Excellent song. Beautiful realization. Bravo.

great sound -powerful and positiv -like it

Great bass line and some wonderful synth voices ornamenting the melody line. An engaging and uplifting listen.

When https://soundcloud.com/ipg1, historical SC member, offered this open collab from one of his pages: https://soundcloud.com/level-one-up1/unused-multiples-140-bpm-open-for-collab, I was immediately inspired by the modern sound where I felt some rock wanting to get out!
IPG1: Try the link above to find his great prog-nu-hop-trap-track!
RUIZZOIDMAN: guitars, bass, added drums, lyrics from an old poem, vocals, choir.

Letra  /  Translated lyrics

TU AUSENCIA  /  YOUR ABSENCE

(Tu ausencia, tu ausencia…)  /  (Your absence, your absence...)

Hoy que la noche es oscura,  /  Today that the night is dark,
(y estridente)  /  (and strident)
hoy que la noche es brumosa,  /  today that the night is foggy,
hoy que la luna se oculta,  /  today that the moon is hidden,
(largamente)  /  (for long)
la soledad es odiosa.  /  loneliness is hateful.

Hoy que he roto la sonrisa,  /  Today that I broke my smile,
(del pasado)  /  (from the past)
hoy me grita la conciencia  /  today my conscience screams
para acrecentar la prisa,  /  to increase the hurry,
(demasiado)  /  (too much)
careciendo tu presencia.  /  lacking your presence.

El frío de esta noche que ya no es clara,  /  The cold of this night that is no longer clear,
¡el frío de esta noche me llueve tanto!  /  the cold of this night rains on me so much!
y estas gotas que ruedan por mi cara,  /  and these drops that roll down my face,
¿son gotas de lluvia, o son de llanto?  /  are they raindrops, or because of crying?
(¿Son gotas…)  /  (Are they drops...)

Un pasivo gris inunda mi mente,  /  A passive grayness floods my mind,
un gris silencioso que empaña el cielo,  /  a silent grey that steams the sky,
y estos tonos muertos que nadie vierte,  /  and these dead tones that no one pours,
¿son de la tormenta, o por mi duelo?  /  are they from the storm, or from my mourning?
(¿Son de la…)  /  (Are they from the...)

La gélida oscuridad que me viene  /  The cold darkness that comes to me
es la nube fatal de mi existencia,  /  is the fatal cloud of my existence,
pero el frío afilado que me hiere  /  but the sharp cold that hurts me
¿es frío por la noche, o por tu ausencia?  /  is it cold of night, or because of your absence?
(¿Es frío…)   /  (Is it cold...)

Tu Ausencia (with IPG1)

Maniacs

It Inflects As It Flows

Weekendvibes

I'm happy to share with you the Zhorhann first single recorded a few months ago in a cave in Toulouse, it's a cover of "La chambre jaune" of M'Z

Now it's available as a single and for listening on all platforms here: https://album.link/frm2bcqqpcjz7
Thank you Luminol Records for distribution and trust
Thank you Hugo Lemercier for the mix

For context:
It's a cover taken from M'Z's prism album, which focuses on concepts, and uses constraint to tell its stories.
The reflection is centered around the notion of Prism.
The goal is to create parallels between colors and musical modes (musical colors), but it is also a pretext to tell a more personal story in parallel.
Another of the driving ideas of this project is that everything is inevitably interpreted, no matter how hard we try to approach a totally objective truth, it will never really be the case.
This project tries to break down every particle, to analyze every atom, but each time it tries to transcribe a message, it will be biased by the translation that its own prisms and analysis filters produce.
Despite his efforts to find an objective point of view, he can only admit that his feelings will systematically influence his decisions and thoughts.
It will be the same for the style, while trying not to approach only one aesthetic and mixing all its influences, he will quickly realize that fusion even with an open mind remains a kind of musical label.
M being the guitar Z the machine, the idea is also to create a bridge between organic and electric/electronic music, a bridge between the code and its acceptance as the need to get out of the code. Released on December 27, 2017 in self production.

This song, specifically, is about the color yellow. It is the reaction of our emotions when we try to deny them and try to bury them very deeply, then they will feel rejected and try again, to capture our attention. So well buried they will manage to communicate with our subconscious that reigns in these places, together with this strange friend, they will then be able to play with our state of consciousness and we will be forced to adopt behaviors that will bring us closer to madness, until until we can finally find a way to better deal with these emotions, hitherto misunderstood, unheard and rejected.

While waiting for the album that we are currently finishing mixing, here is something to listen to...
Can't wait to hear your feedback
Mathieu TORRES

Zhorhann - La Chambre Jaune

Vox & Lyrics - https://soundcloud.com/frawstakwa/cosmic-background-radiation-1?in=frawstakwa/sets/new-frawstakwapella-open-for
Music - https://soundcloud.com/user-370942421-686440500/metafor
MOSNAR DET - Remixing, Drum Programming
Special thanks to me collaborators for offering up the great open collabs! check out their stuff! https://soundcloud.com/user-370942421-686440500 & https://soundcloud.com/frawstakwa

Nosensend - Metafor /FRAWSTAKWA - Cosmic Background Radiation (open Collabs)

Indie shoe gazing blues psychedelic classical soul space rock gospel

Spaceman blues

© Rustle Of Leaves

Budget's tight so I haven't been able to get studio time, but this is the demo I made at home for another Witches Junkies & Weirdos track I call They Don't Know!

They Don't  KNow (Demo)

Calm Center

Trying on something a little different. Frank worked up this great instrumental track and sent it to me, thought I'ld give it a go. Let us know what you think.
Thank you Frank for a fantastic collab.
Instrumental By Frank Dana: https://soundcloud.com/dana-instrumental
Vocals & Production: Ian Greaves

Feel So Good

Narrativa para a Música: "Keyboard".

Uma homenagem ao nosso mestre dos teclados sintetizadores: Jean Michel Jarre.
Origem: Wikipédia, a enciclopédia livre.
Jean-Michel é um pioneiro da new age, música eletrônica e música ambiente. É conhecido como um organizador de espetáculos ao ar livre de sua música, que combina luzes, displays de laser e fogos de artifício. 
Filho de Maurice Jarre, um famoso compositor multipremiado que compôs temas para películas icónicas como Lawrence da Arábia (1962) ou Doctor Zhivago (1965). 
No final dos anos 60 Jarre começou a experimentar visuais analógicos com sistemas de retroprojeção em larga escala com mistura de imagens e fluidos. Uma mente muito criativa, à frente de seu tempo, ele sempre imaginou música e imagem como uma boa combinação. 
Seu primeiro grande sucesso foi o álbum Oxygène, lançado em 1976. Gravado em um estúdio improvisado em sua casa, o álbum vendeu cerca de 12 milhões de cópias em todo mundo. Oxygène foi seguido de Equinoxe, lançado em 1978, e em 1979, Jarre se apresentou para um público recorde de mais de um milhão de pessoas, na Praça da Concórdia, em Paris, França, um recorde que ele mesmo quebrou três vezes. Mais álbuns seguiram-se, e seu show de 1979 serviu como modelo para suas actuações futuras em todo o mundo. 
Até o ano de 2004, Jarre tinha vendido aproximadamente 80 milhões de álbuns.[2] Ele foi o primeiro músico ocidental a ser autorizado a realizar um show na República Popular da China, e detém o recorde mundial para a maior público num evento ao ar livre, alcançado no seu concerto em Moscovo em 6 de setembro de 1997, que contou com a presença de 3 milhões de pessoas.[3] 
Biografia
Considerado por muitos o pioneiro na música electrónica pop, bem como um “quebra-recordes” de espectáculos ao ar livre nos quais inclui efeitos laser, de pirotecnia, conjugando imagens projectadas com a arquitectura existente no local do espectáculo, juntando a isso os efeitos surround dos seus temas.
Oxygene
Em 1976, é lançado pela Disques Dreyfus o seu primeiro LP totalmente instrumental e sintetizado, Oxygene, que teve um sucesso estrondoso na França e só um ano mais tarde é lançado no resto do mundo pela Polydor, obtendo igual importância em outros países como por exemplo, o Reino Unido, Portugal, Espanha, Estados Unidos, Brasil, etc.

"A Música do Sentir"

Keyboard - 18 Am Pop

www.youtube.com/channel/UCtMq2PzfrEmALbW3Nuv1zyQ

© Rustle Of Leaves

Сергей Баранов

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