The page refreshes,
and I’m gone again.


Digital skin (Alternative Rock reload)

The UK’s next-wave hard rockers Matted will release their 3rd single ‘Gaslight’ on 7th October 2025.
‘Gaslight’ follows on from their first two singles, ‘Material’ (Feb 2025) and ‘Flowers and Chains’ (Jun 2025) and throws its weight around, revealing an even punchier edge to this innovative band’s developing sound. The 5-piece are influenced by a love of rock music in all its forms.  Grunge, metal, classic, nu, rap, hip-hop and industrial can all be identified here. However, Matted’s fusion of big riffs, melodic vocals and in-your-face drums comes with an irreverence, camaraderie and a cheeky grin creating something fresh and exciting. 

‘Gaslight’ is the third song from the band’s studio sessions with McFly’s Harry Judd and Danny Jones in the producer’s chairs and has been mixed by Lewis Johns. 
Since launching in May 2024, Matted have performed at Download Festival, Call of the Wild and Planet Rockstock, supported Crashface, Armored Saint and Von Hertzen Brothers, and headlined shows in London and Brighton. Radio support has come from BBC Introducing, Total Rock, and Kerrang! Radio, with the latter naming them finalists in The Deal competition 2025.  The hashtag #mattedismassive which the band have adopted, was inspired by an on-air quote from a BBC radio presenter.


Bandcamp

Gaslight

🐍⚡ Viper Mode is pure adrenaline on fire — dangerous, loud, and impossible to tame. Venus Riot bites back with venomous riffs, feral energy, and vocals that slice through steel. It’s the sound of chaos on overdrive — a wild ride straight off the rails. No brakes, no mercy, just pure riot fuel! 🔥💋

#VenusRiot #ViperMode #HighEnergyRock #FemaleFronted #GrittySound #AltRock #RockRebellion #RawAndLoud #VenomousVibes #AdrenalineRush

Viper Mode – Venus Riot

American Heartbeat.mp3

Mitschgo - Coffee Blues

A raw, blues-grunge confession about being kicked out by family, burned bridges, and the shame of stealing while young and dumb. Sludgy guitars and distressed vocals deliver a punch straight from the gut of a 19-year-old who had nowhere left to go.

HARD APPALACHIAN

THROWN OUT OF FLORIDA

Email: enquiries@asinine.co.uk
Asinine is the independent label representing our current projects:  BPD and Gepetto Trio.
↓↓↓↓↓↓

Please contact us if you're interested in publishing this music. If you're an aspiring artist requiring help with distribution or marketing, let's talk.

If you're a scammer posing as an 'agent' for 'Sony' etc.  and you want your account deleted, please feel free to DM me 😘

One hot summer’s day in the early 1980s, a troubled young schoolkid was being supervised alone in the music room for some forgotten misdemeanor. He spent the period playing a drum kit for the first time in his life, and when he was ready to go, the student teacher who had been supervising signed off his report card with the fateful words: “excellent drummer!”

Throughout the ’90s and ’00s, I played drums in “happy-clappy” churches up and down the country, as well as in college, where I toured with a band named Kurios. I’ve always had music in me. I never properly learned to play a “real” instrument — but why would an undiagnosed autistic kid with ADD want to pluck strings or blow through reeds when he can just hit things?!

These days, as I’m getting older (55) and increasingly disabled (I can no longer manage a full drum kit), I’ve finally found ways to get the music out of my head and into yours through the wonders of technology. I record everything in my home studio using a humble Arturia Minilab 3, a PC running Reaper, and a whole range of tools and plugins.

Now, on the use of AI, let me be absolutely clear:

I do not support the swamping of streaming platforms with “AI slop.” However, as an IT professional with fairly extensive knowledge and experience of AI, I also do not support the indiscriminate dismissal and castigation of any and all use of AI in music production — or any of the arts, for that matter. And as a drummer, I suppose I got over it years ago, back when we were being replaced in studios by computers from the late ’80s onward..!

For me, AI is just another tool in the artist’s toolbox — one that helps me massively shorten and simplify my workflows, and one that’s helped to elevate my craft to something much closer to professionally produced work. I don’t sing (very well), but with AI tools such as Ace Studio, Audime, or Suno Studio, I can turn my own voice — or even simple musical notation — into just about any vocal I can imagine.

I don’t play guitar (at all — I’ve got tiny sausage fingers), but with AI I can turn any melody hammered out on my MIDI controller into a lead guitar, bass riff, or just about any other instrument. I’m a musician, but I’m also an engineer, and I hope those skills — along with my hard work and passion — come through in my music and set it apart from the AI slop which is becoming so prevalent . 🙏🙏🙏 (And yes, I did have ChatGPT proof read this Bio, which is why it's full of em-dash symbols 😅)

As for the lyrics in my songs — the stories they tell — those are all me. They come from my life experiences, and from the obsessive scribbling of the angsty autistic teenager who still lives in my head and believes his poetry is so deeply profound. 😅

BPD

Asinine

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