bitte

Track taken from the amazing new album 'Redemption Forest'.

Full review:

www.fluid-radio.co.uk/2013/10/the-mistys-redemption-forest/ 

Buy it:

www.boomkat.com/vinyl/824935-the-mistys-redemption-forest

The Mistys - Cannibal

Pre-order links below:

iTunes: smarturl.it/projectionsit
Ninjashop: smarturl.it/projections
Amazon: smarturl.it/projectionslp

Projections

Work Song

Keep Me Alive

Keep Me Alive (CFCF Remix)

Lapalux - Don't Mean A Thing

From the new Lapalux album 'Lustmore' out 7th April 2015 on @BRAINFEEDER.

Pre-order Lustmore and get an instant download of Closure (feat. Szjerdene) and Don't Mean A Thing: smarturl.it/lustmoreit

Don't Mean A Thing

Waning Traces

Æther #009 by Tim Six
Dronarivm Guest Mixes Series

We recently released a beautiful two-track EP by Paris-based ambient/drone artist Tim Six - https://dronarivm.bandcamp.com/album/alpine-valley - and asked him to share some recordings that he's been enjoying lately, so he came up with this mix.

You can also read about Tim's preferences in music, synthesizers, and hairstyle in a short interview we did with him: https://dronarivm.com/2025/06/28/interview-with-tim-six/

Tracklist:

00:00. Ariel Kalma ~ Water Echoes [Self-released]
03:23. Shine Grooves ~ Ambience 113 [Not Not Fun]
06:27. Lamina ~ Eclipse [Mappa]
09:57. Amkarahoi ~ Arrhythmic Wave [Biardo Records]
14:27. v a n i t a s 命死 ~ 緑のHorizon [Self-released]
17:47. TEGU ~ 2x3 [Not Not Fun]
22:20. Light Blending In ~ Entities [The Tidal Charm]
25:52. Bålsam ~ Dream Particles Forming [Global Pattern]
31:33. Evelyn Greene ~ TOUCH [Dream Journal Institute]
38:38. Mychael Danna & Tim Clément ~ Under August Sun [Chacra Alternative Music]
43:32. Jean-Paul L'Heureux ~ Rilassamento Subliminale [Demetra]
48:09. Tim Six ~ Park in the evening [Aural Canyon]

Explore more...

Æther #009 by Tim Six

On her fourth full-length album as Shedir, Sardinian sound artist Martina Betti offers a profound meditation on what it means to be human on the threshold of uncertainty. We Are All Strangers is a series of ambient tapestries shaped by duality and introspection, where sound becomes a space to explore the tension between identity and ambiguity, presence and disappearance, connection and solitude. Inspired by the idea that we are all strangers, however, first and foremost to ourselves, Betti crafts seven fluid, slow-burn compositions that inhabit a sociological liminal zone—what she comments as an “inner elsewhere.” These aren’t songs in the traditional sense, but evolving sonic environments that feel like emotional states made audible. Environmental textures, submerged electronics, and deep low-end pulses coalesce into a dreamlike architecture of sound: immersive, fragile, and quietly transformative.

Rather than offering answers or closure, the album invites us to live in radical openness—to stop trying to define everything we see and feel, and instead bathe in what remains unnamed. In this sense, We Are All Strangers is an invitation: to sit with uncertainty, to embrace the unfinished, and to find resonance even in our collective disconnection.

For listeners drawn to the introspective frequencies of Rafael Anton Irisarri, Félicia Atkinson, or Lawrence English, Betti’s music offers a similarly haunting and immersive experience—one where strangeness is not a flaw, but a starting point. In her hands, ambient music becomes a kind of reflective shelter: a place to brush against each other in the dark and begin to learn, as she puts it, “the difficult art of closeness.”

Starveflight

https://shimmeringmoodsrecords.bandcamp.com/album/spaces-between-words

In a world where every word carries weight, UK based electronic producer Simon Vince (HERE) invites listeners into a sonorous exploration of the unnoticed silences and spaces. With his latest ambient album and second release on Shimmering Moods ; Spaces Between Words. HERE crafts eight beautifully fragile and melancholic electronica tracks that delve into the delicate nuances of love and loss. 
Each piece is a hauntingly wistful soundscape, woven from electro-acoustic ambience and drones to shimmering synths, delicate textures, and gentle pulses that evoke the bittersweet essence of separation. 

From the emotive echoing tones in “Spaces Between Words” to the nostalgic reverberations and drawn out chords of “I Find You In Whispers" this album invites you to embrace the unspoken and the unshared, allowing you to linger in the quiet spaces that define our connections.

releases July 21, 2025 

Music & Cover Design By Simon Vince (HERE) 
Mastering By James Woodsmith 

SoundCloud : @here_music 
Instagram : @here.music.official 

SHM 351 
Shimmering Moods Records 2025

HERE - Spaces Between Words

After decades of chasing, accumulating, and then sharing new music with you, I think I've hit some saturation point. I think I'm done spinning in the vortex of the "new", being pulled in all directions, catching up on all the "fresh" and "innovative" tracks. I'm not saying that I will stop covering new music. No. But I think I'll focus the virtual lens of my listening on a very narrow point, investing my time and attention over more extended periods. I think I will turn inwards... towards music and the artists that genuinely make me feel. This is the case with Rafael Anton Irisarri's A Fragile Geography, an album from 2015, which captured my attention then as it does now, triggering memories, triggering thoughts, and emotion. A decade ago, during a move between coasts, Rafael lost his possessions - stolen with the moving truck - along with all his audio archives, forcing him to rebuild his studio and sound from the ground up. The pain of this loss is reflected in almost every single track on the album. This music is slightly dark and melancholic. It's visceral, and it gets under your skin. And there it stays with you for ages. Becoming part of you, becoming part of your existence.

On September 19th, the album will be reissued, beautifully remastered by Stephan Mathieu at his Schwebung studio, along with a limited edition cassette of remixes by the most renowned artists, handpicked by Rafael. "This record has always been about letting go of one life and rebuilding another", says Irisarri, "It feels fitting to return to it now - ten years later, in a different country, a different world." These reworks are worthy of your precious awareness as well. I know that there are more than a few in the pipeline (at least six), which will be revealed one at a time. As of this writing, there is already a gorgeous rework by the one and only William Basinski, with his version of "Secretly Wishing For Rain" with Gary Thomas Wright, which incorporates field recordings of Reseda rain and birds captured by Basinski himself. You can check out a digital stream of that track here. *BUT!* Today, I am premiering for you a second rework by Abul Mogard! This piece bears not only the original elements of "Persistence" but, of course, Guido's extremely personal touch that breathes new life into this sound.

Head over to headphonecommute.com to read more about this release, including a quote from Abul Mogard on the rework.

TRACK PREMIERE : Rafael Anton Irisarri - Persistence (Abul Mogard rework)

https://bricolageglasgow.bandcamp.com/album/colour-kinetica-bc095

The Dormon brothers have been honing their craft since the 90's. Releasing a raft of albums and EPs on some great labels like Piehead, Lom, Senton, Progerik and the seminal Toytronic, over the years. "Toytronic" in particular, was one of the labels that inspired what we do here at Bricolage. It had a huge impact on me as a teenager and the Multiplex "Pinghaus Frequencies" album from the label was constantly on rotation in my bedroom. It's pretty surreal that now, more than twenty years after hearing that album, we can welcome them onto the label. The world works in magical ways.

"Multiplex recordings are far from the standard studio format, as we build up the tracks on two sets of music equipment, in two countries, with two biased opinions of what the final result should be. But instead of fighting for control of the studio and the mix, we surrender control of our ideas to each other, which has worked well so far."

The result makes for raw, analogue chaos. When they go hard they go all in but there's also the other side that seeps through with their more textured electronica that breezes along so smoothly.

The "Colour Kinetica" album has all the Multiplex hallmarks. Abrasive yet vibrant melodies, cyber basslines and elastic rhythms. They take the genre's bleeps and bass elements and put them through their own audio grinder to create a unique brand of head spinning electro.

"Colour Kinetica" is their first new album in quite some time and it's safe to say it's been worth the wait as we get to enter into an innovative sonic realm. 


https://soundcloud.com/user-64321338

Colour Kinetica

Multiplex - Citra21 (from the "Colour Kinetica" album)

Ambient minimalism is gaining momentum. Some would argue that evoking atmosphere is harder than sequencing beats, and Fragments of Silence is proof. Laden with lush textures and ambient leanings, the album invites deep listening.

This 8-track LP marks the debut collaboration between Synthbiont, Anassimandrus, and Sacred Seeds: three artists with distinct sensibilities, united by a shared affinity for ambient, experimental, and dub techno sounds. Their convergence sets the tone for a singular, immersive experience.

Fragments of Silence is not background music. It’s a serious body of work that commands attention. It’s an hour-long descent into a vacuum chamber. An environment that evolves, coils, shifts, and builds toward dissonance and stillness.

Each track is grounded in a strong atmospheric character, unfolding with deliberate progression. The album leans heavily into experimental minimalism, imagine dark tunnels, ominous energy fields, and brooding landscapes.

Fragments of Silence is one of those albums that explores the intersection of distinct creative temperaments, marked by structure, mood, and experimentation. The result is an album that flows with intention and feeling, creating a space that listeners can fully sink into.

Description by SreeLakshmy 

Sacred Seeds is an ambient electronic music project by Wasim, founded in 2014 in Calicut, Kerala (India). Blending synthesis, field recordings, and experimental sound design, Sacred Seeds’ music explores the interplay between organic and electronic textures.

Sacred Seeds has performed at renowned festivals such as Magnetic Fields, Hilltop Festival, and Bloom in Green, sharing the stage with influential artists like Gaudi, OTT, Suduaya, and Symbolico, and many more.

Synthbiont & Anassimandrus is the ambient/experimental/dub techno project born at the end of 2018 by the collaboration between Nicolò Faggiani and Tommaso Gobbo. Their musical background comes from different musical experiences as DJs, vinyl collectors, and founders of EMC series. Their performances and music are composed through the elaboration of different digital and analog sources, processed field recordings, and sampling to create unique soundscapes.

Produced and mixed by Nicolò Faggiani and Tommaso Gobbo (Synthbiont & Anassimandrus) (1,2,5,6) and Wasim Raja (Sacred Seeds) (3,4,7,8)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Krishnan (Kiss in Silence, Shot on Kodak Tri-X 400, Nikon F100 / 2019, Karnataka)
Cover design by Dionis Afonichev

Fragments of Silence

Warmth in Silence (Synthbiont & Anassimandrus Rework)

𝗔𝗯𝘂𝗹 𝗠𝗼𝗴𝗮𝗿𝗱 & 𝗞𝗠𝗥𝗨 - 𝗗𝗿𝗮𝘄𝗶𝗻𝗴 𝗪𝗮𝘁𝗲𝗿 - 𝗗𝗿𝗮𝘄𝗶𝗻𝗴 𝗪𝗮𝘁𝗲𝗿 𝗼𝗻 𝗠𝗮𝘁𝗰𝗵𝗶𝗻𝗴 𝗧𝗲𝗮𝗹 𝗦𝘂𝗿𝗳𝗮𝗰𝗲𝘀 

𝗟𝘂𝗸𝗮𝘀 𝗠𝗼𝗿𝗶𝘁𝘇 𝗪𝗲𝗴𝘀𝗰𝗵𝗲𝗶𝗱𝗲𝗿 - 𝗳𝗼-𝗵𝗻 - 𝗕𝟮

𝗠𝗔𝗡𝗝𝗔 𝗥𝗜𝗦𝗧𝗜𝗖́ - 𝗜𝗻𝘁𝗼 𝗬𝗼𝘂𝗿 𝗘𝘆𝗲𝘀 - 𝗣𝗿𝗼𝗽𝗵𝗲𝗰𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗪𝗼𝗿𝗹𝗱 𝗪𝗶𝘁𝗵𝗼𝘂𝘁 𝗔𝗻𝗴𝘂𝗶𝘀𝗵 

𝗦𝗧𝗘𝗩𝗘 𝗥𝗢𝗗𝗘𝗡 - 𝘀𝗶𝘅 𝘀𝗼𝘂𝗻𝗱 𝗶𝗻𝘀𝘁𝗮𝗹𝗹𝗮𝘁𝗶𝗼𝗻𝘀 - 𝗺𝘂𝘀𝗶𝗰 𝗳𝗼𝗿 𝗰𝗹𝗼𝘂𝗱𝘀 (𝟮𝟬𝟬𝟮) (𝗲𝘅𝗰𝗲𝗿𝗽𝘁)

𝗦𝘁𝗲𝗽𝗵𝗲𝗻 𝗩𝗶𝘁𝗶𝗲𝗹𝗹𝗼 & 𝗧𝗮𝘆𝗹𝗼𝗿 𝗗𝗲𝘂𝗽𝗿𝗲𝗲 - 𝗖𝗮𝗽𝘁𝗶𝘃𝗮 - 𝗙𝗿𝗼𝗺 𝗧𝗵𝗲 𝗠𝗮𝗶𝗻 𝗦𝘁𝘂𝗱𝗶𝗼

𝗧𝗼𝗻𝗶 𝗗𝗶𝗺𝗶𝘁𝗿𝗼𝘃 + 𝗗𝗶𝗼𝗻𝗶𝘀𝗮𝗳 - 𝗣𝗮𝘀𝘁𝗼𝗿𝗮𝗹 - 𝟬𝟭 𝗣𝗮𝘀𝘁𝗼𝗿𝗮𝗹

𝗞. 𝗟𝗲𝗶𝗺𝗲𝗿 - 𝗦𝗲𝗺𝗯𝗹𝗮𝗻𝗰𝗲 - 𝗘𝗻𝗰𝗹𝗮𝘃𝗲

42 42

[ 𝗲 𝗮 𝗿 ] • 𝗹𝘆 — 𝗼 𝗳 𝗳 𝗮 𝗹 𝗹 (𝗺𝗶𝘅)

Following his debut Dolere (2024) and a collaboration with Joachim Spieth and Markus Guentner on Arcadia (2025), zakè returns to Joachim's Affin imprint with an intensely captivating work that explores the resonance of low frequencies and subsonic vibrations. There are only three pieces on this 55-minute release (the first track runs for over 28 minutes!), and you get to preview one of them before the album is out. This is music shaped for your deep, immersive, and glacial listening sessions. Good headphones and a subwoofer (yes, at the same time) are recommended. Perfect for my slowly-waking, frazzled mind this morning!

"Low Harmonics builds upon the reflective world first introduced by Zach on Dolere, which explored how time stretches during periods of sorrow and how sound can create a brief shelter from that weight. The predecessor fluctuated between ache and relief, and now its follow-up dives further into the inward, existential space beneath those emotions. Here, the use of deep and subterranean tones feels both intimate and vast, pulling you deeper into the lower spectrum of sound, shaped by heavy bass ebbs, low-frequency flow, and slow-moving drift. This album echoes the textural gravity of artists like Thomas Köner and the cold Arctic brush of Geir Jenssen, while remaining rooted in Affin’s commitment to sound that lives outside the expected."

HEADPHONE COMMUNITY EXCLUSIVE: zakè - Low Harmonics, Part 3

Vaarbrud

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

The Mistys - Cannibal

Fluid Audio

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