upsammy Radio

How Much Time it is Between You and Me?

Untilted

Agor

Yonder

outside of your lifetime

Stuck in Pause

Sculpturegardening

Pond In Moonlight

"From The Seams" is the lead single from Tristan Arp's debut LP, 'Sculpturegardening,' out October 22nd on UK label Wisdom Teeth, run by Facta and K-LONE. Using modular synthesis and cello, Tristan Arp embraces generative music inspired by gardening and acoustic textures inspired by sculpture.

From The Seams

Marble Net

Soaked In Indigo Moonlight

Sleepless Comfort

The Shark in Your Water

Cornflower Blue

Annkrist Enchantée

La route des étoiles

COLLEGROVE

Rolls Royce Weather Every Day (feat. Lil Wayne)

Physical: geographic-north.com/#/GN40-detail
Digital: https://geographicnorth.bandcamp.com/album/love-is-the-capital
Catalog #: GN40
Limited to 300 LPs on clear vinyl
Mastered by Paul Gold at Salt Mastering

'Love is the Capital' the debut LP by Hiro Kone, the recording alias of Nicky Mao. The album is a follow-up to the incredibly well received 'Fallen Angels' cassette, bringing with it some of Mao's most emotionally and politically driven work yet. It is Hiro Kone’s long coming opus, examining a number of all-too-relevant themes: capital, the state, egoism, anxiety, and steadfast optimism. 

The eight songs on 'Love is the Capital' highlight Mao’s austere, politicized techno battling for the greater good. Songs are visceral meditations of rhythm, noise, and melody in the vein of Pan Sonic, Chris & Cosey, Muslimgauze, and Kangding Ray.

The sounds were often recorded in scenes of isolation, whether physically or emotionally. “Infinite Regress” was during a trek with Roxy Farman (Wetware) up to the sleepy, upstate NY town of Palenville. There, frozen in a cabin with the most DIY of recording booths, Mao recorded Roxy’s vocals and what would be the track that would put into motion the entire album.“Less Than Two Seconds” was written in a single afternoon in late December 2015 when it was revealed that the grand jury had declined to indict the police officer who shot to death 12-year old Tamir Rice.

The taut techno, industrial minimalism, and aural upheaval is embedded in tracks “Rukhsana” (featuring Drew McDowall, formerly of Coil & Psychic TV, on modular synthesizer), “The Place Where Spirits Get Eaten,” and “Less Than Two Seconds,” an emotionally wrought blitz of serrated Monomachine tones flanked by timeless recordings of essayist, poet, and social writer James Baldwin. Mao ventures deep into heady, prismatic runs of hypnotic techno, on “Don’t Drink the Water” and “The Declared Enemy.” On opener “Being Earnest” and “Love is the Capital,” foreboding motifs brood their way back into the narrative.

Still, the album maintains a sense transformation, burdened with an alien tension– the awareness of an impending and necessary collapse. And what may come next.

Hiro Kone - Rukhsana (Feat. Drew McDowall)

delete Instagram.

Developed in Ableton using samples from Kelly Moran's music and a few hits from an Elektron drum machine. Kelly generously gave permission for me to upload this. Imperfect, preliminary, but building the sounds has been such a useful learning experience.

Kelly Moran - Radian (Elia's Irridescent Mix)

The City Rings

Luna

DJ Lostboi & Torus - The Flash

sitequeeste.bandcamp.com/album/the-flash
Available 24 January 2020 on LP and digital platforms.

Following 2019’s hibernation, Queeste reappears with the mnestic soundscapes of DJ Lostboi and Torus’ split album The Flash. Across eight gossamer evocations—four from each artist—the duo reflect on individual journeys from airport to sea during the blissful embers of fading summer. Their gaze expands and contracts naturally with passing locations but lingers on the titular flash, what the two artists describe as “the rare sight of the sun giving off a bright green lightburst into the horizon.”

Made up of sounds sourced and appropriated from these commutes—pop music heard on the radio, jumbled street recordings, and everyday technological objects—The Flash evokes the melancholic pull of such recollections without ever succumbing to nostalgia. The moments eked from these samples stretch into quiet eternity—still and suspended—while retaining their quotidian, terrestrial qualities.

DJ Lostboi successfully refines the warped atmospherics heard on his previous edits of pop, rap, and emo. First track ‘Open World’ welcomes listeners with lapping waves and plaintive wavering tones—like a glittering video game environment—until real life interrupts on ‘Ordinary People’ as an automated answer phone message: an unknown voice lets out a weary sigh. Its foggy pianos and soft vocals offer melody and buoyancy where ‘LB 100’ circles on moody, dream-like pads. We follow the artist’s oceanic voyage to its culminating trance-like shimmers which dissolve into cool water: reflective, endless, yet ultimately hopeful.

Netherlands-based Torus foregoes the dancefloor dynamics of 2016’s Engine Malfunction for a series of calmer, cloudless drifts. On ‘Enter The Sun’—a sparse, yearning composition—washes of noise and clipped auto-tuned vocals pulse over a haunting refrain until ‘Pier’ arrives with whirring engines, sweet birdsong, and decaying synths. The album’s lightest piece comes with the skipping ‘Radiate 540’—euphoric dance minus the kick—which rises from a muffled human interaction until slow motion cinematics signal the trip’s end: ‘Arrival’ collapses into the sea elegantly mirroring DJ Lostboi’s final track.

Despite its hushed ambience, The Flash is an album committed to forward momentum. Each composition reveals a discrete chapter of DJ Lostboi and Torus’ journey building to a moment of bittersweet ascension. The results of such heartfelt wandering recall the spatial dynamics of The KLF’s zoned post-rave landscapes but these works flicker with thoroughly modern paraphernalia and emotions.

The Flash

Torus - Pier

Second Language

Second Language (Tender Phonemes)

Hotel Nota

Galerie

Edie

Blush

On Deck

"we are offered visions of what we may be unable to see; we become guests to our own imaginations. we are magically offered different realities in the same place, encoun-tering opportunities to see, to perceive, and to discover. a tension, which is both imagined and real between the two realities, that of the house and that of the space outside it, is their reason for existence." ~mark johnstone, on john divola's zuma series (pictured), 1981

lorenzo senni - canone infinito (boocanan remix)

FluxDaemon is a sound body that was born on the internet.

soundcloud:tracks:1039213111