@kindergartenrecords serves up a new VA packed with head-spinning club fuel, each track a twisted example of the label's penchant for cutting-edge sonics and wrong-footed rhythmic exploration. Fans of the label will know what (not) to expect from @despinadespina by now, this being the NYC producer's fourth appearance on the label. Their track "Form In Foam" stomps about with good-natured menace, hazy textures framing its lumbering kicks and dominant bassline to propel a grandiose, squelching rain dance.

Mastering: Curve Pusher

Artwork: je_fous_le_camp

Fluo II

Pre-order

PREMIERE: Despina - Form In Foam [KINDER007]

Between bass, leftfield & club music, Montreal-based label Causal Chain will release its next compilation: "VA [CC003]".⁠
⁠
Read more on CxC 🔗 couvrexchefs.com/en/causal-chain-obsession-dj-suzmo

Article

PREMIERE: DJ Suzmo - Obsession (Causal Chain)

An older track of mine from 2015. Project file has been lost in time so it deserves to be unleashed in it's destined-to-be form. I really loved this period of my productions; it felt like I was really starting to find my feet with what I wanted to make and a direction I wanted my sound to go in.

Nods to proto-grime from the era along with blatant UK influences rhythmically and sonically. I loved the anxious melodic pad on this, I was just starting to write my own synths at this point and was moving away from samples. Really happy to finally let this one be heard by the world.

Photo taken by Galtier

Terrorem

Terrorem (Breach 2)

Losing your mind in the brainforest at night. Scratching out ancient signs in the undergrowth. Hitting panic mode in an old railway tunnel. Running topless through the trees with camo-dirt smeared on your face. This is what it sounds like.

Beams

NKC - Strak

They Call It Gqomish Techno

IM089 - @galtier - Pulchra Es Elementis
Label: Infinite Machine
Release Date: September 24th,2021
Format: 12" / Digital

With 10 years in the ‘biz’ firmly under his belt, Jiah Wells is poised to release the first full-length LP of his Galtier project, Pulchra Es Elementis. Whilst Galtier is arguably one of the originators of the percussive style that would eventually fall under the Hard Drum label, the heightened theatrics of his recent output have seen him channel Blade Runner-styled sonics and move further away from absolute club functionality. Whilst Galtier’s output often seems to soundtrack hypothetical, off-planet words, Pulchra Es Elementis turns the focus inwards: towards Wells’ own emotional constellation, his evolving spirituality and his attempts to tap into planes of existence beyond the tangible. The album’s Latin title translates to ‘Elements are Beautiful’ and encapsulates the artist’s belief that there is grace in all of life’s aspects; pushing past what we deem as good or bad, minuscule or massive.

Pulchra Es Elementis begins with Crystalised Larva, a brooding opener of breathy pad synths and expansive kick drums which reverberate through the mix as if the hits originate from the bottom of a valley. There’s an indistinct sense of tension on this track, in part due to a central melody, which never resolves but only descends lower in pitch. This tension turns to explorative wonder on Wilfull Saviour, where a mirage of musical ideas come in and out of focus. Although the sonic worlds Galtier explores are internal to him, Wilfull Saviour still possesses that sense of a cosmic journey we’ve come to expect from Wells; an ardent fan of dystopian films and literature.

Continuing this emotional odyssey, Bruised, But Not Broken sees the artist push deeper into the psychological undergrowth; its murky tonality juxtaposes crisp, Reggaeton-inspired drum patterns with a heavily compressed one-note synth line that modulates wildly - cutting through the mix like a nagging thought that won’t leave your mind. Next up is U Were, U Are & What U Will Be, one of the more club-ready tracks of the LP, which gets us moving with a snarling bassline and layers upon layers of percussive hits and inflections.

At Pulchra Es Elementis’ mid-point is the LP’s title track, a drumless interlude where blissful, shimmering synths create a patchwork of intensities. Galtier’s approach to songwriting shines through here; ignoring musical pragmatics, he opts to feel his way through his compositions without knowing where they might end up. Following on from that weightless breather, Phantasiai turns up the freneticism with its head-spinning mix of drum programming and a glitched-out synth line that yo-yos up and down octaves. Things get even more furious on the Superficie-featuring Cavernam, a hollow Hard Drum banger inspired by Eskibeat sensibilities and designed to create a sense of self-implosion.

The album’s penultimate track, (U Are) Beautiful, is a tale of two halves: beginning with a moment of serenity as synthesizers swell like an ocean tide before evolving into a marching crescendo of raw energy. Rounding off the album, Shine Forth hurtles through pacey drum work and all manner of strange zaps and klaxons before giving way to a final dose of nebulous ambience.

A musical journey unlike any other ‘club music’ albums, Pulchra Es Elementis is an LP that demands to be consumed in one sitting. Reflecting on his place within the universe and the musical landscape, the album could be viewed as a musical exorcism which sees Galtier working through and shedding huge chunks of his ego that stuck to him out of fear of the unknown. Pulchra Es Elementis begins on an insecure, overwhelming or, even, existential note before rounding off with a related sense of vastness seen with new, more positive eyes. It’s a voyage we hope you will join him on.

Galtier - Shine Forth

Stone Coaster

Ovid, Doubt & Tension - The Palace

@le_dom "Caesura" EP

Out now : ledom.bandcamp.com/album/caesura

Written and produced by @le_dom
Mastered by Joel Krozer
Artwork by Manuel Moreno Cortes & Octave Abaji

PRDX011
© ℗ 2022 Paradoxe Club
www.paradoxeclub.fr

Caesura

Loot

Le Dom - Loot

“Scatter”, the latest collaborative effort of producers Merca Bae and Miss Jay, proposes a venture through multiple genres that surround the underground club scene today.

Their first association happened in 2018, when Merca Bae remixed Miss Jay’s “Runaway” for his highly acclaimed “Merca Zip” track collection.

Fast forward to 2020, the 3 track EP merges their styles together more thoroughly, while bringing out some new elements from both artists to the table.

Mastered by bk beats

Scatter EP

Merca Bae & Miss Jay - Portal

Ziyiz - ZiyiziyiziyiziyiZ

https://soundcloud.com/amorsatyr
https://soundcloud.com/siumata

Hailing from Paris, duo Amor Satyr & Siu Mata make their debut on NHS with two mutated dance hall inspired cuts laden with manic energy and seriously hard drum work. Following up their debut collaboration on Hiedrah Club de Baile comprised of two tracks focused on the 150bpm range, the pair slow down things to around the 100bpm mark. This has no effect on the frantic energy however, as both releases maintain a level of madness through the double time percussion programming and warped melodic aesthetics; an offering of truly innovative club tracks from these two fine producers.

Mastering by Doug Shearer
Artwork by Hamza Robati

Nahash - EP

Amor Satyr & Siu Mata - Ash

Run by @doubt_tx & @tensiontrax

Bookings / Demos >>> flood.trax@gmail.com

Ovid, Doubt & Tension - The Palace

Flood

Recent comments

SKOLA

DJ SUNROOF

KUNAI

syntrovert

Related tracks