Name: Venom by Flint Kids (Official) in tracking sounds
Duration: 3 min 31 s
Description: This was released as part of the music I made for secret cinemas 28 days later experience.

the engineers of your tracks is second to none! The sound field is so complex♡

fascinating, starting to understand and seriously enjoy your work

tracking sounds

Ridiculopathy

Music Video: https://youtu.be/SWv_UJCizBk

Presenting my HYPERGLITCH series EP - Multiverse! 

I am beyond excited to share this with you, as it has been in the works for quite a while now! A huge thanks and a shoutout to Woulg for curating the HYPERGLITCH series and giving us this opportunity. I am honored to be a part of it! As well as a huge thanks to Detroit Underground for taking the series further!

Album description by @woulgmusic:

"Melancholy isn't just a feeling in this album, it's a taste, it's a texture, a shroud that encompasses you while you listen. Abroxis has an incredible talent of pulverizing you with heavy, lumbering beats and basses and somehow pulling you out of your body and letting you float over top of it all with his synth lines. This album is really a synthesis of the brutal and the beautiful. It's a sort of emulsion of the two in a way that seems almost impossible. It reminds me of that type of silence; the type you only hear in the worst situations. When time slows down. When the driver loses control of the car on the highway. Swerving from left to right as he overcorrects. There isn't enough time to really think anything, you know he's going too fast. There's that moment where you feel frozen. It's the moment where you know what is about to happen, but it hasn't happened yet, and you're trapped just waiting for it. That's when time slows to a stop for a moment. That's when the silence really settles in. Abroxis has somehow crystallized that feeling into the sound of an entire album. 

I think a core aspect of everything that I tend to think of as "hyperglitch" has a taste of this melancholy, but with Abroxis, it's really on full display. There's something unique about the way that really elaborate, intricate and at the same time brutalizing sound design can describe the sort of helpless violence that can accompany a deep sadness. And the sadness, despondency and apathy can be depicted so accurately with exactly the types of textural, hyper-detailed synth manipulation that is on display in Multiverse."

Composition, production & mastering by: @Abroxis
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

Silver Sun

Paroxysm

White Rot

5 - Interférence

•••sunnken eyes••• [sunnk •weak brace• zensphere mbc13.1 edit]

Sancerre - Flint Kids

Eyes

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

This was released as part of the music I made for secret cinemas 28 days later experience.

Venom

Originally posted with Team Supreme's Vol. 83. Short DSP workout! :-)

TS83

Aethek - Scorn - Cleansing

Richard Devine is a sound designer and musician whose work, characterized by intricate rhythms and an extensive use of DSP, amassed a following within the IDM scene after his remix of Aphex Twin's "Come To Daddy.” Over the course of his 25-year career, Devine has designed patches for gear by Native instruments, Korg, Eventide, and more. His “Voltage Aesthetics” sample pack reflects his seasoned sound design chops, filled with perfectly designed sounds that are at once wacky and beautiful. Spanning versatile one shots to polished loops, Devine’s sounds are nothing short of electrifying. 

This collection contains

287 samples, 191 crazy alien modular single shot percussion & SFX sounds, 96 loops/sequences/textures. These samples will work well with all your favorite VST/AU samplers, and will equally be great source material for your favorite Eurorack modular samplers :-). 

https://on.splice.com/devine-sample-pack

Richard Devine: Voltage Aesthetics

https://www.youtube.com/watch?v=tPPuwFg2SvU
http://smarturl.it/RichardDevineRevsic
http://smarturl.it/RDSortLave
http://planetmu.bleepstores.com/release/1079…ine-sortlave
http://richarddevine.bandcamp.com/album/sort-lave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Revsic (TIMESIG009)

Greetings trans-dimensional entities!

As you all can plainly see, a small rift has formed between this dimension, and an unknown location, namely the hidden audio laboratory of visionary glitch wizard, Jim Kimchi. Upon closer inspection, the rift was emanating something that must be music, but it was of such an advanced nature that it was unlike anything this terrestrial world has ever heard.

Jim Kimchi opens the door to a new dimension in glitch music with his Pure Gravy ep. One rife with intentional errors, programmed collapses, and crumbling structures set amidst dissolving holograms. A world in a perpetual state of disintegration, shown to you through many different lenses and angles. Each track seems built from impossibly complex structures, forever locked in a cannibalistic dance of consuming itself to make itself.

Pure Gravy EP is available in digital and limited edition vinyl! The vinyl will contain exclusive versions that cannot be heard anywhere else! 

ID: Sentient Intelligence Series 3 (PARA-SIS3)
Artist: Jim Kimchi
Title: Pure Gravy EP
Label: Paracusia Media
Genre: Fermented Techno, Bugsculpting, Hyperglitch
Date: 17.09.2020
Length: 15:34
Available in 24bit/48Khz

Pure Gravy EP

Vinyl

03 Turbo Yoga

The illuminating perplexity and nothingness of that which has never been.
// XV. Le Diable

Video: https://www.youtube.com/watch?v=cqEeHao6OB4

Bandcamp Download

Heavyhearted - Multidimensional Subterfuge

DJ - Produtor

Fonte sonora psicodélica

Psychedelic sound source

Contato:
enmadaiohmusic@gmail.com

Sem restrições

No boundaries

For Bookings contact: flintkids@googlemail.com



Venom

Flint Kids (Official)

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