Mixes Hardcore [EDM] with cut-up, complex, and frequently noisy breakbeats at very high tempos inspired by Jungle and Drum and Bass, often with heavy use of sampling. (mid 1990s)

BREAKCORE

“LULLABY” ☁️ [prod. dreamoh]

Monotones

You And I Want

Inspired by albums such as Joe Zawinul’s 1971 self titled record, and films such as Marathon Man and Three Days of The Condor, 'The Atrium' is a nod to saturated sounds from the early 1970s, while referencing brass and woodwind sounds from some of the most acclaimed films of that period. This is the second single released by London artist Robohands in 2024, with five musicians in total featuring on this track. Mixing performed by Shawn Clendening (Chicago, IL) and mastering performed by Goncalo Peixoto (Lisbon, Portugal).

Tenor Saxophone - Emma Johnson
Trumpet and Flugel - Aaron Wood
Trombone - Rosie Nicholl
French Horn - Claude Lumley
Guitar, Bass Guitar and Keys - Andy Baxter


Mixed by Shawn Clendening
Mastered by Goçalo Peixoto

Artwork by Lucy Baxter

Released October 4, 2024

Robohands - The Atrium

shanghaied - force (someone) to join a ship lacking a full crew by drugging them or using other underhand means

[@me]
we gone jump dat boy
like a sentai
see u in my vision
bitch i see u in my third eye x3

we gone jump dat boy
like a sentai
see u in my vision
bitch i see u in my third eye (omg)
ima fck yo btch like a hentai
i can see dat u stalkin btch
see u in my replies

hook 2 his face
give him a deadeye
ima open my 8 gates
like im might guy
i got all my goons
n they waitin here on standby
heard he owed me money
so i got him fckin shanghaied (yay)

ive been growin all dis top crop
smokin all dis weed
and it nearly made my lungs pop
yh i got yo btch in a crop top
ima hunt dis pussy down 
on his block goin knock knock

gettin all dis $$ 
yh im full of it
ur mouth like a target
always movin, make dem bullets hit
he say he speakin gospel
but he full of it
cryin bout ur btch bein fcked
but she luvin it x2

[@imrllypt]
on my dick n she lovin it 
fuck a bad hoe from the back i think im lovin it
bitch i gotta gun up in my bag like ima up the stick
hella bad hoes in the trap tryna fuck the clique
bitch i do the holly with the acid im tryna fuckin trip
1 whore 2 whore bitch i need 4 doorz
bitch i stack my bag up like a cracker gotta do the chores
yuhhhh i got plenty whores
on my dick n she lovin it 
fuck a bad hoe from the back i think im lovin it
bitch i gotta gun up in my bag like ima up the stick
hella bad hoes in the trap tryna fuck the clique

hey guys its @kkioto and i luv risk

spotify

shanghai + p.t. (flight7n)

KC WOBBLE - SENSI SHOT

zonedout - VOID ROOTKIT (prod. phntmzn bR)

1. SummerSale (0:00)
2. S e a (0:45)
3. Yuh (2:10)
4. Ucan (3:30)
5. Wav'n (4:55)
6. Pour up (6:22)
7. Baddie (7:08
8. Breeze (7:51)
https://soullkidd.bandcamp.com/music
https://soundcloud.com/derrick-parks-jr
https://www.facebook.com/DKOBEATZ/

[DKO] - summersale [EP]

L.A. EP 3 X 3

Parisian Goldfish

L.A. EP 2 X 3

Secrets (Refix)

Big Boi

Bikini Bandits Kill Kill Kill

Dub Murderer

666MPH

Blood & Fire

Monster Trucks

i make tons of playlists around different themes or musical genres, often confidential in their exposure.  Contact me if you need anything!

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Secrets (Refix)

Flyinglotus

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