Name: Electricity ⚡️😊💥 live impro ⚡️Lo-Fi Hypno Groove Trance by flyingdoctorcee
Duration: 8 min 53 s
Description: Yes we can imagine a life without electricity ,..but it is fundamental to our existence now …even with a low tech existence we require ..a hi tech resistance electricity ⚡️This track is a one shot live take to H5 zoom recorder hands on improvisation throughout .Thanks for listening 🤗

ALL IS ENERGY NOTHING IS EVER REALLY STILL EVERYTHING MOVES OUR BODIES OU RMINDS ALL AROUND US... LOVE THIS TRACK ALL IS ENERGY WAV VIBRATION

Ionized sound environment ... like Tesla in the middle of all those rays. Merry Christmas and an excellent new year.

sooooo good.  those swirls and swells and sweeps and skips...  i kinda like what ive heard from you so far, so gonna follow you

Yes we can imagine a life without electricity ,..but it is fundamental to our existence now …even with a low tech existence we require ..a hi tech resistance electricity ⚡️This track is a one shot live take to H5 zoom recorder hands on improvisation throughout .Thanks for listening 🤗

Electricity ⚡️😊💥 live impro ⚡️Lo-Fi Hypno Groove Trance

Since “Particle Guitar” over a year ago, Steve and I have written and performed many new songs together.  And we’ve formed a new band called “Korima” which will soon release its debut EP: “Into Your World”.
 
Along the way, as Korima, we’ve created some short songs.  Not excerpts but, rather, complete pieces to be enjoyed briefly on their own - or as connectors exploring the relationships between songs.
We’d like to showcase some of them here.  This is the first one up: White Sail.  We hope you enjoy it!
 
Korima's songs are written, performed, arranged, engineered, and produced by SuZanne Ledwith (Ireland) and Steve Pumphrey (England).
https://soundcloud.com/candyside-arcade/white-sail-korima

White Sail

Interpetation/Cover of Mikael Wiehes "Girl and the Crow" from 1981
Music/Compose/instrumental/vocal/mix and production :Stina Crow 2023
For music video please visit https://www.youtube.com/watch?v=mR6f5wy4c2A

ENGLISH LYRICS
The girl and the crow
I sat the other day and read my newspaper
A day like so many others before
And I thought about all those dreams
You dream that one after another have come to an end
 
Then I saw a picture of a girl
With a wounded crow on her arms
She runs through the forest
As fast as she possibly can
 
And her curly hair flutters when she runs
She runs on her thin legs
And she prays and begs and hopes and believes
That it's not too late
 
The girl is little and her hair is so bright
And her cheek is flickering red
The crow is clumsy and croaks black
In a moment it's completely dead
 
But the girl runs for her life
With a wounded crow in her arms
She runs towards safety and warmth
For what is real and true
 
And she runs with sparkling eyes
She runs with think legs
Because she thinks it's true, what dad has said:
If there's life it's never too late
 
And I run with my heart beating
I run with thin legs
And I pray and beg, but I actually know
That it is already too late

Flickan & Kråkan ( The Girl and the Crow )

A new collab with my dear HyLGZ22.
Lyrics :
Arpeggio, stylish hairdo and silver witcher’s sword, you forego my toes, my modulation and white noise passion. Love my love and my void in my tiny palace of thousand rooms and coplanar sideral networks of my wiggling ears.
Ethereal sensations of shiny dragon’s leather and troll fur, in your bed and in you bath and in your milky dreams of oak and halberds.
I crave for the tinkling of ten thousands cybernetic bees buzzing around the pomegranate of my intricate emotions, tantalizing my tits, and releasing the endorphins that keep me alive in a solution of poisonous thoughts.
Your fizzling feet feed the psychopomps with the crumbs of your illusions. Like a Hierophant in love, I will synthetize the fragrance of your sweat, and drink the wine of your gaze, and kiss your boobs and your boots.
Sweating under your command, I swallow you imagination and the fluffy bouncing monsters of your polyphony play with my ears in an opera of mystical strawberries.
My glass boots tinkle on the bridge of our passion as we surpass the bondage of geometrical algebra in our creamy foreplays.
The neural network that decides which music we like, will explode under the purple blaze of our desires. Freed by Malenia’s Scarlet Rot, we shall seek new achievements for our misguided lives. In a romantic reckless move, we will go happily to a naked party at the sushi bar in Dagon Street.

Naked Party At The Sushi Bar In Dagon Street

Party At The Sushi Bar In Dagon Street (HyLGZ22 & Damga)

SAINT PATRICK AND OISIN, SO POETRY TELLS US, ARGUED ON THE MATTER OF THE PURITY OF THE SOUNDS OF NATURE AS AGAINST THE SWEETNESS OF MUSICAL COMPOSITION....THIS IS THE STARTING POINT FROM MY NEW REINTERPRETATION OF THIS BEAUTIFUL TRADITIONAL TUNE. ENJOY MY UILLEANN PIPES SOLO!! SHARE AND COMMENTS IF YOU LIKE, CIAO
 CHECK OUT MAY MORNING DEW VIDEO ON MY YOU TUBE CHANNEL:
https://www.youtube.com/watch?v=i8oUFY2h1Fg

MAY MORNING DEW

When I first heard this I instantly picked up a  blusey mid eastern flavour to it and decided to pick up on that theme. I used Pauls track "Remember" in it's entirety with no edits to do some post production work around it, picking up on that eastern vibe I was getting !! I hope you will enjoy it as much as I did making it.  
A BIG thank you to Paul for this opportunity and for all your great support!!

Track,music bed and inspiration :- Paploviante https://soundcloud.com/paploviante-and-friends/remember-paploviante-open-collaboration-offer
Additional guitars,orchestration,post production mix and arrangement :- Pablo

The Long Journey

The Long Journey // PAPLOVIANTE // CAMBERELLI

"Take aim at his heart now!" he yelled. "And shoot for the head!" shouted back his armed colleague. But with tears in the formers' eyes, he knew he had already lost the fight. The longer he wore on in the battle with his foe, the greater his uncertainty. 
This song is about a mercenary remembering an encounter with a fellow mercenary. They were both after the same target and the first, unarmed mercenary was forced to kill his armed colleague with a car.
Listening to the story of the song, one may get the sense that betrayal and regret are central themes; however, they are only one of the many threads unfurled in the song. Violence and mercy are more central, especially within the mind's eye of the protagonist re-living what had occurred on one fateful day.
A violent mind may not breed mercy, but mercy will never hold a place (or a candle, if you will) in the minds of those whose idea of violence is not honourable and just -- in a moral sense, of course. Moral compasses change direction from person to person, from time to time, and from situation to situation. They can even, sometimes, point to one's own fate -- mercifully or not.

LYRICS:
Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Hearing slowed-down sounds
Of an engine roaring,
Wheels rollin' to a cliff's end
And shot out in escape.
So it seemed
Was a blow to my youth.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Seeing moving parts
As it comes upon him,
Devoted locomotion
To bring about elimination.
What I've seen
I have created.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Take aim at his heart now
And shoot for the head
A backstabber grieving his existence,
So tortured.
Hold up a candle
In a darkened cave
Canot fix what cannot be seen:
I refuse to replay.

Like You Stole It

Naryech

Narypul

Similar to R I.P.  A bit of fun with a Dylanesque type blues.

A Little While

Featuring the maestro that is Jamie Rhind! Originally written in Jan 1999 and re-recorded to mark the turn of 2024, showcasing Jamie's sublime laid back keywork.
Jamie Rhind - Piano solo
Andy McLean - Soprano saxophone, EWI, Keyboards, Bass, Drum programming, Composition

New Beginning (feat. Jamie Rhind)

Original artist Leonard Cohen 1988

Instruments: PJ Project
All Vocals : Janne Hennie

Ain't No Cure For Love W/PJ Project

I just love sound ..allsorts across the genre's ...hate getting stuck on one tip for too long ,been thru quite alot of eras &..have always from an early age written or jammed my own pieces of music..+ written poetry + lyric to songs ,i play guitar + produce ambient pieces on analogue units Roland tb 303 ,101,202,606,Juno 60. Was in my own bands years ago from about 1981 post punk era,dance electro stuff ,then ole skool scene when it was newskool,into drum n base era as it was happening...did pirate station stuff ,love dub reggae,great times..just carry on writing songs on acoustic guitar & do regular open mike sessions around my local area + jammin with other muse'os ...into  hho tec ....hydrogen...~  energy ...~ water is our future coal field.bit of an inventor..into unity ..autonomy n peace ..., peace out  ; )...~

Electricity ⚡️😊💥 live impro ⚡️Lo-Fi Hypno Groove Trance

flyingdoctorcee

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