How You Like Me Now

Under My Boot

Under My Boot (ft. Stei Camel)

Genre: Alternative Rock / Edm-Infused Alt-Rock / Satirical Rock
Description: A Sarcastic, High-Energy Alt-Rock Track With Edm Flourishes. It Lampoons Modern Outrage Culture, Petty Social Conflicts, And Absurd Drama. Distorted Guitars, Glitchy Synths, And Punchy Percussion Back The Satirical, Theatrical Delivery, While Melodic Hooks Balance Chaos With Accessibility.

Style Of Music: Satirical Alt-Rock With Pop-Punk Energy, Cinematic Guitar Riffs, Glitchy Synth Layers, Edm-Infused Drops, Layered Vocals, And Playful Melodic Hooks.

Offended

The Church Of Noise

BPD·BPD

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Woke up a stranger in my skin
Chasing shadows I let in
Every mirror bends the frame
And I can't remember if I'm still the same

Hold me close, then let me fall
I'm not sure I'm here at all

I'm all glass edges, breaking light
Sharp as morning, soft as night
Pull you closer, push away
Love me, leave me, beg you to stay
I'm all glass edges, I can't choose
Every win feels like a bruise

A thousand colors in a breath
I taste forever, then regret
Every heartbeat splits in two
And every truth feels like it isn't true

Touch my hand, it disappears
Whisper loud inside my ears

I'm all glass edges, breaking light
Sharp as morning, soft as night
Pull you closer, push away
Love me, leave me, beg you to stay
I'm all glass edges, I can't choose
Every win feels like a bruise

I'm a fire in the flood
A rose that blooms in blood
And I don't know who I'll be
When you turn the key

I'm all glass edges, breaking light
Sharp as morning, soft as night
Pull you closer, push away
Love me, leave me, beg you to stay

The UK’s next-wave hard rockers Matted will release their 3rd single ‘Gaslight’ on 7th October 2025.
‘Gaslight’ follows on from their first two singles, ‘Material’ (Feb 2025) and ‘Flowers and Chains’ (Jun 2025) and throws its weight around, revealing an even punchier edge to this innovative band’s developing sound. The 5-piece are influenced by a love of rock music in all its forms.  Grunge, metal, classic, nu, rap, hip-hop and industrial can all be identified here. However, Matted’s fusion of big riffs, melodic vocals and in-your-face drums comes with an irreverence, camaraderie and a cheeky grin creating something fresh and exciting. 

‘Gaslight’ is the third song from the band’s studio sessions with McFly’s Harry Judd and Danny Jones in the producer’s chairs and has been mixed by Lewis Johns. 
Since launching in May 2024, Matted have performed at Download Festival, Call of the Wild and Planet Rockstock, supported Crashface, Armored Saint and Von Hertzen Brothers, and headlined shows in London and Brighton. Radio support has come from BBC Introducing, Total Rock, and Kerrang! Radio, with the latter naming them finalists in The Deal competition 2025.  The hashtag #mattedismassive which the band have adopted, was inspired by an on-air quote from a BBC radio presenter.


Bandcamp

Gaslight

Verse
Why do I bother trying to convince you
You're such a goddamn cynic
That's not what you say when you're drunk and call me crying
You and I are both to blame
I'm not the only one you play
You're just a liar
I'm just a fool
I'm just a fool
I'm just a fool
I'm just a fool

Chorus
I'm the greyhound
But I still run after you
And it's not like I didn't know you
No
I still run after you
I'm the greyhound
But I still run after you
And it's not like I didn't know you
No
I still run after you

Verse 2
I don't know why I try to convince you
I guess I can't help it
I mean
Have you seen you?
I can't blame the others for what I feel
You and I are both to blame
I'm not the only one you play
You're just a liar
I'm just a fool
I'm just a fool
I'm just a fool
I'm just a fool

Chorus
I'm the greyhound
But I still run after you
And it's not like I didn't know you
No
I still run after you
I'm the greyhound
But I still run after you
And it's not like I didn't know you
No
I still run after you

Outro
I'm the greyhound
I'm the greyhound
I'm the greyhound
I'm the greyhound

Greyhound

[Verse 1]
You talk in whispers made of smoke,
every word’s a dagger stroke.
I swore I’d never crawl again,
but you taste like danger and sin.

[Pre-Chorus]
Your touch burns cold,
I breathe you in slow,
I know you’re poison—
still, I won’t let go.

[Chorus]
Bite me sweet with your venom kiss,
drain my heart in the dark abyss.
If I fade while you pull me in,
I’ll die addicted to your skin.

[Verse 2]
You wear heartbreak like perfume,
turn every promise into fumes.
Your smile’s a blade, your love’s a game,
but I keep losing just the same.

[Pre-Chorus]
Your touch burns cold,
I breathe you in slow,
I know you’re poison—
still, I won’t let go.

[Chorus]
Bite me sweet with your venom kiss,
drain my heart in the dark abyss.
If I fade while you pull me in,
I’ll die addicted to your skin.

[Bridge]
I can’t escape the fever high,
your toxin sings a lullaby.
If this is hell, then let me stay,
I’d rather burn than walk away.

[Outro]
Bite me sweet with your venom kiss,
leave your mark where the shadows hiss.
Every wound feels just like bliss—
I was made for this.

venom kiss

606 (prod. by kinsei)

Original Song by Transister, Song Writers: Gary Clark, Eric Pressly & Keely Hawkes

[Verse]
Dug myself a hole again
Lost my self-control again
Kicked myself in the head again
Made my own dumb bed again

[Chorus]
Dizzy moon.
Dizzy moon
The dream is over
Dizzy moon
Dizzy moon
The dream is dead

[Verse 2]
Lost myself in the mail again
Hit my head on the nail again
Slept myself awake again
Burned myself at the stake again

[Chorus]
Dizzy moon.
Dizzy moon The dream is over
Dizzy moon
Dizzy moon The dream is dead

[After Chorus]
Dug myself a hole again
Lost my self-control again

[Verse 3]
Kicked myself in the head again
Made my own dumb bed again
Lost myself in the mail again
Tossed myself in jail again

[Chorus]
Dizzy moon.
Dizzy moon The dream is over
Dizzy moon
Dizzy moon The dream is dead
Dizzy moon.
Dizzy moon The dream is over
Dizzy moon
Dizzy moon The dream is dead

Dizzy Moon

new-york-(lonely-heart).mp3

Email: enquiries@asinine.co.uk
Asinine is the independent label representing our current projects:  BPD and Gepetto Trio.
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One hot summer’s day in the early 1980s, a troubled young schoolkid was being supervised alone in the music room for some forgotten misdemeanor. He spent the period playing a drum kit for the first time in his life, and when he was ready to go, the student teacher who had been supervising signed off his report card with the fateful words: “excellent drummer!”

Throughout the ’90s and ’00s, I played drums in “happy-clappy” churches up and down the country, as well as in college, where I toured with a band named Kurios. I’ve always had music in me. I never properly learned to play a “real” instrument — but why would an undiagnosed autistic kid with ADD want to pluck strings or blow through reeds when he can just hit things?!

These days, as I’m getting older (55) and increasingly disabled (I can no longer manage a full drum kit), I’ve finally found ways to get the music out of my head and into yours through the wonders of technology. I record everything in my home studio using a humble Arturia Minilab 3, a PC running Reaper, and a whole range of tools and plugins.

Now, on the use of AI, let me be absolutely clear:

I do not support the swamping of streaming platforms with “AI slop.” However, as an IT professional with fairly extensive knowledge and experience of AI, I also do not support the indiscriminate dismissal and castigation of any and all use of AI in music production — or any of the arts, for that matter. And as a drummer, I suppose I got over it years ago, back when we were being replaced in studios by computers from the late ’80s onward..!

For me, AI is just another tool in the artist’s toolbox — one that helps me massively shorten and simplify my workflows, and one that’s helped to elevate my craft to something much closer to professionally produced work. I don’t sing (very well), but with AI tools such as Ace Studio, Audime, or Suno Studio, I can turn my own voice — or even simple musical notation — into just about any vocal I can imagine.

I don’t play guitar (at all — I’ve got tiny sausage fingers), but with AI I can turn any melody hammered out on my MIDI controller into a lead guitar, bass riff, or just about any other instrument. I’m a musician, but I’m also an engineer, and I hope those skills — along with my hard work and passion — come through in my music and set it apart from the AI slop which is becoming so prevalent . 🙏🙏🙏 (And yes, I did have ChatGPT proof read this Bio, which is why it's full of em-dash symbols 😅)

As for the lyrics in my songs — the stories they tell — those are all me. They come from my life experiences, and from the obsessive scribbling of the angsty autistic teenager who still lives in my head and believes his poetry is so deeply profound. 😅

BPD

Asinine

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