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"Hometown" by @creeptone alias Module Oneis out now through @fauxpas. More info: bit.ly/ModuOne

Hometown

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Module One - Pandora

Initial listens to Inre Rymden (Swedish for “Inner Space”) reveal it to be a curious combination of slow-motion house music and salubrious New Age funk. In this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas Tommy Awards paint here. The opening track “Prometheus” introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serene, buoyed by sublimely mellow guitar vibes that should make fans of Manuel Göttsching's Ashra and Phil Manzanera's solo output spring to attention. “Draget” conjures the sort of exquisite elegance and preternatural chill last heard on Roxy Music's 1982 LP Avalon — but somehow it's even more blissed out than that boudoir classic. And so it goes for most of Inre Rymden: Among the six tracks, only “Rexy” hints at tension, courtesy of a bass line that sounds like it should score a prisoner's walk to the electric chair. But that's tempered by guitar sighs
of radiant melancholy, not unlike those looped by Popol Vuh's Daniel Fichelscher. Even when Inre Rymden gets relatively uptempo, as on “Hans Logan,” it still glides like gilded, glazed, Balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far out on the horizon. “Music is love and love is our music,” runs Tommy Awards' slogan (a sentiment beautifully echoed by David Crosby on his revered 1971 album If I Could Only Remember My Name), but one could also argue that it is medicine — a balmy ear massage that spreads healing frissons to all areas of your body and mind. Tommy Awards continue their miraculous act as Scandinavians channeling the tropics with stunning audio verisimilitude. Someone should notify the Nobel Prize committee.

Pre-Order here : https://shop.originpeoples.com/collections/new-releases/products/tommy-awards-inre-rymden

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PREMIERE : Tommy Awards - Prometheus

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Hamburg’s Hafendisko presents this year’s highlights, featuring Manoid, Black Light Smoke, Sid Le Rock and containing fresh tracks from Russian Girls and Sexy Lazer. Also on board are Bryan Kessler and Whatever/Whatever out of the new Sisters and Brothers series, which is curated by Kasper Bjørke and Sexy Lazer. A successful round-up for 2017.

hafendisko	
Various Artists - Best of hafendisko 2017	
hfndisk43		

MANOID: To Grieve (Sid Le Rock’s Grievance Remix)				
black light smoke: Fire In My Head featuring Dana Hom			
Sid Le Rock: Beckon					
Whatever/Whatever: U<3U							
MANOID: To Grieve (Pysh Remix)		
black light smoke: Signals (Stripped MIx)					
Bryan Kessler: Too Young To Be Old			
Sexy Lazer, Oculus: Excuse My Boston Accent					
Sid Le Rock: High & Low				
Russian Girls: Amfetamin gangsterar				
MANOID: Are Burning (Black Light Smoke Remix)	

https://www.facebook.com/MANOID.music/
https://www.facebook.com/blacklightsmoke/
https://www.facebook.com/sidlerock/
https://www.facebook.com/WhateverWhatever-224173527595953/
https://www.facebook.com/bryankesslercologne
https://www.facebook.com/sexylazer/
https://www.facebook.com/russiangirlsreykjavik/

Sid Le Rock - High & Low

💥👠Brighten your heart and work your feet with vinyl-only funk music from all around the world. Rio de Janeiro native DA MATTA himself brings us our 30th volume of Radio Moody.

Brazilian artist, DJ, percussionist and live promoter, DA MATTA is a curator enabling the 'now' sound of Brazil to cross continents through his live booking agency and web radio platform BOSSA FM.

"Pretty eclectic" funk and vinyl all the way: 60’s, 70’s, 80’s, 90’s from Brazil, Caribbean, Latin America, Africa, Japan going through Funk, Boogie, Disco, Synth Pop and also Jazzy and Psy in various extents. 🇧🇷🇯🇵🇳🇬🇵🇦🇹🇹
Muito Obrigado Rodrigo and see you on Saturday in Berlin: Moody Records im Farbfernseher

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