exp N4

Gentle Decay is a collection of short songs that encapsulate the journey of memories and dreams in how they distort and warp over time; how we misremember and lust after what reality once was.

Nothing Is Certain

dog-tired

“Fate Binds Us” is a 3 track EP, that tells a vague story of a young person's PTSD.

fire flies

more eaze and regular collaborator Claire Rousay bring lush, romantic introspection to OOH-sounds.

'oneiric' is out April 1st on OOH-sounds.

Pre-order: bit.ly/3DjHLOs

@moreeaze
@clairerousay
@ooh-sounds

Premiere: more eaze - heartbreaker (feat. Claire Rousay) [OOH-sounds]

skunk boy.

snowfall

eyes wide shut

we fly high ft Klein

Sync-Up

Deer Park - Crystal

take me somewhere new

山岡晃 (Akira Yamaoka) ― サイレントヒル2（オリジナルサウンドトラック）(Silent Hill 2 (Original Soundtrack)) (3 October 2001)

13 山岡晃 (Akira Yamaoka) ― The Day Of Night (1:37)

http://www.discogs.com/master/126198


13 山岡晃 (Akira Yamaoka) ― The Day Of Night (1:37)

Soundtrack to the film by Werner Herzog in 1974

This is a fan-created soudtrack which is based on all the background music in the film, put into an mp3 album.

The Great Ecstasy of the Woodcarver Steiner

1 - The Great Ecstasy of the Woodcarver Steiner

Barrio Sur - "बड़ा शोक (heart break)"

Crepuscular IV

A triad makes up the title of Soho Rezanejad’s second full-length LP, Honesty Without Compassion is Brutality, and throughout the album we witness the singer and composer arranging, wading into terrains of each piece of that title statement. Honesty, however, feels like the central ethos, what animates the album like a spirit or lit candle. We become acquainted with Rezanejad’s voice in its many registers, sometimes pitch-shifted down into an unwavering masculine mouthpiece, at other points so close-mic’d that we hear her voice cracking, and soaring in a song like “Love’s a Raging Prey”, as single vowels are stretched vast across chromatic steps. But it’s not just the singer’s voice considered as a channel for honesty – the album is populated with birdcall, stumbling trumpet lines, robotic preset voice mailbox messages, a toddler’s utterances. All vocality is taken into account, which is compassion enacted. Whereas Rezanejad’s last album Six Archetypes delved into the elemental characters constituting our psyche, this collection of songs rings with greater concern for the external world – a terrain defined by piles of obsolete telephones in a landfill just as much as waves falling upon primordial beaches. Imminent catastrophe is no stranger to us in 2019, and these compositions take all kinds of apocalypse into account – be it biblical, interpersonal, or an ever-unfolding result of the systemic degradation of our planet’s climate. The urgency of compassion underlies the album, almost a tonal foundation: as Rezanejad sings, “Animal, you do not fool me / I would remind you, that you’re no stranger than me”. In compassion’s absence, brutality is all we can expect, and we hear a number of sonic landscapes on the album that seem to peer, honestly, into a future of exterminated life and machinated waste. But as a call to arms, or a celebration of love’s unmistakable pulse, or an admission of terror, Rezanejad’s brutal honesty can also be heard as radical compassion.

- Nat Marcus, TABLOID Publications

Honesty Without Compassion is Brutality is released in two volumes,
Volume 1, 20 December 2019
Volume 2, 20 January 2020

Produced with Miccel Mohr
Mastered by Malthe Fischer

Digital LP - Cat. No. SR010
Silicone Records 2020

eyes wide shut

Florence Sinclair

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