SiG - visionnaire

Pour qui je compte     ( Translated following the French text )

Vidéo :   https://youtu.be/9njE-7si0d0
Texte :           Muette
Chant lead : Philippe J
Choeurs :      Liora 

Il y a des carnets
Et des mots égarés
Tout au fond des tiroirs
Et qu'on n'relit jamais
Parce qu'on est en retard
Et qu'y a toujours quelqu'un
Dont il faut prendre soin
Et ce quelqu'un, c'est jamais soi.

Dans la frileuse Flandre,
Sous les chênes et les hêtres,
Il y a ce tas de cendre
Après un feu de fête.
Au milieu, des canettes,
Des souv'nirs jetés là
Qu'on ramass' les yeux las
Pour les trier plus tard, peut-être.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit :
Pour qui je compte vraiment ?

Les glacières dans le coffre,
La guitare dans sa housse,
On se serre un peu fort.
Un dernier regard pour
Les lits de mousse tassée,
Et les arbres muets
Mêm' quand l' bûch'ron les couche.
Et chacun r'part de son côté.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit:
Pour qui je compte vraiment ?

Et puis quand la clairière,
S'éclaircit plus encore,
Qu'on sait par cœur le bois,
Ses pièges, ses réconforts,
Assis sur les souches
On se parle à soi-même
En dénombrant ses doigts.
On se demande : Qui m'aime ? Qui m'aime ?
Et une seule main suffit. 

For whom I count on

There are notebooks
And lost words
At the bottom of drawers
That we never reread
Because we're late
And there's always someone
We have to take care of
And that someone is never ourselves.

In chilly Flanders,
Under the oak and beech trees,
There is a pile of ashes
After a festive bonfire.
In the middle, cans,
Memories thrown away
That we pick up with weary eyes
To sort through later, perhaps.

So we count on our fingers.
One hand is enough when we ask ourselves:
Who do I really count on?

The coolers in the trunk,
The guitar in its case,
We hug a little tighter.
One last look at
The beds of packed moss,
And the silent trees
Even when the lumberjack cuts them down.
And everyone goes their separate ways.

So we count on our fingers.
One hand is enough when we say to ourselves:
Who do I really count on?

And then when the clearing
Grows even brighter,
When we know the woods by heart,
Its traps, its comforts,
Sitting on the stumps
We talk to ourselves
Counting our fingers.
We ask ourselves: Who loves me? Who loves me?
And one hand is enough.

Pour qui je compte. avec Philippe J

Hypnotized by the waves, I started thinking about love... seemed like a good metaphor 

OCEAN WIP MIXX 130 072025-X3SA_02-01

The Snow Queen – The Fox
October 2025
Duration: 2:15
Listen to more music from the Snow Queen ballet at: soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Based on a short melody from a Russian gypsy folk song 
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For violin, clarinet, alto sax, tenor sax, baritone sax, double bass, marimba and percussion.

The Snow Queen - The Fox

Seven years ago, Oddrun and I released a beautiful collaboration titled “Smile” — a heartfelt reinterpretation of the timeless theme from Charlie Chaplin’s Modern Times (1936) 🎬.  Born from a melody that once underscored silent emotions on screen, our version gave it a new voice — tender, human, and full of light.  For some reason, it never made its way to my SoundCloud page… until now. It feels like the right moment to share this piece again — a little fragment of beauty we both cherished.
 I hope it touches you as it once touched us. ✨

Arrangements by Charles Chambaz 
All instruments, effects are performed by myself. 
For more information, see my public Profile
Vocals by Oddrun (@oddrun-eikli)

Smile: A Charles(music) & Oddrun(vocal) Collaboration

I hope this song reaches your heart. 
Thank you so much for listening.

This is an original track.
I recorded the piano myself. Some elements like certain string parts, ambient sounds, and subtle adjustments were programmed using MIDI — although some of the string sounds were also played and recorded using an electric piano.
This track features vocals by Koharu Rikka (小春六花), a singing voice synthesizer.

The lyrics are as follows:
静かな月夜に包まれていた
眠れない夜を許した心

夜明けが来れば全てが消える　
最後に残した言葉は『ありがとう』

それが君の最後の言葉なら
僕はずっとこのまま忘れない
まだ心は温もりを感じていた
夢を続かせて　もう少しそばに

時が進む速さを知った
気がつけば朝を迎えて歩き出す

見つめ合った瞳は優しくて
もっと先の未来を信じてた
僕だけは何も見えずただ未来を思った
『愛してる』それさえも言えず

それが僕の最後の言葉なら
君はきっと優しく笑っただろう
そしてきっと僕らの心には
そんな恋の最後を告げてくれただろう



（English Translation ）
Wrapped in the quiet moonlit night,
My heart forgave the sleepless hours.

When dawn arrives, all will fade away—
The final words I left were “thank you.”

If those were your last words to me,
I’ll never forget them, not ever.
My heart still felt your gentle warmth,
Hoping the dream could last—just a little longer.

I learned how fast time can move;
Before I knew it, morning came, and I began to walk again.

Your eyes, when they met mine, were so kind—
We believed in a future far ahead.
Only I stood there, unable to see,
Thinking of the future, unable to say “I love you.”

If those were my final words to you,
You would have smiled so softly.
And perhaps, within our hearts,
That was how our love quietly came to an end.

Last Words

Recorded in Modesto, Ca. Featuring King Chico vocals from The Philippines. Selmer Alto Saxophone solo. Vibraphone solo, Gibson L5 Jazz Guitar Rhythm. Steinway & Sons Acoustic Piano solo. EKO Acoustic Stand-up Bass. Yamaha Acoustic Full drum set kit. Steinway & Sons Acoustic Piano Rhythm.

Make My Move

Dreamland

A pop song that reflects a little on this and that. Catchy and at the same time, with a purpose. Musically, I've really let myself go, again.

In my world

I hope this song reaches your heart. 
Thank you so much for listening.

This is an original track.
I recorded the guitar, bass, piano and drums myself. Some elements like certain string parts, ambient sounds, and subtle adjustments were programmed using MIDI — although some of the string sounds were also played and recorded using an electric piano.
This track features vocals by Koharu Rikka (小春六花), a singing voice synthesizer.

The lyrics are as follows:

あの空を見上げて　ただ
I wait for you （I’m still waiting ）
I think of you（I’m still thinking ） 

時が過ぎる
I wait for you （I’m still waiting ）
I think of you（I’m still thinking ）

明日が来てこの場所に
あなたがもう居なくても
心が壊れても良いよ
私はただ　叫んだ

あぁ　空が描く夢の音
I wait for you （I’m still waiting）
I think of you（I’m still thinking of you）

この空を駆け抜け　いま
I wait for you （I’m still waiting）
I think of you（I’m still thinking） 

私は声に出す　さあ
I wait for you （I’m still waiting）
I think of you（I’m still thinking）

いつかこの場所にあなたが
来ると信じてるから
さよならは言わない　ここで
私はいま　輝く

あぁ　空が描く愛の音
I wait for you （I’m still waiting ）
I think of you（I’m still thinking of you）

-----


The English translation is as follows:

Looking up at that distant sky,
I wait for you (I’m still waiting)
I think of you (I’m still thinking)

As time keeps passing by,
I wait for you (I’m still waiting)
I think of you (I’m still thinking)

Even if tomorrow comes,
And you are no longer here,
Even if my heart should break,
I cried out your name—

Ah, the sound of dreams the sky composes…
I wait for you (I’m still waiting)
I think of you (I’m still thinking of you)


Now, racing through this endless sky,
I wait for you (I’m still waiting)
I think of you (I’m still thinking)

With my voice, I call your name—
I wait for you (I’m still waiting)
I think of you (I’m still thinking)

Someday, I believe you’ll come
Back to this very place again.
So I won’t say goodbye—right here,
I’ll shine with all my heart.

Ah, the sound of love the sky composes…
I wait for you (I’m still waiting)
I think of you (I’m still thinking of you)

Celestial Velocity

Have you ever had a good night's sleep disturbed by a persistent mosquito? If so you'll know how frustrating it can be.
With thanks to the author Verna Aardema (writer of the book 'Why Mosquitoes Buzz in People's Ears') for the inspiration.

Mosquitoes

WHAT I COULDNT BE TO YOU is a deeply personal and meticulously crafted 13-track exploration of love's complex architecture: its beginning, its breaking point, and its aftermath. This album establishes a dialogue between intense passion and profound resignation.
The journey begins with the undeniable pull of "Stars on Fire" and the cold reality of shared histories, as captured in "That's What You Told Me." The record progresses through pivotal moments of departure ("The First Goodbye") and shifts in perspective ("It's Not What It Looks Like"), seeking resolution where "Love Finds a Way."
However, the core of the album lies in confronting what isn't "Perfect Anymore" and the silent, inward turn of tracks like "Not Even About You" and "Wish I Never Met You." The final chapters acknowledge the unspent potential—the truth in "I Wasn't Done Loving You" and the private narrative that is "What They Don't See."
WHAT I COULDNT BE TO YOU is an honest record about reaching the point of acceptance, moving from declaring "I Love You More" to facing the difficult truth of "I Wasn't Ready to Be Replaced

Not Even About You

Je fais des sons à thèmes, je raconte des histoires, je crée des fictions.

Youtube : https://www.youtube.com/@flvrm57

Twitter : https://x.com/FlorianLvr46524

It's not just music, it's also what makes you think

SiG - visionnaire

SIG.

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