The paradoxical theory of change

From the album 'Hiraeth'.

Album available here - http://www.preservation.com.au/product/olan-mill-hiraeth

Olan Mill - Cultivator

www.facebook.com/JVXTA
www.facebook.com/scissor.and.thread.nyc/ 
www.instagram.com/scissorandthread/ 
www.youtube.com/user/ScissorAndThread

JVXTA is a DJ and producer based in London (UK). He also co-founded the label Hardmatter.
  
Here, Scissor And Thread, the Brooklyn imprint headed by Francis Harris and Anthony Collins share JVXTA’s debut album - Euston Blues. 

The album is a collection of moods and textures, from woozy soundscapes like opener No One Needs to Know and Voyager, to grooving, dusty house tracks like Hold On, Water Temple and Lost in Place. 

Tracks develop from ambient textures into leftfield beat excursions (Beyond) and incorporate thoughtful samples such as the spoken word poetry in The Stolen Child.

Elements of free improvisation and experimentation pepper the album, while a strong thread of atmospheric cohesion winds its way through the eight tracks - making Euston Blues a truly rewarding and rich listening experience. 

"Euston Blues synthesises deep chords, classic house rhythms and jazz laden influences to chronicle an intimate journey of physical and psychological isolation." says Charles Field, the man behind the JVXTA project. 

"Scope is relative and this transposition is explored from the seclusion of a single room to the expanses of the Beyond".

Euston Blues

No One Needs To Know

JVXTA - No One Needs To Know

A Winged Victory for the Sullen - 'ATOMOS'
Double-Vinyl/CD/Digital out on Erased Tapes/Kranky on October 6, 2014

PRE-ORDER the album now!

Worldwide (excl. North America):
via Erased Tapes: www.erasedtapes.com/store/index/ERATP061
or via iTunes: http://snip.ftpromo.net/atomositms

In North America:
via Kranky: www.kranky.net
or via iTunes: https://itunes.apple.com/us/album/atomos/id894692856

TOUR DATES: 
https://www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.  

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.  

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie  

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES:  awvfts.com · erasedtapes.com · kranky.net

Atomos VI

Taken from the Re-release of Boards of Canada - Hi Scores ep Ska008 - 2014 Edition.
Release date October 13th 2014.


Boards of Canada - Hi Scores

05 Christina Vantzou - The Way Out Is Back

Soundcloud exclusive ambient EP that creates a vast, contemplative, and profoundly atmospheric mood, evoking a sense of deep space or expansive landscapes. It carries an undercurrent of melancholic beauty and quiet intensity, sometimes bordering on the eerie or unsettling, inviting deep introspection.

Pleura

im not a perfect person

Ocoeur - Progression

Track 5 from the beatless album 'This is soon too late' (2016).
Out now. Mastered by A.P.

FDL#05
www.federleicht.be

Herbstlaub - For When You Need Me

Relating to the Immediate Surroundings of Something; or, This is What I'm Talking About was a sound installation created for Next Wave Festival 2016
Performance from Superstar
Sound design/audio programming by Ben Carey
This project has been assisted by the Australian Government through
the Australia Council, its arts funding and advisory body, and the NSW Government through Arts NSW.

Relating to the Immediate Surroundings of Something installation Day 4: Superstar

from 'Turmalinturm' [CD|LP|DIGITAL]
Denovali Records · den268
available on all format at [http://denovali.com/foghdepot]

Fogh Depot continues its quest for the fifth element, experimenting at the confluence of jazz, modern classical, and electronic music. Two years after their first S/T release, the Moscow-based trio presents a new album - Turmalinturm.

Like the previous recording, this is a unique blend of ostensibly incompatible elements. A traditional academic approach fuses with lo-fi spontaneity. The raw and vivid texture of the bass springs forward from a modular sterility. At times the mixture is explosive. No wonder the studio where the album was created burned down a month after it was completed.

This album imparts a new, architectural dimension to Fogh Depot's music. A fortress named 'Turmalinturm' rises from a solid foundation of jazz, neoclassical minimalism, and experimental electronica. But the sophistication of the fortress' towers makes one suspect that each had its own architect. 'Quicksilver Spoon' is virtually flawless in geometric form. 'Who The Last Says No' is so fragile and delicate that it is a miracle it does not collapse. 'Oscar' is perhaps the most complex and substantial tower of the ensemble. 'Alice, Bob & Cypher' has a secret of its own in the old vaulted underground crypt. One of the structures is topped with a Gorgoneion, a stone head of Medusa. Another houses a bell tower borrowed straight from Rachmaninoff's Suite No. 1.

Tourmaline is a stone that appears to change its color depending on the angle of view. Turmalinturm's listeners get to choose how to approach the fortress. Some will discover the same pensive melancholy sounds that Fogh Depot started with. Others will find lighter, brighter, occasionally even euphoric motifs.

Turmalinturm

Fogh Depot - Quicksilver Spoon

Origin and Echo

Snow Palms - Rite

Relating to the Immediate Surroundings of Something

Megan Alice Clune - Passage 1: Saturday 10AM Art Wilson

Sarah Davachi - "Let Night Come On Bells End The Day" LP with CD (R45)
www.recitalprogram.com/let-night-come/
www.recitalprogram.com/purchase/

R45 Sarah Davachi - "Buhrstone" from Let Night Come On Bells End The Day  LP w/ CD

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

Track taken from the new album 'Rites', released via Subtext Recordings.

Read it:

www.fluid-radio.co.uk/2013/04/paul-jebanasam-rites/

Buy it:

www.subtext.bigcartel.com/product/paul-jebanasam-rites

Paul Jebanasam - Rites III

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Paul Jebanasam - Rites III

Fluid Audio

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