how could i still get the digital tune mate ??,

Mark Pritchard - Make A Livin' EP - The third and final EP in the series.

Warp Records WAP350

A1 Make A Livin'
A2 Fabulous Fred
B1 Jack
B2 Natty

Released 11 November 2013

Available here:
Bleep - bleep.com/release/46922-mark-p…itchard-make-a-livin
iTunes - http://smarturl.it/anqcsa
Bleep - http://smarturl.it/lqcqrj
Amazon - http://smarturl.it/6jreyj
Google Play - http://smarturl.it/258izz

EP3 - Make A Livin' Snips

Flying Turns - Finger on the trigger

Millie & Andrea are Miles Whittaker and Andy Stott, fellow labelmates at Modern Love who collaborated on an occasional series of 12” releases between 2008 and 2010. It’s been four years since we last heard from them but they now return with “Drop The Vowels”, their debut album. Produced fast and loose through late 2013 / early 2014, it’s an album that recalls the strict and stripped funk of Anthony Shakir as much as it does Leila’s incredible debut ‘Like Weather’, eschewing the dark aesthetic both producers are best known for in favour of something much more visceral. It’s an album borne from a love of both pop and club music, made to evoke an adrenalised, hedonistic, as well as an emotional response.

Opener GIF RIFF brings to life a Gamelan edit stripped bare before the over-compressed ‘Stay Ugly’ breaks out with a tumbling, broken arrangement situated somewhere between Richard D James and Jai Paul. “Temper Tantrum” and “Spectral Source” follow, versions of tracks originally released on the second and third Daphne EP’s respectively, the former a rugged rave anthem tempered by blue strings, the latter a proper dancefloor destroyer recalling Shake’s mighty ‘Madmen’. ‘Corrosive’ flits between a fillibrating, arpeggiated steppers rhythm and a brutal jungle breakdown, while ‘Drop The Vowels’ further explores and strips bare bass & drums before the slow but jacking warehouse killer “Back Down” provides pure percussive abandon. Quay ends the set with something quieter, a sublime coda made entirely from field recordings.

Back Down

Track taken from Emptyset, debut self-titled on double LP, reissue. Available now to buy from: www.subtextrecordings.net/ SUB014

Emptyset - Completely Gone (SUB015)

Hand In Hand

Caprithy - Ghost Writer (DIRTY TAPES)

'Its Everywhere' out now via @lowerparts packed w/ a remix from @palmbomen

'It's Everywhere' is a concept EP soundtracking Tendts' intergalatic encounter with The Pleiadians (dimension traversing Nordic aliens to the unenlightened) at the far edge of the universe. Upon their journey home they brought with them not only costumes, masks and relics of extraterrestrial civilizations, they brought with them the spirits of two great celestial beings, Momongo and Floflolo. Fotis and Christos were the reincarnation of these two and the main purpose of their return was to enlighten the people of Earth about the beginning of the era of the Cosmic Swimmer.

Tendts are two brothers that make "music that you can dance to, or not". It seems an odd phrase, but aptly explains the duality of the Greek duo. The compositions of Christos and Fotis Papadakis are both emotive and movement inducing, even though they are written and structured with disparate elements that refuse to fall into obvious patterns. They consist of palpitating beats, imaginative textures, seductive melodies and sporadic bursts of treated vocals.

Christos and Fotis have spent a lifetime playing mus ic together, creating sounds and tinkering with instruments in their native Thessaloniki. Some of their earliest joint experiments were included on their first EP, 'Slow Years'. Three more records followed: a four song 12 ” released on Berlin based Project Mooncircle; a self-released compilation entitled 'Accept F ailure As Part Of The Process' on which experimental pieces were inspired by their favourite artists (including William S. Burroughs and Joseph Beuys); and more recently their debut LP 'Cheap Poetry' on Fair Weather Friends records. They have performed around Europe and shared the stage w ith names like Death in Vegas, BadBadNotGood, oOoOO, Submerse, and Werkha and have presented their live set in various festivals with the highlight being Sonar Festival as We Are Europe affiliates.

releases July 7, 2017

Written & Produced by Fotis & Christos Papadakis
Additional remix production by Palmbomen
Mastered by Marco A. Spaventi
Artwork by Eva Papamargariti

Buy (Vinyl/Digi)

Tendts - Gold-Silk (Palmbomen II Remix)

Taken from Brainwaltzera debut LP 'Poly-Ana' - out Sep 29 on FILM.


Pre-Order: 

UK:
https://bleep.com/release/87475-brainwaltzera-poly-ana

US:
https://www.amoeba.com/poly-ana-brainwaltzera/albums/3973299/

GER:
https://www.hhv.de/shop/de/artikel/brainwaltzera-poly-ana-546766?p=tYsqVa

Brainwaltzera - kurrytee [MIDI_2_CV]

Order 'Maxyboy' at: https://ghostly.com/products/maxyboy
Or at the retailer of your choice: https://ghostly.ffm.to/patricia-maxyboy

Maxyboy

Patricia - Myokymia

Dance(SexLovePower)

A decade since his first productions as part of Pendle Coven, Miles Whittaker delivers his debut album proper for Modern Love. The intervening time has seen him forge a formidable reputation alongside Sean Canty as Demdike Stare, and with Andy Stott as Millie & Andrea, beside his operations in the hardware field as Suum Cuique, solo excursions as MLZ and shadowy involvement in the HATE project - all the while building upon his in-demand skills as a DJ of twenty odd years experience, accumulating and absorbing far flung knowledge of hardcore UK jungle, Chicago house, Motor City Soul, the obscure UK techno of labels like Radioactive Lamb and Irdial, Italian concrète, Synthwave and contemporary noise. Which brings us to 'Faint Hearted', the Burnley-bred, Berlin-based maestro's debut solo opus; eight entirely analogue constructions riding the wave from wormhole hardcore clatter ('Lebensform') to body-compressing subbass undulations ('Irreligious'), trekking through frayed techno minimalism ('Status Narcissism') to mind-drift ambient ('Sense Data') and what sounds like a Demdike Stare track constructed on a worksite ('Rejoice'). But if you ask us, the best bits occur right at the end, with the ominous bass, funereal strings and obliterated noise of 'Archaic Thought Pattern 1' or the field recording clangour of 'Queuing', and certainly the majestically gratifying yet subtly dystopian 9 minute closer 'Loran Dreams'. As an individual sonic statement, it's an evocative exposition of Miles’ love of electronic music in all its shapes, harnessing his fidgety production style into one expansive, restless set of tracks.

Lebensform

Rock/Psych Synthpop band based in Paris


Flying Turns - Finger on the trigger

Flying Turns

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