kyle bobby dunn

Brand new epic recorded at the new L'auberge de dunn studios in Montréal, 2013.

Infinite Sadness

Boring Foothills of Foot Fetishville

Track taken from "Ways of Meaning" (Pathway002) Available Late May on vinyl and digital formats.

Kyle Bobby Dunn - Canyon Meadows

This track 'Sagittarian' was released as part of the 'Die Welt ist Klang' Pete Namlook Tribute package. The full package contains 8 CDs worth of material in a nice wooden box. It is also available as a digital download. 
I'm giving my track away here gratis, you can grab the full release from http://namlooktribute.bandcamp.com/album/die-welt-ist-klang-a-tribute-to-pete-namlook

Material Object - Sagittarian

https://faintmusic.bandcamp.com/album/svalbard

Written and Produced by Agustín Mena.
Mastering by Neel.
Photography by Alexander Kopatz www.go70north.com
Faint001 // FaintCD001
Faint / 2016

SVLBRD - Hvit

'The Future is a Forward Escape Into the Past' is the latest album by Los Angeles-based multidisciplinary artist and composer Yann Novak, and his second for Touch. It considers the relationships between memory, time, and context through four vibrantly constructed tracks that push Novak’s work in a new direction while simultaneously exploring his sonic past. 'The Future is a Forward Escape Into the Past' is composed as a quadriptych – a single gesture broken into four parts – that meditates on the inevitable progression of time, our relationship to the past, and our distortion of the past through the imperfections of memory. The album will be released February 23, 2018 on the London-based label Touch. Available digitally and on CD, the physical version will be packaged in a gatefold sleeve as a limited edition of 500. For more information on the artist and release, please visit www.touch33.net.

The album’s conceptual roots stem from 'The Archaic Revival' by American ethnobotanist and psychonaut Terence McKenna. In it, McKenna theorizes that when a culture becomes dysfunctional it attempts to revert back to a saner moment in its own history. He suggested that abstract expressionism, body piercing and tattooing, psychedelic drug use, sexual permissiveness, and rave culture were proof of this default to a more primal time. The text’s idealism was influential to Novak in the ‘90s, but today the theory bears a darkly-veiled resemblance to the rise of nostalgia-driven nationalism. Regardless of whether one agrees or disagrees with the signifiers of a ‘better time’ - McKenna’s idea highlights our propensity for selective memory, seeing history through the lens of memory instead of fact. On 'The Future is a Forward Escape Into the Past' Novak looked back at his own older works through this lens as inspiration.

“For this album I was interested in expanding into a more emotive compositional style and palette. In doing so, I was reminded that this was territory I had covered early on in my career — the whole process became a way to reconnect with my own past and history.”

The Album’s four tracks dynamically shift and surge, where time is rendered as material and momentum compels it into movement. Subtle distortion throughout the album ties the tracks together and echoes techniques explored in Novak’s 'Meadowsweet' (Dragon’s Eye, 2006). Tension gives way to a halcyon vision of place in “Radical Transparency,” immediately followed by the austere swells of “The Inertia of Time,” a piece that captures the twin impulse of generating optimistic beauty in harshly muted tones. Both tracks introduce subtle bass swells and stabs reminiscent of 'In Residence' (Dragon’s Eye, 2008). From there, the album grows darker with “Casting Ourselves Back into the Past,” and “Nothing Ever Transcends its Immediate Environment,” two icier tracks that preserve the album’s core: a layer of something long since passed that locks us into the very moment we inhabit. The latter introduces a processed vocal sample of Geneva Skeen, similar to Novak’s collaborative work with Marc Manning on 'Pairings' (Dragon’s Eye, 2007). The album is a study in perception and alteration, manipulation and awareness, effectively capturing Novak’s command of emotional texturing.

The Future is a Forward Escape Into the Past'

The Inertia of Time

First track from 'Rural Route No.2' 3inch E.P.

Kyle Bobby Dunn - Dissonant Distances

Track taken from the upcoming album 'And His Many Seas' by Moss Covered Technology...

Audio: Moss Covered Technology
Mastering: James Plotkin
Design: Daniel Crossley
Label: Fluid Audio
Release date: 30.04.18

www.fluidaudio.bigcartel.com

And His Many Seas

Moss Covered Technology - Sea #4

Aloft

Track taken from the new album 'Bring Me The Head of Kyle Bobby Dunn' coming soon via Low Point.

Full review:

www.fluid-radio.co.uk/2012/06/kyle-bobby-dunn-bring-me-the-head-of-kyle-bobby-dunn/

Kyle Bobby Dunn - Kotylak

excerpt from a live tape loop, percussion, guitar + modular synth performance at S1, Portland.

180812

"Who Knows, Who Knew" is taken from the album Lies, Deception and Sin by Niskogradba.

Release date: 18.10.2018
Format: CD/Digital

All tracks sampled, looped and produced by Niskogradba 
between November 2017-March 2018 
Mastered by Roel Weerdenburg

Limited edition of 40, Professionally manufactured high quality CDr's, Handmade packages, hand numbered.
Different colored wallets with envelopes: Brown Kraft, Blue and Red.
Bigger and smaller sleeves, smallest size in transparant bag.
Photo's.

Order: https://shimmeringmoodsrecords.bandcamp.com/album/lies-deception-and-sin

Niskogradba - Who Knows, Who Knew (Taken from Lies, Deception and Sin - Out Now)

Kyle Bobby Dunn - "In Praise of Tears"

A compilation from El Muelle Records, Spain. 

Todo comenzó con una reflexión que sobrevolaba por nuestro muelle, la sensación de que estamos viviendo tiempos áridos y agrios, donde el grito sin sentido se alza sobre las voces y el ambiente es de una aspereza que asfixia. 
A la conclusión que llegábamos era la urgencia de calidez humana, de sentir el abrazo y la cercanía del otro, sean allegados o no, amigos o desconocidos. 
De esta máxima surge “Slow sketch vol. 1: Reflections of the ambient community”, nuestro granito de arena para que los tiempos fríos acaben transformados en esa calidez humana y así, añadir una banda sonora quieta a esos momentos donde la humanidad acaba siendo nuestro traje de diario. 
“Slow sketch vol. 1: Reflections of the ambient community” presenta el trabajo de cuarenta artistas y proyectos que comparten nuestra reflexión sobre el mundo que nos rodea y recogen el testigo de nuestra propuesta para ofrecernos su calidez y sensibilidad a través de las máquinas. 

Fotografía: Pepo Galán 
Diseño: Javier Acedo 
Mastering: Südblock Studios

released December 24, 2019

all rights reserved

Slow sketch vol. 1: Reflections of the community ambient

Name Your Price

'Quayside / November' - Various Artists, Slow Sketch Vol.1 - [El Muelle Records, 2019]

"Emmeck" is taken from "In Sight", F.S.Blumm´s first solo album for Sonic Pieces. Handmade LP and CD editions available from August 28th.

In sight

In Sight

F.S.Blumm - Emmeck

ILUITEQ - A Sylvan Elegy

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Kyle Bobby Dunn - Kotylak

Fluid Radio

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