Lend Me Your Radio - Oct 20

Kara-Lis Coverdale is a Montreal composer/artist with a whole lot goin on. 
Press the button ~ hit play ~ flutter away
K-LC's "Aftertouches" will be out on March 24th, 2015 via Sacred Phrases.
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https://soundcloud.com/klissay
https://twitter.com/kliscoverdale
http://www.sacredphrases.com/

Kara-Lis Coverdale - Summer Cool Mix 009

Swimming with Blue Whales

On a Rotating Sphere

Artist: Amethyst
Track: V Towers Collapse In A Single Moment (Track 02)
Album: '(A Declaration)' Compilation
Released: December 2019
Label: Vienna Press / VAKNAR
Cat: Key to the Fields 38 /VAKNAR 20

V Towers Collapse In A Single Moment

deadpan robotic

info: https://radio.syg.ma/episodes/pba-james-k
https://jameskmusic.bandcamp.com
http://james-k.com
https://soundcloud.com/jamesk_1
http://zherocks.net

James K.

PBA – James K

Timbre. Textures. Rhythm. Improv.
+
Timbres. Texturas. Ritmo. Improvisación.

Laguna

"Marble Hands", from Grey Magik's untitled album, available now from Muzan Editions on Cassette and Digital.
https://muzaneditions.bandcamp.com/album/untitled
Grey Magik is the collaborative project of Ireland's Garden Magik and Muzan Editions' own Standard Grey.

untitled

Grey Magik - Marble Hands

Inspired by her teenage experiences and the stories of others with a similar background, Bangladeshi-Australian sound artist Shoeb (Sia) Ahmad explores the blooming of one’s inner sexuality, meditations on intimacy and exploration of personal relationships in im/modesty, a 60 minute sound work that uses a text narrative for three voices to guide the listener through a psycho-geographic trip of one’s sub-continental heritage, written for and manipulated from Indian electronic instruments, harmonium and percussion as well as field sounds recorded in southern India and Bangladesh.

‘im/modesty’ was originally developed as a multi-speaker installation during a residency in Kerala, Southern India in 2016. Upon commission from the Australian Art Orchestra, the original installation work was reworked into a semi-composed/semi-improvised work for small ensemble and premiered as part of their Meeting Points series at the Arts Centre Melbourne in December 2018.
im/modesty will be released during the worldwide celebration of Transgender Awareness Week 2020 and this album highlights both Flaming Pines and Australian Art Orchestra's ongoing commitment to providing a platform for diverse voices to share their narratives through music.

About Sia Ahmad
Sia identifies as a person of Bangladeshi heritage and a transgender woman. Her music is known for exploring deeply personal experiences and vulnerabilities, in an evocative mix of acoustic and electronic indie pop. She has a rich and extensive background in Australian music, creating idiosyncratic works over the last decade, mainly as a solo artist under the name Shoeb Ahmad, a name she has continued to use for im/modesty.
Using guitar, keyboard, voice and electronics, she works both as singer/composer and improviser when performing solo and in collaboration. She has released a diverse range of original music while also working on sound design for dance/theatre, installation pieces and contemporary chamber composition.
Sia has performed throughout Australia, Japan, New Zealand, the UK and the SE Asian region as a solo artist and with groups such as Sensaround, Spartak and Tangents.

im/modesty (excerpt)- Shoeb Ahmad & Australian Art Orchestra  - out November 16

TR097 - ТЕПЛОТА - 'HEAT/WORK' [Sampler]

_ph011 Jordan Christoff - Плаващ

ʼIs My Destroyerʼ unfolds like a story arc, always filled with a sense of time and direction as ideas morph, grow, disperse and rekindle; with key pieces like ‘Palaceʼ these ideas seem unbound, bursting out of their seams with emotional grandeur, elegance and passion, while other works such as ‘Orioʼ or ‘The Towerʼ offer sincere moments of reprieve.

https://soundcloud.com/vaagner

Premiere: Blessed are the Hearts that Bend - Kaal [Vaknar]

Dragon’s Eye is pleased to announce the release of 'Mixed Signals,' a new collaboration between longtime electronic musician FAX (Rubén Alonso Tamayo) and guitarist Braulio Lam. Both hailing from Mexico, the duo have crafted a multifaceted, shimmering ambient record that calmly propels the listener through passages echoing with just the right amount of reverb. Muted beats thrum against waves of ambient wash; bubbling guitar rides along the crest of synthetic sweeps. These carefully balanced mixed messages align with the album’s title, though the effect is not one of confusion. Listening creates a feeling of motivation toward a sense of ease, or settling into flux.

Mixed Signals

Fax & Braulio Lam - Insomnia

Raft of Trash is a generative music project exploring the sounds of systems using the natural rhythms of environmental dialogue in the world-building game SimCity 3000. It is a collaboration between sound artists/musicians Andrew PM Hunt (aka Dialect) and JC Leisure, and designer Thom Isom.  

Like the group’s early EPs, their debut album Likeness on the Edge of Town showcases the breadth of possibilities emerging from their unique process. Whilst playing SimCity 3000, the in-built sound effects of the game are converted and repurposed into MIDI data which is then fed to Hunt and Leisure's synths and samplers in real time. The resulting soundscape, imprinted with the dynamics of a simulated environment, is then augmented with live guitar, spoken word and field recordings to create an uncanny collage of wild synthesis, experimental narrative and bending, viscous guitar.  

Inspired by Fluxus artist Alison Knowles, the spoken word passages sprinkled across the record act as part travel journal, part system theory field guide as “someone guiding you through the simulated desert landscape, and through some kind of inner journey”. Exploring for instance the connections between the irregularities we discover in our functioning bodies and the impact of environmental influences or describing the fullness of the reality of stopping at a truck stop, these passages are an illuminating exploration of the complexity of living systems and real-life situations. Subtle musical references to Americana and sounds sourced from the desert around Joshua Tree contribute to a journey-like mood throughout the record. 

Musically, the record remains in largely abstract territory. Synths sprawl, crawl and fly above a sonic bed of creaks, ripples and bleeps; nothing is at it seems. This ambiguous relationship between the organic and the synthetic further highlights the themes explored by the group.  

Releasing in full on November 20 2020, as a limited edition poster and as digital files. 

Purchase on Bandcamp: https://raftoftrash.bandcamp.com/album/likeness-on-the-edge-of-town

Raft of Trash - Sans Sherif at the Painted Oasis

This song, which was originally supposed to be featured on a compilation, was ultimately scrapped for being too "dark". The bulk of this track was recorded in April of 2020 and then altered, possessed, exorcised, and eventually mastered by Sam Regan in October of 2020.

Ghoul Gathering In Ligovsky Prospekt

Live record le 17/01/2021
Viziadio invite Ola radio (Alice, Hugo et Antoine ) à Clichy pour parler de radio.

https://olaradio.fr/Home
https://soundcloud.com/ola_radio
https://www.instagram.com/ola_radio/?hl=fr

VIZIR Invite Ola

TR115 - Maria Chavez & Jordi Wheeler - 'Five Thousand'

Soon: Hiraeth by tarxun and Siavash Hakim out Nov 5
Latest:
Oblique by Corder & Yantis out Sept 17
Sounds of Mmabolela - Nikki Sheth - out Sept 3
The Yearning - Liz Helman
A Long Wait - Paula García Stone

im/modesty (excerpt)- Shoeb Ahmad & Australian Art Orchestra - out November 16

Flaming Pines

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