Like Dreams - If It Lets You: November Rain Sun Day, Day 5

Evening Drive

New R&B instrumental from JSC Beats—perfect for rappers, producers, and fans of raw urban sound. This rap beat features a smooth Blues, soul and chill vibe. Ideal for freestyle rap, vocal recording, beat tapes, or chill background vibes. Whether you're spitting bars, crafting a track, or curating a playlist, this hip hop beat delivers pure underground energy.

A Whole Lot (Instrumental)

50 Cent & Olivia VS MØ (Dramantic Remix)

Trophy (Show Pony)- Fire Ark Radio Production

Trophy

kaphar כָּפַר (survival machine)

ft. kinelle man around 4 1/2 min around the oprah part. 

Characters Welcome

DJ Rascal -Vibes

My cosmetics for the LoopDiggers Sunday Roulette #227

we can put lipstick on a pig (LDSR #227)

working on the subway line

Our story goes back to 2013, when AP and myself first met on this very platform and made one collaboration, before life took us separate ways. We always remained in touch and now we are proud to drop our first brand new collaboration in 12 years 🙌🏼 Look out for our upcoming joint project guys. Soon.  👊🏼 👀 Check out my boy AP! https://on.soundcloud.com/zRhmLPpw6KfMZMnU4X

DKODA x AP - Upon My Return...

/
All Mantra All Beginning - To Primordial Sound

excerpt from the transcript translated into English:

"Om is therefore a mantra, Amen is a mantra. And, if the world is sound, and if this sound—the world itself—is ultimately unreachable for us mortal humans on a rational level, then we need reflections, symbols, parables of the primordial sound. Not least so that we can make ourselves understood, both to ourselves and to others."

//

Primordial sound refers to the original, eternal, and unstruck cosmic vibration underlying all existence. It is often described as timeless, beginningless, and endless—a sacred universal frequency sometimes identified with the sound "Om" or "Aum." This sound is considered the source from which all creation and sounds emerge. In various spiritual traditions, like Hinduism and Taoism, primordial sound represents a foundational vibration of the universe that connects all life and existence beyond the physical realm.

Om represents not only the cosmic sound but also the very process where breath (life force) turns into sound (word), connecting spiritual energy and expression. This is why sacred traditions emphasize chanting Om as both a meditative and creative practice, harmonizing body, breath, and spirit.​

​Thus, Om is the symbolic "location" or moment where breath becomes word, merging the invisible force of life with its audible expression.

Regarding original sound concepts like "Om" or "Amen," these are seen as human attempts to replicate or invoke the primordial sound—the sound from which breath becomes word and creation arises. "Om" especially is regarded in Vedic tradition as this original cosmic vibration encompassing all sounds and existence.

//
Joachim Ernst Berendt was a visionary German music journalist, author, and producer best known for bridging the worlds of jazz and spiritual sound. His groundbreaking book, The Jazz Book, became an authoritative global reference on jazz, influencing listeners and musicians for generations. However, Berendt reached even wider audiences with his exploration of the metaphysics of sound, especially through his seminal work Nada Brahma: Die Welt ist Klang (The World Is Sound).

Crucially, Nada Brahma was not just a book: Berendt himself narrated and produced powerful audio versions of this material. Originally created as radio broadcasts, these recordings featured his narration interwoven with evocative music and soundscapes, bringing his ideas to life for listeners. Available on cassette (K7), CD, and later streaming and digital download, the audio releases—including "Die Welt ist Klang – Nada Brahma"—last several hours and are celebrated for making his philosophical vision accessible and immersive to a new generation. 

Berendt’s Nada Brahma series investigates the principle that the world is sound, blending spiritual traditions, science, and world music. His work offered listeners—and especially young audiences, thanks to these audio sessions—a profound experience of sound as the origin and essence of reality, demonstrating how attentive listening connects us to universal harmony.

The book "Nada Brahma: Die Welt ist Klang" by Joachim Ernst Berendt was first published in 1983. The original audio version was created as a two-part radio feature, first broadcast by Südwestfunk in Germany on November 28, 1981, reaching a wide audience and later leading to the publication of the book. The audio versions were subsequently released on cassette (K7) in the 1980s and later on CD and digital formats.

Joachim-Ernst Berendt (July 20, 1922 in Berlin – February 4, 2000 in Hamburg)

::
I am infinitely grateful that his work reached me on cassette tape in my youth.
.
Sunday, November 9th 2025
2 pm Central European Time Zone
.

All Mantra All Beginning - To Primordial Sound

Paul Amlehn - Text, voice, technological augmentation of the voice with electronic prostheses, music, editing, mixing, production
Elya - Photograph of Pilgrimage church, Maria Königin des Friedens, Neviges, Germany
Gottfried Böhm - Architect of Pilgrimage church, Maria Königin des Friedens

Libretto:

Silent remembering
I, close to you
Ever more ignoble and supine
Against the wall of the reddening sky.

Flayed name
Ancient evil transposed in present time
Resolute grid of the user's body
Addicted to nothingness.

Precise form of accident
You from death
The brutal engima
Of your smite
On the slopes with powder of coral
In hideous night.

I, Close To You

“The Hypnotist” is a dark, cinematic electronic track that pulls you into a trance between reality and control. Deep, pulsating basslines merge with cold industrial textures and hypnotic rhythms, slowly building an apocalyptic tension.
A sound for the night — for deserted cities and the moment you surrender to the darkness.

The Hypnotist

Who Will Call

Fast_Lane

I’m a creator at heart. Music has always been a natural part of my life — something that flows from within rather than something I chase for attention or recognition. I make music because I love the process itself — exploring sounds, layering emotions, and capturing moments.

I’m self-critical in a healthy way and grounded in reality. I know there are better artists out there, and that’s perfectly fine. I don’t create to compete; I create to express. My priority in life is my family — providing for them and keeping things balanced.

Music, for me, is a space of peace and authenticity. I’ve made tracks that people enjoyed, and I’m grateful for that, but what matters most is that I stay true to myself and to the joy of creating.

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

/

/ to(tally) fictionalive or not

/


.


.


.

Fast_Lane

FlossyBeats

Related tracks