Lush

Thanks @naoki-breaks for reaching out to participate in a PlayStation tech demo sample flip challenge.  Sry but I could not resist making this abhorrent abomination of a track.

Chimaera - PSX T-REX SAMPLE CHALLENGE

Breakbeat track with a focus on powerful gospel vocals and dynamic breaks.  This track brings soulful vibes together with driving rhythms to take listeners to church.  I had way too much fun working on this one.  The energy and emotions in the vocals just did all the work for me.  Also, the organ 🤤 - expect to hear some more organ from me in the future, because that was just too fun. 

Soul Wrap  - Ebmin 165bpm

Another PSX challenge track for @naoki-breaks - This sample was begging for a bit of a spooky twist so I couldn't help digging up a little taste of thalassophobia to go along with the manta ray mascot of the PSX Demo.  Happy Spooky Season 🙌

The Depths - PSX MANTA SAMPLE CHALLENGE

Edgy twilight

Visuals here:
https://youtu.be/CBLlzcRGQus

Resistance Against Post-Human Futures [30 minute set] here:
https://youtu.be/4EH8R5d7TLI

Atmospheric Pressure EP visualiser playlist here:
https://www.youtube.com/playlist?list=PLLuXsMCrjgbnCNXMpTfhArZGqdkAjYpvY

Follow me here:
https://ceruleanascent.bandcamp.com/

New Future

Off cut from forthcoming depth perception sessions. Visualiser here:
https://youtu.be/QM82nooJCBY

Uh. Ah.

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Coast Wood "
credit : digitakt 1,ipad9

date : 23-10-2025
Credit to Gordon Mumma:
https://www.youtube.com/watch?v=4e-OzKSmZX0

quote:

...I think the concept of "worth listening to" depends on the listener.
In my opinion, you can listen to any sound, no matter what it is.
I haven't heard any sounds yet that I didn't like, except when
they become too musical. I think I have problems when music tries
to steer me in a certain direction. To live well, you have to hear what there is to hear,and not what you expect to hear. Listeners should be ready for a new experience,and therefore it's best if they are attentive and empty. By empty, I mean open.In other words, there should be no ego reservations—whether positive or negative...
                                                   John Cage

Beach Metal

There is a picture by Carl Spitzweg this track refers to: https://en.wikipedia.org/wiki/Gnome_Watching_Railway_Train Also, there is a poem byJeff Gardiner (stonerjazz: https://soundcloud.com/user-911083679 ) that I reworked beyond recognition to answer to that picture. I herewith do apologize to both the maestros. An Akai Miniak, a Korg VT4, a Superlux D112/C and a Zoom R8 as well as Samplitude x8 software were complicit in the crime. Furthermore: Would anyone today still create a work of skill and art and not resort to AI? For this one, I played every instrument myself and you can hear my voice .... but the image is a self-warholized part of the original ......

poem: Jeff Gardiner and Jo Richter
sounds and composition: Jo Richter
image: Carl Spitzweg and Jo Richter

listening through
echo cavities, he
small and uninformed
seemed to know

in knotted root dreams
few and far between, he
unarmed and unharmed
was left behind in the waking

exponentially exposed
sleeps's leftover claim, he
felt grown, expanded
with sunlight pooling
trained heath
underneath

gnome

gnome - with stonerjazz

Drums – manuel herrera
Electric bass – jose’ delgado
Acoustic guitar – fernando sanchez
Electric piano – sal iurato
Electric archtop jazz guitar – gunther rholart
Violin – julia adams
Mute trumpet - angelo alabiso (angus)



with hands

mystic

Mystic

Galactic Affair

Soundscapes to navigate through an intricate post-human era. As Earth mends its fractures, let us weave healing resonances—where the digital and the organic vibrate as one.

Lush

Fluid State

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