中山律子2014 【FreeDownload from つくしEP6】

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Hitori Tori - Wofako (CC005)

2x12" LP and CD available on bandcamp: http://bit.ly/2xQKmzd

World Building is a blissful and introspective mission into melancholy that wanders over terrain both familiar and unknown. Bright and sparse melodies shimmer over icy landscapes, hewn with a careful composition and attention to the most minute detail. Ghostly voices swell into symphonic chorus while an analogue rhythm section keeps an almost human-like groove. 
Arguably his most complete work to date, 'World Building' is a satisfying listening experience with a strong narrative - an auditory tale of an epic journey with warmth and depth from one of Europe's most exciting producers.

http://loveloverecords.net

Rolando Simmons - World Building [LOVLP02/LOVCD10 CLIPS]

Download + Interview:  http://truantsblog.com/2018/truancy-volume-201-yu-su/

Soundcloud: @yu_su

To immerse yourself in Yu Su’s music is to give way to sensation, like closing your eyes to better feel the warmth of the sun. There’s a purity and lightness that emits from her melodies in which keys, woodwinds and drums melt into effortless rhythms. Organically groovy and powerfully transportive, Yu Su’s productions float between coasts, inspiring moments of reflection with their meditative quality. The Vancouver-based Chinese artist holds a unique perspective and highly personal voice, and has quickly gained recognition within the electronic music scene with releases on labels such as Arcane, Genero, PPU and Wichelrode. In addition to her solo work, Yu Su also produces under the moniker You’re Me alongside partner Scott Gailey, creating more experimental and downtempo takes on house music. As a DJ, Yu Su crafts evocative musical narratives which touch on memories and introspections, providing a small window into her world with every mix.

Recorded with the idea of representing the person she’s become over the past year, Truancy Volume 201 is a powerful reflection on Yu Su’s direct experience with loss and love. Opening with a Liszt piece which stands for her childhood, then moving on to an improvised midi-keyboard duet with her partner, through one of her very first records purchased after seriously getting into music, and ending with a track from a favorite director’s film A Brighter Summer Day, the mix, in Yu Su’s words, “wasn’t really curated by me, but for me.” It’s an honor to share this serene mix and a pleasure to have had some words with the brilliant artist.

http://truantsblog.com

Truancy Volume 201: Yu Su

Shedbug delivers our first label mix of 2018, a zero laptop speakers, bass driven journey that stretches beyond the 2hr mark and features a selection of booty shaking and club moving anthems fresh from the dark side.

Shedbug

OP Mix 04 - Shedbug

For the second release on the Galaxiid imprint, a label of electronic music archeology and quality, we are transported to the strange sonic world of an elusive 90s pioneer. Solar X’s 1997 album X-Rated will be released for the first time on vinyl, as well as reissued digitally, with new artwork by the Japanese artist Keniichi Tanaami. Two worlds connecting sonically, visually and culturally.

Solar X enjoyed a burgeoning career in post-Perestroika Moscow making playful, low-tech electronica from Soviet analogue instruments, which he masterfully configured to forge animated compositions and dancefloor rarities. Fascinated by chaos and complexity, his music explores the ways in which our minds can be manipulated by structure - an endeavour quite plausibly linked to his other career as a lecturer and researcher of AI, information theory and cognitive science, his interest in which was in turn triggered by his young experiments in computer music.

Solar X gained international attention at a time when Russia was (quite unfairly) seen as a vacuum for electronic music, but was exploding in the period of piracy, poverty and freedom following the collapse of the USSR. Young Russians had benefited from the soviet education system and there was a strong DIY computer programming and music scene, fuelled by hackers, gear freaks and party animals. Viewed from today, the album is reborn at a time of further political and social strife, which many see as fuelling the huge creativity and radical thinking of modern Russia’s young creatives.

X-Rated treats tempo and form as fluid concepts, administering sudden changes to its sonic landscape with disorienting effect, underlain with a subtle dose of humour and experimentation. Downtempo trip-hop sits alongside frenetic IDM and blistering electro, all bound together by peculiar melodic inflections and lively distortions. Warm, trippy harmonies and robotic synths are offset with angular drums, shifting erratically through moods and genres with cunning intent. Much like his contemporaries from the era, it’s his ability to breathe life into a humble production setup that makes his music so compelling some twenty one years later. 

The track titles are from a book of call girl cards in London phone booths, that reached the artist in Moscow in 1995. "I liked the titles from these cards, which were self-promoting and offering pleasure (e.g. "Mistress awaits you"). So, I thought since my tracks also offered some kind of pleasure, they might as well advertise this through their titles.” 

Label head Nina Kraviz was introduced to the work of the 83 year old sensei Keniichi Tanaami by Ukawa Naoshiro, founder of Dommune in Tokyo, one of the brightest figureheads for the arts in Japan, responsible for the graphic design of the cover. In September 2017 Nina played for the opening of Tanaami-san’s first exhibition in Moscow at Gary Tatintsian Gallery. Nina performed a live sound palette, to accompany the looping 7 minute animation, of experimental music from the Soviet Union, Russian pioneers of electronic music like Species Of Fishes and SolarX, Soviet-time pioneer Lev Termen, Kuryochin, avant-guard rock mixed with some Stockhausen and just pure abstract sounds, as well as treasured artists like Biogen.

Tanaami‘s illustrative work has strong sexual elements, so out of the five art pieces Nina selected and commissioned for Galaxiid, the first fits perfectly for ‘X-rated’. The vertical line of text on the left is the traditional form for Japanese covers of foreign releases. The cover, together with the accompanying poster and sticker, are printed in Japan to ensure the highest print quality and purity of the colours.

B2 Mistress Awaits You

This is a Corinthian DJ Mix made in application to the Bass Coast Festival.
I really want the opportunity to perform for this festival. 
Please accept my submission. :)

Keep Raving, - Evangelos

Musical Track-listing:

Intro / 外神田deepspace - Shinjuku Lights 01
Marie Davidson - Work It
Jensen Inceptor - Ultramax
Martyn - Cutting Tone
The Maghreban - Monster VIP
Martyn - Vancouver [Head High RMX]
Oli Furness - Trigger
Spencer Parker - Cash Only
Outlander - The Vamp + Vamp RMX
Carl Craig - Technology
LSDXOXO - Burn the Witch
Gesloten Cirkel - Submit X
Delroy Edwards - 4 Club Use Only
Z@p - Keep Fresh
Josh Wink - Are U There
Joy O - Wade In
Pearson Sound - Our Spirits Soar / Outro

A very special thank you to the guy from DDR 4th Mix AKA Konamix for taking on MC duties, and my friend who collaborated on the artwork for the mix.

Corinthian - Rejected Bass Coast DJ Mixtape

https://cockrockdisco.bandcamp.com/album/micro-ep

Ridylan is a veteran Junglist, repeatedly slaying Vancouver dancefloors with heavily acid infused Jungle, and club friendly Elektron IDM hardware sets. When it comes to breakbeats though, this Renoise veteran has an unrivalled sense of syncopation, and mastery of the tropes. You're gonna have epic snare rolls, glitched out polyrhythmic brain overloaders, and synapse melting synthwork that will unfortunately transform your brain into a fried egg.

Released on Cock Rock Disco Records Friday 15 March 2019

Original: Captain Raveman 'Fracas' https://soundcloud.com/negrobeat/captain-raveman-fracas

Original: Melt Unit 'Hard Man Fi Dead' https://soundcloud.com/meltunit/hard-man-fi-dead

Hitori Tori: https://soundcloud.com/hitori-tori

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