3D Audio installation.
Château de Châteaudun, FRANCE, October 28th - November 27th 2022.

Atlantic ocean recorded in Pornic with 1st order ambisonic microphone (Sennheiser Ambeo).

To be listened in situ on 8 speakers, from high-end audio manufacturer AMADEUS.

This work has been produced within the program Mondes Nouveaux.

Drawing by ƒcd.

Mersion  - Ambisonic Sound Installation - Séquence 1 (2022)

f055 - xtclvr

3 Electric Relaxation

Grégoire Bruno : Music, Mix, Production
Yuichi Broccoli : Vocals and lyrics (02)
Catherine Danger : Mix and vocals (03)
Gaston Pelouse : Organ (04 and 05) and vocals (05)
Luca Retraite : Master

Godard Jamaïca - Better Dub

giovanni
_
elina bolshenkova - on hold
soft tissue - vstim
soft tissue - grain
manja ristic - muhe
gilles chabenat, frederic paris - la nuit, le jour
fulminosuke - salegio church
sarah jane summers - mirk monanday
anthony manning - untitled
midori - live sax
7038634357 - everytime
rory salter - serge, feedback, cassette recorder
7038634357 - laps
the moon lay hidden beneath a cloud - untitled
kensho nakamura - electric rust
flat bush - jadeite noon
griffin brown - porcelain
decha - wiegenlied
--
avant session 35
(2024)

MORE

A-S 35 | giovanni

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
If you want to order directly to the musicians :
kaizer[at]iiiha[dot]com
thomas.coquelet[at]gmail[dot]com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Follow KOU (Thomas Coquelet & Apolline Schöser) :
Website : https://koumusik.wordpress.com/

They share there first Split with SVII on BeCoq Records in oct.2022 : 
https://becoq.bandcamp.com/album/split-3
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Lei Dà Loro Tutto

Hibernation

CD available directly from Important Records - imprec.com 

Strange Times is a virtuosic realization of contemporary
electroacoustic soundscapes composed and performed by Stephen
Ruppenthal and Gary R. Weisberg. With masterful employment of electroacoustic techniques and tools, including the original 70's Buchla Music Easel Ruppenthal used in the Electric Weasel Ensemble, these two artist create an essential, psychedelic, electro-acoustic experience.

Strange Times is a hallucinatory journey into our epidemic-ridden
times through a collection of startling sonic landscapes. From epic
acoustic journeys into re-imagining myth to the phantasmal soundscape world of the Bardo, Strange Times is not for the innocent or delicate listener. Time turns elastic, and folds in on itself; you are approaching the event horizon of a black hole. The only way to make sense of any of it is to mentally rewind; speed up or slow down the voices in your head in random attempts to find your way through this electroacoustic aether. Strange Times explores the ability of sound to alter consciousness, creating sonic environments, mental and physical states where one can allow the experience of listening to become transformative.

Stephen Ruppenthal (Berkeley, 1949) San Francisco Bay Area new music trumpeter, electroacoustic and text-sound composer, Stephen studied electronic music and composition with composer Allen Strange, and ethnomusicology with Lou Harrison, and holds a Masters of Arts Degree in Contemporary Musicology, writing the first comprehensive treatise in English of Sound Poetry, “History of the Development and Techniques of Sound Poetry in the Twentieth Century in Western Cultures.” Stephen was a founding member, along with Don Buchla and Allen & Pat Strange, of the Electric Weasel Ensemble, and more recently, with Brian Belet and Pat Strange, of SoundProof, and is known internationally for his live electroacoustic performances, and writings on text-sound
composition. Stephen has been composing and performing electroacoustic works for Buchla instruments since 1971. Flamethrower, a 2017 CD of electroacoustic works for trumpet and flugelhorn, by Allen Strange, Brian Belet, Bruno Liberda, and Elainie Lillios, and performed by Stephen is currently available from Ravello Records. 

Gary R. Weisberg, composer-sound designer-digital audio artist was
born 1951 in Brooklyn, NY. At age 2, Gary was exposed by his mother to the music of Brahms, Khatchaturian and Rimsky-Korsakov. He also had a fascination with dinosaurs. He first picked up a musical instrument in 1972, playing free- jazz improvisation on flute and alto sax. Gary moved to San Francisco in 1976 and was involved in a loosely knit collective of jazz and experimental musicians and artists, operating a small performance space called The Blue Dolphin. He studied music, computer programming and electronics at San Francisco State University, graduating with a degree in Electronic Music Composition. He spent two years building a modular analog synthesizer, and began composing electronic music and text-sound compositions for art/ photography gallery openings. From 1986-1994, Gary maintained a MIDI project studio for the production of his own music, as well as sound and music for TV/Film/Video productions. Since 1994, Gary has been composing PC-based experimental electronic music, as well as pieces
for electronic and acoustic instruments, occasionally performing with other composers and collaborating with visual artists. He currently resides in New York's Mid-Hudson Valley.

1. Post - Apocalyptic Biscuit (Ruppenthal)

available on computers 'its warmth splits the atmosphere to warm my frozen kin'

時の性質は、様々なことから影響を受け、液体のように変わっていくのである。~  The nature of time, under numerous influences, changes like a liquid.

Umé Records presents the album "Equal Parts" by Great Britain's Paul Oednom.

Listen: https://umerecords.bandcamp.com/album/equal-parts

ume028

Download

Paul Oednom ~ Equal Parts (snippets)

After playing lots of his music in her own sets slyn welocmes emre girginkaya to the third episode of in passingn tides. Emre Girginkaya is a DJ and producer based in Istanbul, specialising in evolving ambient music. He focuses on crafting soundscapes , using a range of techniques to shape his unique sonic atmosphere.

In Passing Tides w/Emre Girginkaya & Slyn 17 06 24     [Voices Radio].

French musician and composer.
florentcarondarras [@] gmail [.com]
Working with rhythms & sounds from the living and the digital realm.

Mersion - Ambisonic Sound Installation - Séquence 1 (2022)

Florent Caron Darras