Will this also be available for digital download through bandcamp?

One of the most sentimental piano pieces I've heard lately.

Tomorrow, January 28th, Norwegian composer and pianist Julia Gjertsen is set to release her sophomore LP on the one and only Moderna imprint. I’ve covered Julia before, in particular, her collaboration with Nico Rosenberg (including the latest release on Constellation Tatsu), but for Formations, it’s nice to hear her play alone again. Besides the solo piano pieces on the album, which are entangled with reverb, some echoes and looped repetitions, the passages are processed with a rhythmic, borderline percussive brush. My favourite piece on the album, which was already released by the label as a single, is called “Falling In Keys”, and it perfectly embodies the lush atmospheres produced by the piano, drenched in sweeping delays, lightly sprinkled flutters and deep rumbling bass. The piece that I’m premiering for you today echoes the textured theme with just a touch of synth pads, delicate treatments and forefront pulsating rhythm. Here, we find Gjertsen “expertly oscillating between catchy, beat-driven hooks and slow-motion soundscapes that cause us to lose track of time.” I hope you will enjoy this and then come back for her 2019 debut, titled Fragile.

Read more about it here: http://hcdi.gs/Gjertsen

Formations

TRACK PREMIERE : Julia Gjertsen - Cause And Effect

Flight from the City (Four Hands)

It's the 1st advance from my forthcoming album ‘Ver Sacrum’, out on March 10 through ad21
"Spectral and haunting, there’s an almost monastic quality to ‘Sacred Spring’, the first piece to be taken from pianist and composer Bruno Sanfilippo’s forthcoming new album ‘Ver Sacrum’. An air of quiet solitude too; poignant strings wash in and out of focus punctuated by a slow, melancholic organ line. Like all his best work, it’s emotionally resonant yet quietly captivating, a master class in mood and shadow" Derek Robertson, journalist and music writer: Guardian, Independent, NME, VICE, Timeout, The Quietus, The Face.

Vanesa Tomás (Soprano)
Mariel Aguilar (Mezzo Soprano) 
Analog mastered by Ian Hawgood, 
Cover by Javier Guglielmi 

https//www.bruno-sanfilippo.com

Ver Sacrum

Sacred Spring

AppleMusic/Spotify

when the sun sets

Tribute to amazing Nils Frahm's "Tristana"..

Nils Frahm - Tristana (Daigo Hanada Rework)

Fund/preorder here: https://www.indiegogo.com/projects/alex-kozobolis-weightless#/

Weightless is an EP of intricate original piano compositions by UK artist Alex Kozobolis. With a series of solo releases over the past few years and collaborations with artists such as Lee Chapman, Harry Edwards, and Anna Rose Carter, Weightless represents Alex's unique approach to composition and melody. 

His touch on the piano is light and fluid; moving between dense sustained runs, which evaporate as soon as they are heard, to spaciously plotted notes. Weightless is the sound of weight itself lifting, of the earthly effect of gravity removed and allowing the listener to be suspended within mid-air, uninterrupted by pressures and restrains of the physical world. Coursing with energy, and running to take flight.

Each of the four tracks have been remixed by Siavash Amini, Tom Adams, Trnspt and Hedia, with very different, but cohesive results, expanding the tone of the EP into new areas.  

Weightless will be available on limited clear vinyl, digipack CD and digital editions.

Tracklist 

Side A
1. Unravel
2. Closure
3. And Find Yourself
4. Weightless

Side B
1. Weightless (Tom Adams Remix)
2. And Find Yourself (Siavash Amini Remix)
3. Closure (Hedia Remix)
4. Unravel (Transept Remix)

Closure by Alex Kozobolis



Taken from the album 'Taking The Veil', released worldwide on May 24, 2015 on Kitchen. Label

Pre-order on CD + Art Book here:
www.kitchen-label.com/ki015-hior-chr…king-the-veil/

“Shadows surrounding, this lucid veil that will not conceal.”

‘Taking the Veil’ is the debut solo album on Kitchen. Label by Berlin-based musician Hior Chronik. Originally from Athens, the new album is a follow-up to his previous work on the label as the duo Pill-Oh in ‘Vanishing Mirror’. The established foundation are intact on ‘Taking the Veil’: the bitterly romantic strings and gentle electronics whisper melting over plaintive piano scores. Hior Chronik has a penchant of producing subtly immense and cinematic compositions which are remarkably chilling in its beauty.

The latest release follows Hior Chronik’s distinctive compositional path with the pairing of a collaborator on each track. This time the instrumental colors are most intimate, honed to evocative perfection with each collaboration bringing its own nuances to a permeable set of motives. Through the contemplative moments, what give it life is the varied scoring which goes from solo piano to string orchestra, opening up a space that shimmers with stirring melancholy. Featuring classically aligned contemporaries such as Field Rotation (Denovali Records), Sophie Hutchings (Preservation), Lüüp (Experimedia) and Japanese composers Yasushi Yoshida (noble), Yoshinori Takezawa (Schole Records) among many others. The biggest change in this new album is the addition of vocals by Amber Ortolano and Fabiola Sanchez (Familiar Trees) on four songs. Figured centrally in the soundtrack as recurring lyrical voicing, the Amber Ortolano and Hior Chronik pairing also produced a rearranged version of ‘Twice’ originally written by Swedish electronic band Little Dragon.

‘Taking the Veil’ is presented in a 16-page art book format, also featuring the New York based Amber Ortolano as a photographer. The subject in the visual narrative of ‘Taking the Veil’ is of young women imprisoned by their flow of thoughts and their dark imagination. The delicate beauty and ambiguous gestures of feminine protagonists serve as powerful metaphors of the veil as the title of the album reflects – They reveal and conceal all at once, reviving emotions conjured by a sense of mystery. The album underlines this atmosphere that probe the consciousness imbued with burnished hues of something half-remembered and half-dreamed. ‘Taking the Veil’ is the best company for late hours and memory searching in a world of mist and shadows.

Released & distributed by Kitchen. Label
Ⓟ & © 2015 Kitchen. Label

MORE INFO:
www.kitchen-label.com


Hior Chronik - Cold Winter Morning (Featuring Luup)

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@daniel-mulhern
Piano and programming by Danny Mulhern
Recorded and mixed by Danny Mulhern
Mastered by Mandy Parnell at Black Saloon

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Danny Mulhern - Depth Perception (Algorithmics/Piano Day 2017)

Born in Athens, Greek composer Zinovia Arvanitidi is most widely remembered as one half of the duo Pill-Oh in Vanishing Mirror as well as her debut solo The Gift of Affliction. Zinovia returns with her first solo modern classical undertaking titled Ivory, and like its precursors, further highlights her mastery in crafting piano ambiances of austere beauty and melancholia, led by mesmerizing melodies and evolving cinematic textures.

Fully self-produced, the now France-based composer navigates through her own time-memory universe with Debussy-like impressionistic daubs, but sublimely she draws the listener into a strangely familiar landscape where the past confronts the present - it is perhaps a dimension that exists within all of us. As the chapters unfold, memories are untangled as darkness shifts into light. The minimalistic nature of the early piano pieces are then transformed, lush and ornate with orchestral strings, subtle electronic atmospheres, field recordings and airy whispers. What makes Zinovia’s musical expression exquisite would perhaps be her use of the melodica, an instrument uncommon amongst the modern classical genre, that adds a contrasting depth to her harmonic palette.

An omnipresent sense of duality lingers throughout the album, as with the ivory and ebony colours of piano keys, or the birth and decay of seasons. This is a work where the artist has grasped the essence of the quote by Albert Camus: “There is a life and there is a death, and there are beauty and melancholy between”. The aural journey heightens, then subsides with a newfound serenity in closing, engaging the listener to invoke their own introspections on acceptance and healing.

Rooted in film and television (and represented by film composer agency Oticons among the names of Shigeru Umebayashi and Jan A.P Kaczmarek), Zinovia’s well-versed background in cinematic scoring manifests in her dexterity at veiling intricacies within each track that only unveil themselves with each subsequent listen. As a fully expanded realisation of Zinovia’s artistic voice, Ivory will resonate with fans who love Pill-Oh, and appeal to those familiar with Ryuichi Sakamoto and Dustin O’Halloran.

French photographer Aëla Labbé’s enigmatic cover art photography once again unifies with Zinovia’s soundscapes since her work for Vanishing Mirror.

Zinovia Arvanitidi releases Ivory on 29 March 2018 on Piano Day via KITCHEN. LABEL worldwide. Available on 180g white vinyl LP, CD and DL.

Pre-order:
www.kitchen-label.com/store/no-21-ivory-zinovia-arvanitidi/

KITCHEN. LABEL : www.kitchen-label.com
Zinovia Arvanitidi : www.zinoviaarvanitidi-composer.com

Ivory

Pre-order

Zinovia Arvanitidi - Fluttering

Fucked Up Anthem

We are delighted to share with you two tracks from Sjors Mans' forthcoming EP, Noord.

Pre-order on Bandcamp: http://bit.ly/2VJ8Sw5
Listen on Spotify: https://spoti.fi/2D8BSpO

Big Ballad, comprised of soft pads and a contrasting synth sequence - recently premiered on KEXP - and Without You, one of Sjors' characteristic melancholic piano pieces.

Sjors Mans - Without You

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Zinovia Arvanitidi - Fluttering

Fluid Radio

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