Electronica

'Metal Swing' is the last track on The Range's new album 'Nonfiction'

Buy the digital/2LP here > http://donkypitch.bandcamp.com/album/nonfiction



The Range - Metal Swing

'Time To Dance' is taken from the Tricky album "Mixed Race"

Time To Dance

Second single from our upcoming debut LP on Friends of Friends/Dubsided, out Feb 23rd

youtube: https://www.youtube.com/watch?v=CJrw-fGIRjU

Somebody

Taken from Fort Romeau's 'Insides' LP out March 31, 2015. 

Pre-order at The Ghostly Store: http://www.theghostlystore.com/products/fort-romeau-insides

Fort Romeau - Insides

Download: http://www.xlr8r.com/mp3/2015/01/rival-consoles-recovery-vessels-remix/

https://soundcloud.com/vessels
https://soundcloud.com/rivalconsoles
https://soundcloud.com/erasedtapes

Download

Rival Consoles - Recovery (Vessels Remix)

Out March 3 on Apollo Records

Written and Produced by Eskmo
www.Eskmo.com

Dazed interview here: 
http://www.dazeddigital.com/music/article/23779/1/hear-eskmos-cinematic-album-about-the-sun

The Sun Is a Drum

The Sun Is A Drum (Out 3.3.15)

Purchase here: geographic-north.com/cassette/moon-diagrams/
Catalog #: GN27
Blank slate cassette, limited to 300

As Moon Diagrams, Moses Archuleta takes a few comfortable and casual steps away from being Deerhunter’s co-founder and all-around percussive extraordinary to spend some quality time with a few hidden pleasures. 

Sketch for Winter IV: Care Package, Moon Diagrams' debut release, rounds out our winter cassette series in a paced propulsion of braced percussion and muted melody, burning off any residuals from the receding autumnal embers. The slow and steady rhythm of "Scratch the Snow" trots along with steadfast subtlety, ushering along the striated synthesizer chords that chop through the air with Reich-ian precision and Kompakt-esque modernity. As the frost begins to creep in, Archuleta lights a low fire in the form of warm, tonal throbs and doubled over drum loops. Soft shards of sound invert themselves in intersecting, omnidirectional lines. The overall effect is palindromic - gentle waves of headphone electronica, without the tired connotations the tag denotes. The organic, pulsing hum rides its course in an unencumbered drift before dissolving into a heartfelt and heartbroken interpretation of "Sweet Surrender," a modern pop classic that unassumingly carries a formidable baggage all its own. 

Archuleta strips away certain components of the original version, leaving plenty of room for the song's tragically catchy and forlorn melody to smear itself over his canvas. Traces of sound blur into one another as the track plays out with the cues presented earlier on the tape. As the song drives itself into a forlorn bliss, you can't help but fall for the beautiful despair. 

The B-side-long "Elurra Urratu" plays the lushly elusive counterpart, existing in the tonal plane of orchestral, krautish ambient music. Accompanied by a roiling rhythm of gated noise, the chordal display bows it's muted melodrama across the canvas. Think Stars of the Lid remixed by Axel Willner, or Aphex Twin's "Donkey Rhubard" retooled by Donnacha Costello. 

Archuleta's thawed beauty provides safe haven from winter's retreating cold.

Moon Diagrams - Scratch The Snow (edit)

'Silhouettes (I, II & III)' is taken from the new album 'Elaenia', out now on Pluto in the UK & Rest of World, Luaka Bop in N & S America, Inertia in Australia / NZ and Beatink in Japan.

Get ‘Elaenia’:
iTunes: http://found.ee/ElaeniaiTunes
Vinyl: http://found.ee/ElaeniaLP
CD: http://found.ee/ElaeniaCD
Download: http://found.ee/ElaeniaDL
Rough Trade: http://found.ee/ElaeniaRoughTrade

Watch the video for 'Silhouettes' here:
http://found.ee/SilhouettesVideo




Get 'Elaenia'

Silhouettes (I, II & III)

Available for free download as a Christmas goodie!
24 Bit hi-res download here: [http://zipurl.in/bVHlAb]
Plus an ambient mix of Bersarin Quartett's Thomas Bücker: [https://soundcloud.com/methoden-und-maschinen/mixtape-bersarin-quartett]!

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available in November on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Die Nächte sind erfüllt von Maskenfesten

from the album 'where all is fled' available 9/25

steve hauschildt 'sundialed'

New Light

From the upcoming album "Principe Del Norte" out February 19th on Smalltown Supersound!

Pre -order here:
http://smalltownsupersound.thisisrobot.com/musikk/principe_del_norte_pre_or/

Prins Thomas - B

A short piece entitled "Paris" by Thundercat and Mono/Poly. In tribute to those who lost their lives...

Thundercat - Paris

From the album EARS out April 1st on Western Vinyl

Order EARS
iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
March 	18 - London - Convergence Festival
March 	22 - Dublin - Button Factory w/ Battles
March 	24 - London - Electric Brixton w/ Battles
March 	25 - Paris - La Cigale w/ Battles
March 	26 - Reims - La Cartonnerie w/ Battles
March 	27 - Brussels - BRDCST Festival
March 	29 - Milan - Magazzini Generali w/ Battles
March 	30 - Rome - Spring Attitude Festival w/ Battles
March 	31 - Roncade - New Age Roncade w/ Battles
April 	01 - The Hague - Rewire Festival
April 	05 - Lausanne - Les Docks w/ Battles
April 	06 - Zurich - Rote Fabrik w/ Battles
April 	07 - Berlin - Kantine am Berghain
April 	12 - Belgrade - Resonate Festival
April 	13 - Berlin - Ableton User Group Meeting
April 	15 - Linz - Stadtwerkstatt / Kirchengasse 7
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Arthropoda"

The first music to be shared from #N/A - the forthcoming new studio album from NISENNENMONDAI, recorded with legendary dub producer ADRIAN SHERWOOD in Tokyo, and released outside Japan on his On-U Sound label.

#N/A (literally, Nisennenmondai with Adrian Sherwood) is a new studio album which sees the cult Japanese trio filtering their epic motorik jams through the mixing desk of the legendary dub producer.

Nisennenmondai are three girls from Tokyo, Sayaka Himeno (drums), Yuri Zaikawa (bass) and Masako Takada (guitar), who have been playing instrumental music together since 1999. From their initial beginnings as a noisy no wave band openly referencing influences such as Sonic Youth, DNA and This Heat, they have since honed and streamlined their sound into a more minimalistic pulse with an emphasis on the hypnotic possibilities of repetition, creating a sound that can be likened to ‘organic techno’.

Much beloved by other musicians including Battles, Prefuse 73 and Chris & Cosey (Throbbing Gristle), in recent years they have made more connections to dance culture, in particular with their 2015 collaboration live and on record with electronic producer Shackleton.

Recording their new album with Sherwood has resulted in them sounding bigger than ever before, with a greater emphasis on small rhythmic details and subtle dub touches, reminiscent in places of the classic Basic Channel sound.

This international edition of the album includes 2 bonus ‘live dub mixes’. Whilst Adrian showed considerable restraint in his production job on the studio album, on a subsequent live date at Tokyo’s Unit club he was recorded deploying a wild array of FX tricks, dropping in splashes of cavernous reverb and space echo delay to the performance of two pieces from the band’s previous album N’.

www.smarturl.it/nisennenmondai-onu


Nisennenmondai - #3

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

Taken from his debut album 'Gravity' re-issued by Erased Tapes on June 10.

Order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP084
iTunes: http://snip.ftpromo.net/gravity
Spotify: http://snip.ftpromo.net/onlyinthedark
Bandcamp: http://snip.ftpromo.net/gravitybc
or any other good record store worldwide

In celebration of their latest signing, Erased Tapes are set to re-issue Ben Lukas Boysen’s compelling debut album ‘Gravity’, alongside new album ‘Spells’ on 10th June 2016.

‘Gravity’ was the first album Ben recorded under his own name, merging programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation.

From ‘Only In The Dark’ to the two movements of ‘Nocturne’, it’s a serious, solemn listen. And yet, with pieces like ‘To The Hills’ and ‘Eos’, ‘Gravity’ is an exploration of heights, cliffs and vertigoes. With piano lines and choir-like drones, this record suits its title in all its meanings, as the magnetic force takes us deeper towards the core. Marking a new beginning, this debut reveals a touching, and more melodic side to Ben’s body of work, which he previously only hinted at as HECQ.

Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered the album. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”.

His intricate, humanised programming – enhanced by drummer Achim
Färber, additional synthesisers played by Nils, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Gravity’ as well as its successor ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums.

As HECQ Ben has released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and
Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Gravity strips away the cloaked mysteries of electronic music production to expose the tender side of this musician’s mind." — Headphone Commute

TRACKLIST:

01. Only In The Dark
02. Nocturne 1
03. To The Hills
04. You'll Miss Us One Day
05. Gravity
06. Eos
07. Nocturne 2
08. The Behenian Gospel

Gravity

Only In The Dark

Ben Lukas Boysen - Only In The Dark

KENNETH JAMES GIBSON, one of the most multifaceted artists in electronic music today, enlists for the fourth instalment in our POP AMBIENT artist album series - he's the mastermind behind the Adjunct Audio label and projects as diverse as [a]pendics.shuffle, Eight Frozen Modules, Reverse Commuter, neo-americana duo Bell Gardens (with Stars Of The Lid's Brian McBride) or noise pop band Furry Things. On THE EVENING FALLS, he deviates from his other, more beat-infused work and explores vast aural landscapes with an intricately woven tapestry of swelling string drones, shimmering pedal steel  and minimalist piano motives.

The first strictly ambient solo offering from this incredibly versatile composer and musician reveals a delicate sense for rich, ruminant textures and fine-grained synth buzz dispensing organic highs on tracks like opening movement TO SEE YOU DRIFT, the Polaroid-colored LONG GONE CANADIAN SUMMER, the meditative A CONVERSATION BETWEEN FRIENDS or terraforming blues LATERAL DECOMPOSITION. The iridescent quality of these recordings almost appears to be born out of an auditory illusion - with the arrangements seemingly evolving in time lapse and slow motion at the same time.

The natural, wholesome flow of the album certainly finds itself influenced by Gibson's recent move to a 6000 ft. mountain community called Idyllwild. While two of the tracks on THE EVENING FALLS were started in LA about two years ago, for them and others to get fully realized, he needed to transition away from inner city roaming: "my wife and I heard the calling of the mountains for a while - getting deeper into meditation and nature and a slower way of life. There've been beatless tracks on many of my albums, but this is the first full-scale ambient album I've done... I simply needed to find the right focus." The result is a masterful new addition to our growing series of Pop Ambient full-lengths, presenting the fully-formed vision of a veteran producer who never lost his taste for sonic adventure.


Electronica

Flappy Flapjacks