Very impressed... a strange and beautiful piece.

Purchase: bit.ly/3wjrs0f
Catalog #: GN65
Apr. 16, 2021
LP+DIGI

Matthew Sage is about seeing the big picture, but focused through the most intimate and personal lens possible. Best exemplified on the gauzy, cartographical opus 'A Singular Continent', as well as his impulsively meditative Geographic North debut 'Catch a Blessing', Sage’s imagination yields fully realized sonic suites to worlds both imaginary and referential to his own. 

Now, the Chicago-based composer, producer, label owner, and publisher returns with 'The Wind of Things', a personal and pastoral oblation to the wild and wind-blown waters and mountains, both from Sage’s own memory and writ large. Absent are the processed sounds and filters that have come to define Sage's work; the album finds Sage stripping away the synthesized sounds that alchemied his past work into aural gold, instead favoring an entirely acoustic and natural 
palette.

Sage called upon a myriad of long-time collaborators, who together form the aptly-titled Spinnaker Ensemble (featuring Patrick Shiroishi, Chaz Pyrmek, Nate Henricks, Chris Jusell, Allison Sheldon, Martin Albertz, David Hirsch, Matt Wenzel, and Ang Wilson) to help realize his vision and further the melodic potential of the living and breathing field recordings that permeate the album. Tapping into an intimate sense of self, these field recordings derive from natural places that are significant to Sage. Lakes, mountains, and rivers he grew up boat-racing on and swimming in; tall fields of grass in rural Nebraska near his family’s birthplaces; wildlife on the pond of his in-laws home in Texas; the harbors and beaches of Lake Michigan that he frequents; all serving as places of occupation for these compositions to live in and blow through.

Opener “Cloud Plexus” is a fog-laden float in a calm lake of unrestrained optimism. The serenity soon glissades into “Harbor Dive”, a shimmering and elegant rift of sloshing harmonies. “Launching Mossing Scow” finds its flourish in the flotsam, tinkering with rusted refrains and oblong melodies. The action quickens with “Zephyr: Ponderosa Pollen,” charting a speedy course with only a shoddy sonic sextant as its guide. “Starboard Reach” offers a moment of playful clarity before “Luffing Adrift” and “Sail-Shaped Light,” a murky pool of darkness and light that ripples into the ether.

“Slipping the Mooring/Pond” opens the B-side in an amorphous din of familiar auditory accoutrements that gather into a single, slow-motion blur. “Dazzling Shallow Bay,” “Portside Mark,” and “Tell Tail Tale” play a dreamlike suite of a waterside piano finding its fins and diving below the waves, discovering its blithe buoyancy, and exploring the depths unencumbered by the weight of the world. The hopeful meditation of “Spinnaker on a Southerly” serves as a calm before the (rain)storm that is “Hiked Way Out,” a welcome reflection on past, present, and future maritime melancholia.

The Wind of Things

Buy LP/DIGI

M. Sage - "Cloud Plexus"

Tiny Trees [all Defenceless Mix]

The spike organ or nail chello (sic) is thought to originate from an early middle Europe monastic sect, the Iscariotians. They may have used the instrument to accompany their lengthy rituals contemplating the pain of the crucifixion.  

The Iscariotians are said to have been wiped out by returning crusaders at the behest of emperor Leopold III. Other commentators have suggested that the whole story may have been a constructed  alibi for the defeated crusaders plunder and desecration of the brewery of ..Santa Quaffa...


A possible surviving 'chello' object, made from of lignum vitae and iron, resides in the Musée des Beaux-Arts de Rouen. Its interpretation is not without controversy with some critics asserting the object is nothing more than a kind of agricultural implement, though this does not explain its cruciform shape and carved decoration.

In 1972 the scholar . Roland de Févin was granted permission to investigate the Rouen Chello, explore its sound making capabilities and make recordings. his theory was that the instrument was to be played by a rosined bow.  Unfortunately de Févin's playing and handling resulted in two of the nails fracturing and so the investigation was terminated after only one day. The single recording de Févin made was never released but it was played to audiences on an European lecture tour he conducted shortly before his death in 1974. 

It has been subsequently alleged that de Févin's  investigation  coincided with the great fire at  Nantes cathedral. This lead to several occultist conspiracy theories, most notably retold in the pulp fiction novel Blood Nail-(Brownie Dane,1975) much of the plot was lifted for the Italian soft core film Sistero Orgasma (1977) where the action was switched away from a monastery to a scantily clad convent.(citation needed) 

On the film soundtrack, the sounds of the Chello were replicated by experimental electronic synthesiser the achoirorium- itself the  subject of intrigue- as its extremely high operating voltages caused the death of its creator  Luigi soon after the recording session.


This recording was made in 1980 by UK avant geographer Forster Iberix who attended several of de Févin's lectures.  He set about building a replica device and making reconstructions of the Iscariotarian mass based on a column of scribbled numbers  which appear reverso  in one of Leonardo da Vinci's codex's (Coded notebooks). The recording was released on an untitled flexi disk issued by cult French label sordide sentimental -who now deny any knowledge of its existence. It does not appear on their official discography.  Improbably- Haringey local studies library, London, has a copy in their archive. The library does not provide any method of playback for the flexidisc and items from the archive cannot be withdrawn -so some subterfuge was involved in me getting this track taped. Whilst the disk was in my possession an inexplicable number of minor disasters befell me -so I can assure you I hurriedly returned it.

disquiet0385
More on this 385th weekly Disquiet Junto project — Audubonus Instrumentum / The Assignment: Imagine a fake instrument, and make music with it — at:
https://disquiet.com/0385/
More on the Disquiet Junto at:
https://disquiet.com/junto/
Thanks to Paul Harrington for the Latin assistance.
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0385-audubonus-instrumentum/

The Nail Chello (disquiet0385)

played this koto-like track on my keyboards and synths
track is dedicated to some past that formed me, like Sacura or rather it's mood..

Sacuramod

This is a rework of mine and @mudaki live electroacoustic performance from Phonon event at 2018. We streamed a signal from piano and change sound in real time.
In this rework I transform recording samples, work more with sound and frequency and adding various instruments.

LIBRARY(rework in progress)

A new 5 track mini album released on Whitelabrecs.
https://whitelabrecs.bandcamp.com/album/home-diaries-021

"Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. An interview with each artist is included as a bonus PDF with the download."

blochemy - Home Diaries 021 (Whitelabrecs) Sampler

Melancholia Streams

Becoming You

another djstadtreinigung gem:

djbassreinigung & djkassettenreinigung took it out on each other
in this live notstudiosession recorded at galerie pfund&dollar

voices by skltr/shl/hmn/rc
cut by djstadtreinigung
artwork by djstadtreinigung

Melancholia Streams

Flowers & Ketamine

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