RESSIGA

Credo (Single)

Credo - Drwn. Remix

Confine Me

Body Semantics (Single)

Body Semantics

A 7-piece instrumental band playing Flieder live!

Flieder Ensemble Live & Unlooped

Live & Unlooped

Flieder Ensemble - Rush Hour

Tunica Dartos - Vliegenbos (Shaban Remix)

Jon Hood – noch nie gehört? Alois, Joan & the Sailors, Rio … Martin Schenker, Joan Seiler und Mario Hänni? Das sind die drei Köpfe des Trios Jon Hood. Ihr erstes Album trägt den Namen Body Semantics und das wird am 27. Oktober im Südpol getauft.
Im 3FACH Studio nur zu zweit, sprechen Martin und Joan über den intensiven Prozess, der so ein Album durchmacht, über die Jazzschule, wo sie sich kennengelernt haben und natürlich über ihren Sound.
Und der spricht für sich:

Samschtig-Jatz: Jon Hood Interview und Session

Phiii

London-based Matt Emery is mostly known for his solo piano pieces, which are delicate, nostalgic, and a little bit sad. Last year (right about this time), Emery released his debut on Injazero Records, titled Empire, which immediately shot up to my top piano records, and inevitably made it on the Best of the Year lists, in the "Music For Watching The Snow Slowly Fall In The Moonlight" entry. Emery also shared his selections with us on his Eternal Bliss mix, put together exclusively for the Headphone Commute Podcast. This Friday, September 7th, the composer returns with a new single, titled “I Put a Flame in Your Heart”. I’ll leave the full band version and the edit for you to discover in all due time, but today I wanted to share this very special Vessels remix, premiering on these pages alone.

As you can hear from this piece (and the remix itself), we’re now in a more gritty territory, with percussive and electronic treatments to the track that puts it more alongside Jon Hopkins, Kiasmos, and Moderat, rather than the softer side of Nils Frahm, and even with the up-front expedient vocals, the track ticks all of the right boxes for this fan and follower. Speaking of which, I’ve witnessed Emery sing during his sold-out live performance (on the very last track) and was pleasantly surprised by the quality of his voice [which you will hear clearly on the “Vocal Edit” of the release], and that’s a rare event for me notice, as I’m mostly an instrumental kind of fiend.

The single features a piano-only original of the piece, alongside a more post-rock[y] epic edit, which showcases the versatility of this UK artist. “The full band version sees Emery’s music swell with frantic drums, throbbing synths and a full choir culminating in an expansive interpretation, more aggressive in comparison to his gentle and intricate modern classical piano and string repertoire.” A very nice rework of the original, with the “Vessels Remix”, definitely hitting the spot.

Once again, the single is out this Friday, September 7th, 2018, on Injazero Records, available on all of your favourite digital platforms.

I Put A Flame In Your Heart

TRACK PREMIERE : Matt Emery - I Put A Flame In Your Heart (Vessels Remix)

Recorded and Produced by Flieder. Mixed by Flo Schär.
Mastered by Graeme Durham at The Exchange.
www.flieder.sg
Red Brick Chapel No RBC039
www.redbrickchapel.ch
Copyright Flieder 2018

Paria

PARIA

Ohxalá Records is proud to present Tropical Bangers Vol 1.
Tropical downtempo grooves from all over the world. Music from Fortunato, Saif Halasa, Kapoor, Indygo, Juliano Gomez, Perseid, Intiche, Klin Klop, Nirso, Master Margherita, Geo Seato, Gerra G, Floating Machine, Nalin and Yemanjo.

Artwork: OZEARV
www.instagram.com/ozearv/

[ORVA1]

Tropical Bangers Vol1

03 - Kapoor & Indygo - ALMA

www.flieder.sg
http://flieder.bandcamp.com/

Over the past ten years, FLIEDER has assembled their own musical world, building on a solid trip-hop and post-rock foundation. As did their heroes of the 90ies, FLIEDER has dedicated itself to the instrumental genre and stuck with their devotion through two studio records in 2010 and 2014, respectively, as well as a live EP recorded with the FLIEDER ENSEMBLE.

Their latest release, PARIA, marks FLIEDER’s coming of age - for one in that Thomas and Thomas let it develop and unfold for two years; but also because the two musicians expanded their agency to taking over the engineering and production on top of performing on all their various instruments, all the while striving for an ever deeper connection as musical partners and long-time friends. As followers of this somewhat peculiar band (by Swiss standards, at least) will have experienced before, FLIEDER’s music is as organic as the lilac tree the band name translates to.

PARIA is an epic rendition of must-have post-rock storytelling and plot twists, from the minute and determined swell, past the flimmering suspense, and headed for a discoesk finale of caramelly congas, swelling synths, and glistening guitars. Call it post-rock if you're so inclined, but what we're talking about here sounds more like post-post-rock. Anyway, it is damn fine instrumental music that cares much more about conveying a genuine feeling than sucking up to the compartmentalizing genre think.

RESSIGA

Flieder

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