If i could hear what I see, this would be what I hear if I'm looking at some beautiful nature.

GIVE THE PEOPLE SAMOROST 4 ❗️❗️❗️

🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🕳️

2nd Fateless Flows Favorites

Kodomo’s full-length debut release – titled Still Life – will be released on October 7th, 2008 on New York’s 5 Points Records.  This release features 9 original tracks and a bonus track, “Spira Mirablis” - currently featured in the MTV/Harmonix iPod video game “Phase.” The concept for the record was born of a series of photographs, each one serving as a springboard for the music.  The album explores how images of environments, landscapes, people, and objects are used to evoke musical ideas; each image giving rise to various rhythms, chords, and sonic textures.  The photos were taken in Italy, China, Japan, Switzerland, & around the US.  The CD release has a deluxe package that includes an expanded booklet featuring all 9 photos.

Concept 16

As featured on the 8 Below Show with my bro Cheslin Pick. An ode to the best to ever do it. Hope u feel. Q

Vangelis — BladeRunner (The Quaid Ambient Edition)

From the new album "A Fender Rhodes Solo" by Jozef Dumoulin, to be released on BEE JAZZ, February 27th, 2014.

Jozef Dumoulin: Fender Rhodes

More info: www.beejazz.com/blog/artiste/jozef-dumoulin/

Jozef Dumoulin is on Facebook: on.fb.me/1eSmFrN

Label Contact : BEEJAZZ
contact@beejazz.com

Jozef Dumoulin - "A Fender Rhodes Solo" - The Entry Point

Stellardrone - Light Years

where do i begin?

https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic

http://mornings.bandcamp.com/
http://mornings.bandcamp.com/
http://mornings.bandcamp.com/

Bandcamp

Unkind

Download

Prenatal Hunters (Floex Revision)

You noticed that void inside everything, didn´t you?

Void Notice EP : http://vonwegen.bandcamp.com/album/void-notice-ep

buy on bandcamp

Void Notice

http://store.origamisound.com/album/pleasure-disorder ::

Kitkaliitto come from Finland and are a really loose band in terms of membership - there can be one to five people in the studio just jamming together and what they usually generate is a music-driven stream of consciousness that also materialized through the years into these 6 exquisite tracks on their Pleasure Disorder EP.

They use analog and digital synths, guitar, bass, flute and sometimes have guest vocalists. Even though everything happens impromptu, there's more to these jam session than words could describe, hence the results are nothing short of amazing. They've been together, on and off, as Kitkaliitto for 10 years and their taste-range has led them in and out of electronic music, yet these tracks sound as timeless as music ever gets, six downtempo compositions that ooze the playful intimacy that can only be attributed to the decade of crafting a strong, remarkable sonic personality.

After hearing them on Natura Sonoris 4 years ago we connected through Borealis' "Voidness" where they were featured as remixers. We are proud to provide the platform for their sophomore release, 6 years after their debut on Kann Records and we are already excited about the Reverend Slim remixes EP that will follow later in the year.

Kitkaliitto - Things To Come

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

You Can Have Your Suit Back

Electric Counterpoint  III. Fast - RYXP's Milde Salve

I guess this will be the second track of the upcoming album.

Stellardrone - Eternity

Aeternum
https://axen.bandcamp.com/album/aeternum

Aeternum 

Aeternum I

Adrift

Hope you like this new project, which is more percussive ambient oriented and science-fiction themed. 

Release date: 15. november 2020
Pre-Save link: https://distrokid.com/hyperfollow/ioto/new-horizons

Listen on Spotify

IOTO - NEW HORIZONS [OUT NOW ON SPOTIFY & CO]

The Stratos Ensemble is a progressive jazz band, the brainchild of producer Dean De Benedictis. The Fateless Flows Collective was an organization that Dean once ran, but now is simply the brand canopy that represents many of his extended projects, such as collaborations with original FF members and related material. Dean has decided to merge both his Stratos Ensemble content and his general Fateless Flows content on this particular SC page. 

The company name was originally the name of an electronic music collective Dean ran from 2003-05. From 2007-11 there was a plan to relaunch Fateless Flows as a record label, but it fell through. What remains are video channels on Youtube and Vimeo, and this Soundcloud page. Dean keeps his art and content coming, so he still uses the FF brand to release anything he works on that he also maintains rights control of, be it solo efforts or collaborative. Dean also has a separate SC page for his solo material.

Fateless Flows main image by Michael Jantzen and Dean De Benedictis. 

Dean De Benedictis' website can be found here:
http://deandebenedictis.com/

(Michael Jantzen's website:
http://www.michaeljantzen.com/Welcome.html)

Tomáš Dvořák aka Floex - clarinetist, composer, producer and multimedia artist from Prague (Czech Republic). Making odd songs from 1998.
*
2018 A Portrait Of John Doe w Tom Hodge (Decca Classics / Mercury KX)
2016 Samorost III Soundtrack (Amanita Design + Minority Records)
2014 Gone (Denovali Records)
2011 Zorya (Minority Records)
2009 Machinarium Soundtrack (Amanita Design, Minority Records)
2006 Samorost II Soundtrack (Amanita Design, Quazidelict records)
2001 Pocustone (Quazidelict records)

Prenatal Hunters (Floex Revision)

Floex

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