from the Acroplane/RecordLabelRecords free-download/cassette 'Antique Electronic/Synthesizer Greats 1955-1985 pt2'

Brian Tregaskin's Grandpa, Alan Hawkshaw

Antique Electronic Synthesizer Greats 1955-1985 Pt 3 (album sampler)

autechre mashup: redfall+pce Freeze 2.8i

A digital exclusive bonus track from the recently release Delta Quadrant 120 minute seamless space-ambient album

Fluidic Space  (Delta Quadrant Digital Bonus Track)

order this album here : https://fluorescent-grey.bandcamp.com/album/the-masonic-assassination-of-william-morgan
limited to 33 copies on CDR with authentic masonic coin and fold out double-sided hand printed poster


The Masonic Assassination of William Morgan (EP sampler)

Kaivo Demo: Electric Grinder

a demonstration of using AI image generation with txt description prompts of sound types and descriptions of visual spectrograms to produce audible sound

stable diffusion v2.1
t.co/vZ0V9ipCvP

image to audio
t.co/7jNTfHFRMc

Stable Diffusion V2 768 txt to image(generative spectrogram), image to audio #2

Stable Diffusion V2 768 txt to image(generative spectrogram), image to audio #3

Stable Diffusion V2 768 txt to image(generative spectrogram), image to audio #4

The infamous 7-second break from The Winstons 1969 song, Amen Brother but 2 minutes and 36 seconds long, isolated using algorithm:
Demucs4 HT (vocals, drums, bass, other). Downloads enabled. 

note: if you use this to produce any jungle, drum & bass or breakcore i'd love to hear it. reach me on twitter @fluorescentgrey

20230207191106 - A9bcb5f20e - Amen Brother Demucs4 - Ht Drums

Jailbreaking the Amen Break [20230207191106 - A9bcb5f20e - Amen Brother Demucs4 - Ht Drums]

Christian Death - Koerecast [cover]

A full preview track from the upcoming Fluorescent Grey full length, THTHNG: Desolation Unknown Original Soundtrack containing mostly AI generated/aided 'score' inspired by 1980s American & Italian horror film music as well as several 'soundtrack' songs of imaginary 1980s bands (like Titanium Focus & They Might Be Gentle Giants) 

THTHNG: Desolation Unknown Original Soundtrack contains 29 tracks and is 68 minutes in length, it will only be availible digitally by subscribing to THTHNG for $8 on Patreon (more details tba) 

THTHNG: Desolation Unknown is the world's first full length movie generated in part with AI (visual, music, voices) by Robbie Martin & Kelly Porter. (release date tba)

Cloud Alteration - Reel Truth [End Credtis] [THTHNG Original Soundtrack]

1 click pass from https://vocalremover.org/ 'remover'

Ww2uapvidAIaudiopass1

Using a combination of AI noise removal/layer seperation this is a 4th attempt by me to remove the 'harmonizer' pitch shifting effect from the original ww2 UAP video upload by 'Regicideanon' attempting to unmask or figure out the identity of the voice narrator.

Ww2uapvidAIaudiopass v4

Media Roots Radio 2024

Your Dad Killed My Dad test

Taken From
Ambiente 2: The Uncanny Valley
Coming to iTunes, Boomkat, Juno Records, and other digital music retailers on February 28th, 2015

01 Droid Moon (from Ambiente 2: The Uncanny Valley)

11 Ritual At The Super Volcano (from Ambiente 3: Ritual At The Super Volcano)

04 Eirual

Taken From
Ambiente 3: Ritual At The Super Volcano
Coming to iTunes, Boomkat, Juno Records, and other digital music retailers on February 28th, 2015

03 Virtual Black Mass

Acroplane Recordings ‎– ACP077
Released: 15 Mar 2011
Format: Free Mp3/Flac Download 

In early 2010, what would eventually become Antique Electronic Synthesizer Greats was simply a concept for a live set. Fluorescent Grey, aka Robbie Martin, cut almost a thousand tiny samples and loops from works dating from 1955 to 1984, limiting his sources to strictly electronic and/or synthesized recordings. His rules allowed for non-synthesized compositions (e.g., Delia Derbyshire's tape cutting based tones) as well as synthesizer audio of any kind, including the Hammond Novachord. And far from simply a stolen sample collage, or meta-mash-up project, Robbie wanted to allow the mix he composed to preserve and highlight the eras' best sounds in a comprehensive backdrop. Some of those painstakingly found and excised snippets may be all but indiscernible to most, while some tease with their familiarity (Depeche Mode bass drum? YMO hi hat?), and some are nakedly in homage (synth lines from Vangelis, Giorgio Moroder). All are as playful as the puzzling track names, one of the most obvious of which are pieces that re-imagine the sound of John Carpenter's best synth-centric movie scores. From the uneasy sounds of horror to the sweet spot of vintage synth-pop and industrial, to the brief satisfyingly bizarre vocal cameos by Alan Vega and a Spanish industrial/noise outfit, it runs the gamut of its chosen time period exhaustively. 

One might wonder, why stop at 1984? or 1983 (the original cutoff)? In all honesty, the cut off year was first altered to make one Zoviet France record eligible. But why is it so important to draw the line in the early 80's when many classic and important electronic albums came out between 1984-1990, Skinny Puppy's Bites or DJ Pierre's Acid Tracks. The answer is simple, until 1984 most music that was 'electronic' relied primarily on synthesizers. Around mid-1983 romplers/samplers become par the course. The techniques sent waves through the electronic music production circles and arguably diluted the powerful earlier sound of acts like Tangerine Dream and Kraftwerk (ie electric cafe). Maybe most notably, the Klaus Schulze album 'Dig it' that proclaims the death of a analog on it's opening track. Additionally the rules were not set yet, before rave culture took hold there was a more playful less specific purpose to it all. Lending itself automatically to a more varied feel. 

Given the uncannily nostalgic or modern moods evoked, it can be all too easy to forget that the entire mix is comprised solely of an endlessly rotating roster of up to 15 isolated loops, all at least a quarter of a century old, some twice that age. On some songs, you could imagine a DJ dialing into the sounds of AFX or Mr. Oizo, an amusing stunt for some of the source material sounds unmistakably dated in a way that has yet to be retrofetishized. Proto-electronica futurism captured in Chris Carter's sequences or Morton Subotnick's Autechre-like FM synth splatters, works that indisputably sound futuristic in their own right. Dated or not, the novelty factor of an overwhelmingly corny synth brass sample is sometimes too good to resist, making it nigh impossible to prevent that old fashioned sound from antiquing the whole mix. 

This pastiche is offered up in both a mix and an individually tracked album for maximum utility. Use the cover art and the hidden messages contained herein as a resource for your own Antique Electronic Music search. Please feel free to identify the samples sources on the comments for Mixcloud on the comments section for this page

The Acroplane Guide To Electronic Music Mix / 1955-1984  (2011)

Lyrics: 

the organization of psychedelic research which had a bunch of government connections

I'm not gonna get into what they're interfacing with but,
they believe they're in contact with off-world groups
this is what the government's into

they've got the black-op commanders gobbling high powered hallucinogens
they're taking the DMT

they believe they're communicating with entities
they believe they're communicating with entities, 
they call them the clock-work elves

they were jackin' DMT 70 years ago,
they were injecting it
they were jackin' DMT 70 years ago,
they were injecting it

DMT
DMT
DMT, DMT, DMT, DMT, DMT DMT, DMT, DMT, TT, DM, DM, DM,  DMT

they've got the black-op commanders gobbling high powered hallucinogens
they've got the black-op commanders gobbling high powered hallucinogens

this is what the government's into,
this is what the government's into,
this is what the government's into,
this is what the government's into

you can nerve gas us all day
you can nerve gas us all day
you can nerve gas us all day
you can nerve gas us all day

we're ready to rock
we're ready to rock

you can nerve gas us all day
you can nerve gas us all day
we're ready to rock
we're ready to rock

you can nerve gas us all day
you can nerve gas us all day

I'm gonna cram a gun in their mouth and see how they like it, cause i'm free
I'm gonna cram a gun in their mouth and see how they like it, cause i'm free

DMT, DMT, DMT, DMT 
DMT, DMT
cause I'm free
you can nerve gas us all day
cause I'm free
DMT, DMT
cause I'm free

I'm gonna cram a gun in their mouth and see how they like it, cause i'm free
I'm gonna cram a gun in their mouth and see how they like it, cause i'm free
I'm gonna cram a gun in their mouth and see how they like it, cause i'm free
I'm gonna cram a gun in their mouth and see how they like it, cause i'm free

they believe they're communicating with entities, 
they call them the clock-work elves

they're taking the DMT

they believe they're communicating with entities, 
they call them the clock-work elves

they're taking the DMT

you can nerve gas us all day
you can nerve gas us all day
you can nerve gas us all day
you can nerve gas us all day

we're ready to rock
we're ready to rock

you can nerve gas us all day
you can nerve gas us all day

we're ready to rock
we're ready to rock
we're ready to rock
we're ready to rock
we're ready to rock
we're ready to rock

I'm gonna cram a gun in their mouth and see how they like it, cause i'm free
I'm gonna cram a gun in their mouth and see how they like it, cause i'm free
I'm gonna cram a gun in their mouth and see how they like it, cause i'm free
I'm gonna cram a gun in their mouth and see how they like it, cause i'm free


You Can Nerve Gas Us All Day (DiMiTtrimix) -  A1 - 111BPM

From the A Very Heavy Agenda Soundtrack Release [ Coming Soon https://fluorescent-grey.bandcamp.com/ ]  

AVeryHeavyAgenda.com
@VeryHeavyAgenda

Fluorescent Grey - FUCK the EU 

107PBM

Lyrics: 

since Ukraine's independence in 1991 the United States has supported Ukrainians as they build democratic skills and institutions
as they promote civic participation and good governance 

so I don't think Khalid should go into the government
I don't think it's a good idea

you think... what
in terms of him not going into the government
and just let him stay out and do his political homework and stuff

so that would be great i think to help glue this thing

we've invested over 5 billion dollars to assist Ukraine in these and other goals to ensure a secure and prosperous and democratic ukraine

I can't remember if i told you this or if i only told washington this
fuck the EU
fuck the EU
fuck the EU
and you know
fuck the EU
fuck the EU
um
fuck the EU
ok 
fuck the eu
yeah
fuck the eu
i think thats right
fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck,
fuck, fuck, fuck, fuck,
fuck the EU
fuck the EU
no exactly
fuck the EU
fuck the EU
good

the Kremlin says that he called to talk about extremists threatening ethnic Russians in Ukraine, what is your best analysis given particularly the buildup of Russian troops along the border of Ukraine, what is your analysis, is Putin looking for a way out?

this is the cold war
the cold war has begun again
this is the cold war
the cold war has begun again
this is the cold war
the cold war has begun again
this is the cold war
the cold war has begun again

this is the cold war
the cold war has begun again,           , again,           , again
this is the cold war
the cold war has begun again, again, again, again , again 
this is the cold war
the cold war has begun again,           , again,           , again
this is the cold war
the cold war has begun again, again, again, again , again 
this is the cold war
the cold war has begun again, again, again, again , again
this is the cold war
the cold war has begun again, again, again, again , again 
this is the cold war
the cold war has begun again, again, again, again , again
this is the cold war
the cold war has begun again, again, again, again , again 


the coverage i've seen of ukraine has been truly disappointing from all side of the media spectrum
and rife with disinformation
and rife with disinformation
the coverage i've seen of ukraine has been truly disappointing from all side of the media spectrum
and rife with disinformation
and rife with disinformation

this woman we need to be clear is an out and out lunatic
lunatic
lunatic
she's a conspiracy theorist, she's a 9/11 truther
truther
truther
this woman we need to be clear is an out and out lunatic
lunatic
lunatic
she's a conspiracy theorist, she's a 9/11 truther
truther
truther
truther
truther
truther
truther
truther

no one is saying go to war
no one is saying go to war
no one is saying go to war
no one is saying go to war
but lets go to war

fuck the EU
fuck the EU
fuck, fuck, fuck, fuck,
fuck the EU
this is the cold war 
the cold war has begun again, again , again, again, again
this is the cold war 
the cold war has begun again, again , again, again, again
fuck, fuck, fuck, fuck,
fuck the EU
fuck, again, again, again, again
fuck, again, again, again, again
fuck, again
fuck, again
fuck, fuck, again
fuck, again
fuck, fuck, again
fuck, again 
fuck, fuck, again
fuck, again
fuck, fuck, again
fuck, again
fuck, fuck, again
fuck, again
fuck, fuck, again
fuck, again
fuck, fuck, again
fuck, again
fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck,
fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck

Vocals: Victoria Nuland, Geoffrey Pyatt, Jamie Kirchick, Abby Martin, Chris Wallace 


FUCK the EU [taken from  'A Very Heavy Agenda' Soundtrack Release]

We Killed Kids On the Basketball Court - B1 - 109bpm

DrumDrone1

Empire Files (alternate)

played 2nd in between Gradient Fade & Thomas Dimuzio

all sounds (piano, double bass, horn ensemble) are produced in real-time with physical modelling synthesis, no effects processing, no samples or real recordings were used. 

kit list: 
3 x Yamaha VL1m rack
2 x Yamaha VL1 keybord
Doepfer Regelwerk controller
Waves Maxxbass 107 rack
Reaktor 6
Sounddiver 3 beta

Fluorescent Grey Live @ Adobe Books, January 19th 2018

Logic Pro Sculpture x 6 + Reaktor CC / Sequencing Jam #17 (excerpt)

Yamaha VL-1 x 2 + Sculpture x 6 D&B jam #6

physical modelling synthesis jam #17 Feb 1st 2019

from Reaktor using slightly out of phase LFO patterns controlling the frequency of 4 squarewave oscillators triggering the gate of 4 percpro beaters: 2 for snare, 1 for kick and 1 for hat

modulated squarewave triggering acoustic drums test #7

Show & Rehearsal: Wednesday, September 18, 2019

lineup: STFE, Fluorescent Grey, Kit Clayton, Glochids

Live @ Peacock Lounge Rehearsal

Composer of the Theme for 'Empire Files' on Telesur/RealNewsNetwork

http://recordlabelrecords.org
https://twitter.com/FluorescentGrey
https://vimeo.com/user5425648/videos

Fluorescent Grey

Popular tracks