2k16•02

Track taken from the upcoming album 'Four Steps on Points' by Matteo Uggeri.

More info soon through the mailing list:

http://www.fluidaudio.co.uk/about/mailing-list/

* Audio by Matteo Uggeri
* Mastered by Ian Hawgood
* Design by Daniel Crossley



Matteo Uggeri - Walk Through The Fields

wavey twin

ETHEREAL AMBIENT SOUNDSCAPES INSPIRED BY GAME OF THRONES AND THE  LORD OF THE RINGS AND MANY OTHERS. RELAX, ENJOY AND DRIFT AWAY.

CTHULHU MYTHOS - CATACOMBS

Atonal, ambient drone which is part random/generative and part sequenced.

Image credit Mo Eid:

https://www.pexels.com/photo/silhouette-of-person-standing-on-dock-during-sunset-9888656/

Dark Waters

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Jeder Gedanke umsonst gedacht

Track taken from the upcoming album 'Into The Well' released through Fluid Audio, October 2015...

.....

- Music and arrangements by Dag Rosenqvist and Aaron Martin
- Vocals arranged and performed by Dawn Smithson and Jerker Lund 
- Horns performed by Henrik Munkeby Nørstebø (trombone) and Jenny Olsson (French horn)
- Recorded in Gothenburg, Sweden and Topeka, Kansas
- Mixed by Dag Rosenqvist at The 63rd Link in Gothenburg
- Mastered by Taylor Deupree at 12K Mastering

.....

Aaron Martin:
Cello, bass, roll up piano, voice, vinyl, singing bowls, banjo, lap steel

Dag Rosenqvist:
Piano, pump organ, Fender Rhodes, various organs and synthesizers, acoustic and electric guitars, glockenspiel, voice and field recordings

.....

Mailing List:

http://fluidaudio.bigcartel.com/mailing-list

From The Mouth Of The Sun -  Into The Well

Tides (Demo Edit)

Taken from the album 'Diminished Composition', released through Scissor Tail Editions...

Review:

www.fluid-radio.co.uk/2016/01/willamette-diminished-composition/

Buy:

www.store.fluid-radio.co.uk/2016/01/willamette-diminished-composition-vinyl/

www.scissortail.bandcamp.com/album/diminished-composition



Willamette - End Of Good Discipline

170111 (Her Subtle Whispers That Shredded By Noises)

Seasons

Nils Frahm & Anna Müller - Let My Key Be C (Thriller Edit)

With bare materials, often only one note at the time, Olof Cornéer tries to capture what he thinks is the essence, defying notions of what is simple or complex.

”White noise contains all music ever written. In a way it’s very complex. But if you listen to it, it’s simply noise. When something simple becomes complex enough it becomes simple again. I want to make music that is simple, like an indivisible point floating freely in a chaotic world”, he says.

Olof Cornéer creates electronic music - under the name Night Gestalt - using similar ideas.

Waves, Breaths & Dead Cities is written for wind quintet. (flute, horn, clarinet, bassoon and oboe). The piece draws inspiration from the repetition found in both natural and man made phenomena for example a wave, a breath or a whole city developing and gradually decaying. Each movement and even each phrase are very similar repetitions of each other but with subtle differences that give each it’s own character, making each unique. The piece is repetitive without ever actually repeating.

Waves, Breaths and Dead Cities

Waves, Breaths and Dead Cities II (Night Gestalt Version)

Olof Cornéer - Waves, Breaths & Dead Cities Part 3 (Night Gestalt version)

Track taken from Christoph Berg's 'Paraphrases' album... 

Officially released today!

www.fluidaudio.bigcartel.com/product/christoph-berg-paraphrases

Christoph Berg - Interlude (remixed by aus)

Greg Haines - Azure

FJORDNE - Last sun (The Setting Sun, 2009)

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Willamette - End Of Good Discipline

Fluid Audio

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