good vibes

MADLIB DIDN'T GIVE ME THIS BEAT LMFAO. I JUST FELT INSPIRED TO WRITE. I don't write too often. Some of the reasons why is production based. Beats be dope, but sometimes they don't call me to write to them. I've been wanting to write to this shit for months and It just poured out of me yesterday. Shoutout to Madlib for the constant inspiration

DUMMIIRAP [Freeverse] (Prod. Madlib)

why are you happy?

It is an album that compiles the beats from Daki’s Faakin Beatz Series made between 2005-2008, along with a few extras.

Thanks the world's sweetest Özge Özöner @bambiwhisper for the cover art ❤️

Interlude (Black Moon)

KUMUSTA

FOLLOW ON INSTAGRAM

freddie gibbs - lakers [eets remix]

collab with the homie @olartekeepitreal

watch the @godsconnect video here:
https://www.youtube.com/watch?v=bvdHsT5euJY

buy: https://trvstgxnzx.bandcamp.com/album/rx-1

five.onit w/ Olarte

Soulection White Label - Monte Booker

Homealone

Wun4Dibia$e

if i wasn't trippin

night.goggles.

Black Balloons Reprise

Black Balloons Reprise (feat. Denzel Curry)

Flamagra (Deluxe Edition)

Find Your Own Way Home

The Climb (Instrumental)

Hot Oct.

waterfalls is here (I fucking love this song)

SDS (Mac Miller Instrumental)

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

The Climb (Instrumental)

Flyinglotus

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