Recorded, Mixed, and Mastered by Jonathan Mono at Atas Music

Except Dylan C. Greene's part recorded by himself at Studio 3:44 Eindhoven, The Netherlands

Jonathan Mono: Keyboard, Synth, Electric Bass, Synth Bass, Acid Bass, Drum Programming, Sound FX and Vocal
Karel William: Drums and Cowbell
Dylan C. Greene: Acid Bass, Claps and Vocals

Lead Vocal by Howard Lawrence (@Disclosure)

Disclosure & Zedd - You've Got To Let Go If You Want To Be Free (We Are Neurotic Remix)

Keep on Dancing

Our youngest and newest member on keys and synth, Matalino Siraj, kicked off this remix with his chords and bassline. Then the original trio jumped in, bringing their instruments to complete the track. It’s refreshing to have some new energy breathing life into the band.

Disclosure, Pa Salieu - King Steps (We Are Neurotic Remix)

Sukatani - Bayar Bayar Bayar (We Are Neurotic Remix)

Ecilo Present Memory Access 02 : Live @Pillbox Beijing March 2025

Delorean – Real Love 
Cassian – The Ninth
Etnik – Nixon
Developer – In Pure Form 13
Chemical Brothers – Hey Boy Hey Girl
Björk – Dull Flame of Desire (Modeselektor Remix for Girls)
Animal Collective – My Girls
Caribou – Can’t Do Without you (Tale of Us & Mano Le Tough Remix)
Egokind & Ozean – Everybody Dance Now
Moderat – Seamonkey
Developer – In Pure Form 23
These New Puritans – Attack Music
Chemical Brothers – Midnight Madness
The Knife – Raging Lung (Hannah Holland Remix)
Hercules & Love Affairs (Do You Feel The Same?)
The Tough Alliance – Neo Violence
Hyetal – Searchlight (Stay+ Remix)
Clark – Unfurla
Moderat – Nasty Silence
Russ Chimes – Back 2 You
WEKEED – Wild Child
Jamie xx – The Rest Is Noise

July Mix

[GUNAKAN HEADPHONE UNTUK PENGALAMAN PENUH]
⚠️ TRIGGER WARNING: Konten ini memuat deskripsi kekerasan seksual dan manipulasi psikologis.

Apa yang kalian dengar dalam audio ini bukan drama, bukan fiksi.
Ini kesaksian.
Ini adalah rekonstruksi detik-detik ketika gue diperkosa oleh seseorang yang gue kira teman.
Rekonstruksi malam di mana hidup sebuah keluarga dihancurkan.
Ini kebenaran yang dulu terkubur dalam ketakutan — dan akhirnya gue suarakan.

Akan segera datang waktunya kalian untuk menentukan: apakah kalian berani berdiri bersama korban atau tetap membiarkan si pelaku hidup nyaman?
Yang jelas, pasti ada konsekuensi di balik pilihan mereka yang melanggengkan kekerasan.

⸻

PREFACE: THE ANATOMY OF A NIGHTMARE

(Wajib dibaca sebelum mendengarkan)

Ini bukan fiksi. Ini adalah rekonstruksi malam di mana hidup sebuah keluarga dihancurkan oleh orang-orang yang mereka sebut “teman”.

⸻

KEPALSUAN

Jakarta Selatan, 12 Oktober 2017. Venue L*** di Jalan Wijaya adalah simbol kemewahan yang sakit. Di permukaan: wangi parfum mahal, tawa renyah sosialita, dan gelas kristal berdenting. Tapi ini adalah ekosistem predator.
TARA (korban) ada di sana, merasa aman. Ini adalah kesalahannya yang paling manusiawi: dia percaya dia berada di “kandangnya sendiri”.
Dia tidak tahu bahwa di lantai 2, pemilik tempat (L***) mengawasi kerajaannya seperti dewa yang tak tersentuh.

⸻

PEMANGSA

Di meja nomor satu duduk E***. Dia bukan monster bertaring; dia memakai kemeja rapi, jam tangan bagus, dan senyum ramah.

DAN INILAH FAKTA PALING MEMUALKAN:
L*** adalah tempat di mana, dua minggu setelah malam itu, dia berdiri di pelaminan menikahi istrinya (A***).
Dia memperkosa istri temannya sendiri di venue pernikahannya sendiri — hanya beberapa hari sebelum dia mengucap janji suci.

⸻

SAKSI

Di sebelahnya ada B***. Pemuda yang jiwanya sudah “check-out”. Dia bukan sekadar mabuk sesaat; di minggu-minggu itu dia botian setiap hari.
Dia bagaikan robot: fisiknya ada, matanya terbuka, tapi kesadarannya entah di mana.
Dia adalah saksi yang lumpuh.

⸻

HOROR (JARAK 50 METER)

Momen kuncinya adalah seretan.
E*** menyeret Tara 50 meter dari cahaya pesta menuju kegelapan kantor belakang.

Tara memukul dinding kaca tebal di belakang DJ booth.
Dia mencoba berteriak ke B***.
Tapi suaranya dikalahkan oleh rasa takut, musik yang terlalu keras, kaca tebal, dan obat yang terlalu kuat.

⸻

KEJAHATAN

Di dalam kantor gelap, Tara menyerah karena takut dibunuh (mengingat maraknya berita pembunuhan wanita di 2017).
Saat E*** memperkosanya, dunia luar (CCTV) berjalan normal.
Di rumah, suaminya (Mono) dan anaknya tidur damai.

Kalimat E*** yang menghancurkan segalanya:
“Bilang aja itu anak Mono.”

⸻

KEHANCURAN

Dini hari, Tara memasuki kamar tidurnya sendiri. Dia menatap suami, Mono, dan anaknya tidur berpelukan.

Di detik itu, dia jadi hantu.
Dia selamat secara fisik, tetapi jiwanya tertinggal di kantor gelap itu — terus memanggil dalam wujud trauma, menunggu kebenaran akhirnya diungkapkan.

⸻

Credits:

Based on a True Story by Cinta Ruhama Amelz.

DISCLAIMER: Nama-nama pihak tertentu telah disamarkan (inisial) untuk menghormati privasi dan kepatuhan hukum, tanpa mengurangi kebenaran substansi peristiwa yang dialami korban.

⸻

#TheOctober #Oktober2017 #Cintaruhamaamelz #TrueCrime #KekerasanSeksual #JakartaSelatan #StopSexualViolence

The October / Oktober 2017: Rekonstruksi Audio (Kisah Nyata)

[USE HEADPHONES FOR FULL EXPERIENCE]
⚠️ TRIGGER WARNING: This content contains descriptions of sexual violence and psychological manipulation.

What you hear in this audio is not drama, not fiction.
This is testimony.
This is a reconstruction of the exact moments when I was raped by someone I thought was a friend.
A reconstruction of the night a family’s life was destroyed.
This is the truth that was once buried in fear — and now I speak it out loud.

Soon, the time will come for you to decide: will you stand with the survivor, or will you allow the perpetrator to remain comfortable?
One thing is certain: there are consequences behind every choice that enables violence.

⸻

PREFACE: THE ANATOMY OF A NIGHTMARE

(Mandatory to read before listening)

This is not fiction. This is a reconstruction of the night a family’s life was destroyed by the very people they called “friends.”

⸻

THE DECEIT

South Jakarta, October 12, 2017. The L*** venue on Jalan Wijaya is a symbol of a sick kind of luxury. On the surface: the scent of expensive perfume, the crisp laughter of socialites, the clinking of crystal glasses. But this is a predator ecosystem.

TARA (the victim) was there, feeling safe. This was her most human mistake: believing she was in “her own territory.”
She had no idea that on the 2nd floor, the owner of the place (L***) was watching over his kingdom like an untouchable god.

⸻

THE PREDATOR

At table number one sat E***. He wasn’t a fanged monster; he wore a neat shirt, a nice watch, and a friendly smile.

AND HERE IS THE MOST SICKENING FACT:
L*** is the place where, two weeks after that night, he stood on a wedding stage marrying his wife (A***).
He raped his own friend’s wife in the same venue where he would exchange sacred vows — just days before his wedding.

⸻

THE WITNESS

Beside him sat B***. A young man whose soul had already “checked out.” He wasn’t just casually drunk; in those weeks he was on downers every single day.
He was like a robot: body present, eyes open, but consciousness nowhere.
He was a paralyzed witness.

⸻

THE HORROR (50 METERS)

The crucial moment was the dragging.
E*** dragged Tara 50 meters from the lights of the party into the darkness of the back office.

Tara hit the thick glass wall behind the DJ booth.
She tried to scream at B***.
But her voice was defeated by fear, by the blaring music, by the thick glass, and by the drugs numbing him.

⸻

THE CRIME

Inside the dark office, Tara surrendered because she feared being killed (given the surge of femicide news in 2017).
While E*** raped her, the outside world (the CCTV feed) continued as if nothing was happening.
At home, her husband (Mono) and her child slept peacefully.

The sentence from E*** that shattered everything:
“Just tell Mono it’s his kid.”

⸻

THE AFTERMATH

At dawn, Tara entered her own bedroom. She looked at her husband, Mono, and her child curled up asleep in his arms.

In that moment, she became a ghost.
She survived physically, but her soul remained in that dark office — calling out in the form of trauma, waiting for the truth to be spoken.

⸻

Credits:

Based on a True Story by Cinta Ruhama Amelz.

DISCLAIMER: Names have been redacted (initials) to honor privacy and comply with legal requirements, without diminishing the truth of the events experienced by the survivor.

⸻

#TheOctober #October2017 #CintaRuhamaAmelz #TrueCrime #SexualViolence #SouthJakarta #StopSexualViolence

The October / Oktober 2017: An Audio Reconstruction (True Story)

The NYC-based FNDTY is Fandi Aditya.
“Warriors” is FNDTY’s first release, in which he particularly draws influence from At the Drive-In, M83, a bit of Kraftwerk and also noise music. He is a firm believer in melody and uses electronic sounds as a substitute to distorted guitar sounds. His approach in making electronic music is to mimic human emotion and emulate band-like sound. In short, “Warriors” is a five-song EP blending electronic, rock and noise music with catchy hooks.

July Mix

FNDTY

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