00:00-01:00
Excerpt from 'Without', performed by Erik Carlson (violin) and Greg Stuart (percussion), composed by Clara de Asís. Released in October 2018 on Elsewhere.

01:00-02:00
Excerpt from 'Comme de loin', 2020. Commande de l’Etat du Ministère de la Culture, France. Produced by GMEA - Centre National de Création Musicale d'Albi-Tarn. Électroacoustique sur support seul. Released on Blank Mind as part of the homonym compilation.

02:00-03:00
Excerpt from 'De ce côté-ci', from the album 'Sans Nom Ni Forme'. Recorded in Berlin, 2019. Released on Pilgrim Talk, 2020.

03:00-04:00
Excerpt from 'double points; reflected', Clara de Asís & Rebecca Lane, 2021.

04:00-05:00
Excerpt from 'Present Omission', from the album 'Repetition of the same dream' featuring works by Clara de Asís & Mara Winter. Released on Another Timbre, 2020.

Excerpts 2018-2021

A mesmerizing mixtape from Greek musician Tasos Stamou. Bouncing back and forth between his recent retro Balkan folk-wave album for the Akuphone label and some of the styles and sounds that inspired it. Vintage combo keyboards, a folk instrument used in a contemporary context, long sustained krautrock and beyond.

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Balkan Express Mixtape (RIAFC097)

AI Series Mix #011 - Lowfish
June/2023


SoundCloud:  https://soundcloud.com/lowfish

https://on.soundcloud.com/95vzh


Tracklist:
01. Tod Dockstader – “Piece 01” [Scholastic Records]
02. Fizzarum – “Ursa-Majoris” [City Centre Offices]
03. London Modular – “Alliance Harnessed Black Holes” [Applied Rhythmic Technology (ART)]
04. Credit 00 – “Data Phobia” [Mechatronica White]
05. The Fear Ratio – “Slinky” [Tresor]
06. Reptant - “Shermanic Ritual” [Salt Mines]
07. Boris Divider – “La Hora De Las Máquinas” [Drivecom]
08. I.F.R – “Stati Alterni” [Swamp Tapes]
09. Brainwaltzera – “Good Endgar” [Film]
10. Lowfish – “Pooling” [Suction Records]
11. Anders Ilar – “Ludwijka II” [Shitkatapult]
12. MPU101 – “Some 100100MM” [Ilian Tape]

AI Series Mix #011 - LOWFISH

Jaywalking with Yumi @ The Lot Radio 02-19-2024

Tracklist

01. Fennesz - Sognato di Domani
02. Runaway Horses - Life Finds a Way
03. Daniel Vickers - Mist
04. Christian Wittman - Suspended Realities
05. No Memory - Kiko's House
06. Anthéne - Deeper in the valley
07. Andrew Heath - Landscape after Corot
08. The Humble Bee & Offthesky - Body
09. Federico Durand, Pablo Picco - Junípero

373. Sleepy Sunday Podcast (Elm Record)

Artist: Hubert Zemler
Title: groove 18
Data premiery: 28.06.2024
Format: digital / cassette (edition of 50) 
Mastering: Mateusz Wysocki
Artwork: Iwona Jarosz

In 2018, Outlines released a cassette by Polish drummer Hubert Zemler in the groove series dedicated to mixing footwork with dub. Zemler brilliantly dismantled this idea by creating two unique hybrids at 160bpm. So when the idea for a groove series created by drummers came up, it was a natural choice for Outlines owner Pawel Dunajko to approach Zemler to take part in the project.

Groove 18.1, subtitled 'OCD Soundsystem', opens with a completely different register and aesthetic to outlines' previously released groove 8. The track begins with a slow minimalist tempo reminiscent of Andy Stott's deep rhythms. Zemler gradually incorporates individual intensity-enhancing sounds to situate a layered synth loop in the central part of the piece. In the final moment of the recording, against the backdrop of an ever-recurring random phrase, the sounds of piano, bass guitar and an effects-driven voice appear, evoking associations with post-classical music and kosmische musik.

The first part of 'groove 18.2 (Cowboy, Cable TV And Roller Skates)' could appear on any of David Holmes' albums for its illustrative nature. In the second part of the recording, all these cinematic ornaments fade away in favour of raw and hypnotic layers built on short synth phrases. In the last part, the density of the track becomes increasingly intense with a rising culmination abruptly ended by a few single sounds reminiscent of Massive Attack's 'Dissolved Girl'.

Groove 18 is Zemler's own vision and his journey back in time to sounds that evoke some form of vintage sentiment and shards of nostalgia. In contrast to the earlier footwork of Groove 8, the leap into the future is made here with an imagination firmly rooted in the past, revitalising and refreshing it. This allows new musical and surprising associations to emerge, where krautrock and post- classical intermingle with Andy Stott, David Holmes and Massive Attack.

Hubert Zemler - groove 18.1 (OCD Soundsystem) preview

The worlds in us

Manstra FM (Guruga) - Loïs Lazur (Mai 2024)

you are my joy

#slowcore #midwest #shoegaze #sludgemetal #alt #alternativerock #shoegazemusic #heavyshoegaze #rock #indiemusic #indierock

lovely heartache for winter

Composed & Produced by StanLeonard.com
Instagam: https://www.instagram.com/stanleonardmusic/#
Spotify: https://open.spotify.com/artist/2G3gYHbQ46UPckIS7nrjk4?si=7G3Y27AaQbaAPpl1vu9P7w&nd=1&dlsi=aa9f6885ec5046a9

I dedicate this composition to everyone who’s lost their course in life for a moment.
A riptide is a narrow channel in a sandbank where the water rushes strongly out to sea.
And to get out of it you have to do something that feels very unnatural: first let yourself be carried along, and only then swim left or right, back to calmer water and the shore. I think that’s a beautiful image for how we can sometimes deal with life.




Riptide

Riptide (Follow me on Instagram/Spotify🙏🏼)

Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg” when she was just 11. She won several prices playing solo and string quartett ensembles, was part of orchestras like Bayerisches Landesjugend Orchester and Salzburger Junge Philarmonie all over Europe. Always keenly interested in contemporary music, she was part of performing ensembles in lots of world premieres.

In her PhD she investigated the role of sound in robotic rehabilitation. She has been working as Postdoctoral researcher on Music, Machines and the Human hand. She has been working as a futurist, writing books on the 22nd century and future of health. These days she holds a professorship in Digital Health in which she tackles the humane tech-potentials for the silver society.

She loves bridging experimental arts with science to get inspiring output. In current live performances she works with cello and synths.

contact: florina.spethATgmail.com

The worlds in us

Schloss Mirabell

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