CREDITS: https://www.youtube.com/watch?v=dE-mMi6Q2FE by Philip Januschew.

Aphex Twin - Unreleased Live Tracks 2016-2019 *Update 3

Unreleased Live

tha (live remix coachella wk2 2019)

manchester trk5

brooklyn trk5 2019

brooklyn trk4 2019

brooklyn trk3 (coachella wk1 2019)

1syro u473t8+e [141.98] (live mix coachella wk2 2019)

#23 [_tassels_] [with efx] (ceremonia 2019)

Manipulations of Densel

LA Tampa - It Smiles Without My Lie
Mica Levi - Barok Main
Sibil Roosevelt - Words Misunderstood
nthng - Looking Outside
Deuén - Collecting Keys (demo)
Joshua Chuquimia Crampton - Samka Khuchhinaka ~ Drea
Adum Brate - Pluck
Aeria - Arrival
Unreleased Colle - Plea and Luck
Brian McBride - At a Loss
Duster - Echo, Bravo
Cotton Crown - Sad evil perfect angel
TIM HECKER - Amps, Drugs, Harmonium
Lil Peptoman - Without you
Lovefear - Asunder (w/Fatshaudi)
Failure Before God - the fourth ventricle
Vestigial Organs (Simulated 33rpm)
16120world/life_adversity - </3
Toxe - Red eye
Mikey Enwright - 5040

OB0432 — Colle

Private press sound poet brings drum my tantrums raps, yoga punk and high octane inventions to late 70s New York. Finally captured on Vinyl for this unique sound collection by Beth Anderson.

Carving an unlikely and elaborate niche in the stoney academic landscape which she once shared with the likes of Phill Niblock, John Cage and Sorel Hayes, the excitable proto-punk poèmes sonores of the linguistic loose cannon known as Beth Anderson first rolled through New York in the mid-1970s (from Kentucky via San Francisco) like a jumbled tumbleweed of lost Letterism, face paint and threadbare drummy funk to astonish gallery floors, lecture theatres and loft apartment stages. One thousand leagues under the radar of the commercial music industry, with a sense of humour that elevated way above her highbrow peer group, the music of Beth Anderson has successfully evaded the pressing plant for most of her creative career, and not unlike fellow New York gallery actionist Suzanne Ciani, it has taken decades to successfully collect and contextualise these early recordings – expanding her elusive discography beyond the rare and mysterious solo single entry in the process.

When uttered amongst the type of vinyl vampires that haplessly gravitate between both art school vintage vanity pressings and family funded plunder funk, there’s an outside chance that the name Beth Anderson might muster some vague recognition on account of her one and only solo wax sojourn into the expansive DIY market. In 1980 the 45rpm single I Can’t Stand It combusted into the consciousness of adventurous participants with its deep rhythmic backbeat (courtesy of future Sonic Youth/Dinosaur Jr producer Wharton Tiers, member of the new wave band Theoretical Girls), climaxing with two colourful and commanding linguistic tantrums before disappearing in a puff of smoke leaving would-be fans dumbstruck without so much as a label name or distribution contact to explain what they had just heard. For those who have spent the subsequent years on the edge of that same seat, it might come as some comfort knowing that somewhere out there (on the OTHER side) there is also a contrasting world of gallery patrons and experimental sound poetry enthusiasts that similarly didn’t know that their regular performance poet Beth Anderson even made the ambitious pop record. For the uninitiated, the enigmatic Beth Anderson has straddled both sides of the art/ rock fence placed between two equally niche pastures. Hopefully this first-ever vinyl compendium will succeed in joining the dots, loops, yelps, squeaks, beats and repeats! Let us follow Beth’s lineage, along her magnetic tape highways crossing multiple boundaries in a hope to bridge unlikely anti-genres like “yoga punk”, “ramble rap”, “combustion pop” and “form room funk”… all of which were officially neatly bracketed under the curious Text-Sound movement where Beth garnered utmost respect as a key practitioner…

I Can't Stand It

Beth Anderson - I Can't Stand It

Qetsy invites CN VIII - 08/08/2024

"Revshark, an electronic musician, producer, DJ, and artist of the Mystictrax label, has curated an exclusive set showcasing the freshest gems from the modern Ukrainian electronic scene, including an array of unreleased tracks.
"

Mystic Trax w/ Revshark / 14-07-2024

Personas123 w/ Merilyn - 20/08/2024

Could Be Monk

#drumandbass #music #release #deep #drumandbasslover #dnb #transfrequency #tech #dark #minimal #groove #ncomfortable

Ncomfortable - A Likkle Longer Out Now On TransFrequency Recordings

Dear listeners and followers.

For our next release, we are delighted to welcome Ncomfortable on board with a very special single. Originally from Turin, Ncomfortable played numerous instruments growing up before turning to electronic music in 2006. With a degree in audio engineering and a love for many music genres, Ncomfortable blends his hardcore punk roots with a precise and cerebral approach to bass music. Showcasing his versatility as a producer, Everything You Need drops into a low slipping half-time groove that is both hypnotic and sombre. The tight heavy bass keeps rolling while the dark atmospheric pads swirl with subtle percussive elements. A Likkle Longer is a more uplifting and straight-forward affair with solid bouncy drums, hallmark bass and fresh female vocals, making it perfect for the dancefloor. We hope you enjoy your listening.

Artist: Ncomfortable

Release name: Everything You Need

Tracks:

a) Everything You Need
b) A Likkle Longer

Record Label: TransFrequency Recordings
Catalog#: TFR046
Release Date: TBA

Follow:

https://soundcloud.com/n-comfortable

Everything You Need

Juno

Ncomfortable - Everything You Need TFR046a (Out Now On TransFrequency Recordings)

My 'Friends' want me dead

manchester trk5

Flexesh

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