Composed, recorded and mixed in Bitwig Studio 4. MIDI going out to hardware units.

Gear used:

Roland TR-8S - drums
Korg Monologue - intro bassline
Roland SH-01A - bass (later on)
Yamaha DX11 - main chords
Roland JD-Xi - pads and complementary drums
MFB Nanozwerg - lead monosynth

Mixed through Mackie 1604 VLZ4, with sends to Roland SBF-325 stereo flanger and Alesis Quadraverb, and OTO Machines BOUM on the main insert. Eight channels into Bitwig.

Fireplace3

La Cabine Du Vent 風電話

Miniature janvier 2024

feeling it that deep sunk demon's high
walking round the corner of this shady night
going up a hill a didn't know i had to climb
baby you're not the one to tell me it's alright

baby it's not to you to tell me it's alright
don't even know if it's you or if it's my own crime
6 months i thought i had done my time
but it seems that the judges send me to a 6 feet dive

i hate you for what happened in the best of times
i hate you for the movies that you play at night
in front of my eyes, i realise
that i hated myself in the best of times

that i hated you in the best of times
that you have lost a soul and ended up paralyzed
But i can't be the one you rely on
I'm so sorry i can't be the one you lie upon

I'm so sorry

Don't be sad because you didn't see

Don't be sad because you didn't see
That I wouldn't do it twice if given the will
Hanging up the phone and you didn't hear
The tears and the stars they shine for you and me

i forget every bit of your naked skin
you knew all the truth but you kept on looking
for the one lie that'd make you believe
that you were fighting storms when it was just the wind


feeling it that deep sunk demon's high
walking round the corner of this shady night
going up a hill a didn't know i had to climb
don't ever tell a lie as big as it's alright

6 feet day

6 feet dive

Secousses Hypniques

"Radio Machine" est une pièce électronique sur support stéréo reflétant l'expérience de balayer les fréquences d'un poste de radio.

Entre les signaux clairs et les émissions familières se trouve un monde sonore intrigant. On y perçoit des murmures, des bruits complexes, des musiques brouillées. Ces sons, variant d’une radio à l’autre, forment l’identité de chaque appareil.

En prêtant attention à ces interférences, nous assistons à une interaction particulière entre l’utilisateur et la machine. La radio ne se contente plus de retransmettre un signal, elle devient un instrument vivant, un générateur de textures et de variations sonores infinies. Les interférences et les parasites deviennent alors les acteurs d'une musique cachée, révélant la personnalité profonde de la machine.

Radio Machine

Miniature pour Passeurs de Nuit, spectacle musical et chorégraphique, porté par Aude Husson Patru.

Vous êtes invités à parcourir un chemin qui vous emmènera de la nuit au petit jour. Ce voyage nocturne évoluera au prisme des multiples mondes réels ou imaginaires, tels ceux de la rue, de la forêt, de la fête, du rêve. Tout au long du spectacle, vous pourrez croiser aussi bien des créatures légendaires que des travailleurs du petit matin, des personnages de l’ombre ou des passeurs de lumières…

Nature Rêvée, Passeurs de nuit

Les oiseaux se cachent pour chanter

3 magnétophones à bandes, 1 ordinateur, un grand nombre d'heures et beaucoup de café ont été nécessaires à la composition de cette pièce. 2025

Le chemin de Pier

Sehasht is an electroacoustic fixed media music for 24 channels. The piece is an interplay between pitch, rhythm, texture and space by exploring the boundaries among them. Sehasht is composed for three loudspeaker groups with different positioning and characteristics.

Radio Machine

Pleurage

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