Name: Run-DMC - Sucker MC's [Interdimensional Groove] by fo0dnippl3 in over-rated relaxing
Duration: 3 min 16 s
Description: here's a remix of my favorite Run-DMC song

over-rated relaxing

the second installment of nothin but smooth n jazzy dnb/jungle

TRACKLIST:
1. Shifty - Jazz Ass
2. Mouly & Lucida - Chilled
3. New Jazz Hustlers - Bombay
4. Exclusion Principle - Ladders
5. Subject 13 - Loose Flutes
6. Universal Indicator - Anagog
7. Ingrid Schroeder - Paint You Blue (Peshay's After Hours Mix)
8. Leon Mar - Release The Love
9. Subject 13 - The Morning After
10. J Majik - Arabian Nights
11. Jazz Cartel - Blue Haze
12. DJ Pulse & The Jazz Cartel - Destiny
13. Voyager - Crystl Kleer
14. Kinetix - Constantinople
15. Secrets - Sunrise
16. The Original Playboy - Playboy

ya like jazz? pt 2

Hailing from Pity Me near Durham, vegan straight-edge pop group MARTHA have just signed to Fortuna POP! and will be releasing their new album ‘Courting Strong’ at the end of May. Providing energetic, impassioned pop punk, Martha are informed by 90s indie rock and Scandinavian anarcho noir. The album, produced by MJ from Hookworms, is laden with harmonies and interchangeable vocals whilst still retaining the energy and excitement of the band’s live shows. 

Formed in 2011 by siblings Naomi (bass, vocals) and Nathan Griffin (drums, vocals) with J. Cairns (guitar, vocals) and Daniel Ellis (guitar, vocals), Martha have fast become a staple of the UK DIY pop scene. There are many competing stories as to the origin of their band name but it’s a fact that the very last passenger pigeon on earth was called Martha. When she died, the whole species became extinct.

Decamping from the North East to record the album at Suburban Home Studios, Leeds, the band enjoyed the freedom of being in the studio and experimenting with MJ’s equipment to produce unexpected sounds. The process saw them opening up to new ideas and, feeling more confident in their own abilities, allowing a wider range of dynamics.

Taken from a line in the song Gin and Listerine, the album title “Courting Strong” is an expression that was used to describe couples who were getting really serious. There’s the old cliché that when you’re young you think you’re invincible and that everything will last forever - the album is about looking back and reflecting on past moments in your life, past friendships and relationships, accepting the uncertainty and fragility of those things and moving forward positively.

The overarching theme of the album is ‘growing up weird’. It’s a semi-autobiographical story about growing up in a small town, with a sense of not fitting in but on the way finding people who share that feeling and forming really strong bonds. It’s about clinging to a sense of belonging and about being proud of who you are and where you are from, as well as the community of which you are a part. It’s an album for the people who stayed in their hometown, and for the people who still go back and visit.

Martha’s melodic punk pop celebrates being an outsider whilst being part of a community. The album touches on uncertainty, fear and loneliness whilst exuding an effervescent sense of excitement and joy. There’s darkness beneath the pop surface - but there are also songs about teenage antics, drinking, courting and having your heart broken – everything a good indie record should have.

 “Martha have mastered that neat Buzzcocks trick of riding those gloriously glowing guitars with sweet, comfortingly-fey voices singing in irresistible harmony. In short, they’re pretty darn great” Clash Magazine 

“Top notch buzzsaw indiepop with enough melodic punk in their DNA to make them stand out. Definitely worth keeping an eye on” Narc Magazine

Martha - 1997, Passing In The Hallway

Prog-influenced Nottingham quintet The Chemistry Experiment are set to release their second album, the intriguingly titled “Gongs Played By Voice”, through Fortuna POP! in January, some ten years after the release of their debut album “The Melancholy Death Of…”.  Housed in beautiful artwork by the Bulgarian artist Gyukov, a set designer in communist Bulgaria, the new album sees the band conclude the transition from their indie roots with nine beautifully arranged and recorded songs that encompass such influences as Will Oldham / Bonnie Prince Billy, Tindersticks, King Crimson and Soft Machine.

You can listen to standout track “Channel Light Vessel” here, which songwriter Steven J. Kirk describes as the best song he ever wrote and says, “This is about the sea, and sailors, and a boy I read about on BBC news who impaled himself on a fence trying to pick conkers."

The Chemistry Experiment - Channel Light Vessel

Brownie

"When I Was Your Age" is the first single to be taken from "Hide and Seek", the debut album from Mammoth Penguins, the new band fronted by Emma Kupa (formerly of Standard Fare). The song is gloriously messy and loud, about feeling inadequate about one’s achievements. As Emma explains, "It started off with a birthday card from my granddad saying that he was married with kids at 28 and then I started thinking about what my parents, grandparents and family members had achieved by the time they were my age".

"Hide and Seek" is the debut album from Mammoth Penguins, the new band fronted by Emma Kupa, formerly of BBC 6 Music favourites Standard Fare. Due out on 6 July via Fortuna POP!, the album is an exhilarating collection of indie anthems, with Emma's candid songwriting and heartfelt vocals at the fore. Chugging away like the greatest Weezer record you’ve never heard, the songs are bold, loud and outrageously catchy, with lyrics that hit just the right chord, exploring the burgeoning responsibilities of being in your late 20s/early 30s.

Mammoth Penguins - When I Was Your Age

"Propped Up" is the first single to be taken from the debut album Hide and Seek from Mammoth Penguins, the new band fronted by Emma Kupa, formerly of BBC 6 Music favourites Standard Fare.  With a stirring chorus that makes you want to pump your fist and a call-and-response section that begs you to join in (“regrets, mistakes,…”), the rip roaring “Propped Up” talks about how we're all dependent on others to distract us from negative thoughts.
 
The album Hide and Seek is due out on 10 July via Fortuna POP!, the album is an exhilarating collection of indie anthems, with Emma's candid songwriting and heartfelt vocals at the fore. Chugging away like a great lost Weezer record, the songs are bold, loud and outrageously catchy, with lyrics that hit just the right chord, exploring the burgeoning responsibilities of being in your late 20s/early 30s.
 
When the much-loved Standard Fare called it a day after nine years and two albums, Emma Kupa upped sticks and moved from Sheffield to Cambridge, where she recruited Mark Boxall (bass) and Tom Barden (drums). Previously the bassist and lead singer in Standard Fare, Emma relished the switch to guitar in Mammoth Penguins, allowing her the space to deliver her trademark soaring vocals and to indulge in the occasional mean guitar solo. With Tom’s driving energy and Mark’s bouncy pop bass they quickly developed their riff-tastic powerpop sound.

Recorded at Sickroom Studios in Norfolk by producer Owen Turner (Magoo, Factory Floor), Hide and Seek captures the band at the age they're at right now, reflecting on different aspects of being in their late twenties. With Hide and Seek, Mammoth Penguins have produced a wonderfully varied record, each song a story, nuggets of joy, despair and hope. Already onto her second great band, feeling inadequate isn't something that Emma Kupa needs to do.

Mammoth Penguins - Propped Up

Cardiff noise pop group Joanna Gruesome will be touring the UK in support of their recently released second album Peanut Butter, out now on Fortuna POP! (UK) and Slumberland (US).

The upcoming tour marks the first outing of the band's new lineup, which features Kate of feminist/queer punks Pennycress on melodic vocals/shouting/screaming and Roxy of Two White Cranes, Grubs, Trust Fund and TOWEL on melodic vocals/keyboard.

Speaking confidentially, an official has confirmed that the single "I Don't Wanna Relax" is “Yet another hook-filled smash hit.”
 
UK TOUR DATES:

18 Sep - Islington Mill, Manchester UK
19 Sep - Head Of Steam, Newcastle UK
20 Sep - Brudenell Social Club, Leeds UK
22 Sep - Scala, London UK
23 Sep - Summerhall, Edinburgh UK
24 Sep - Glad Cafe, Glasgow UK
25 Sep - Trades Club, Hebden Bridge UK
26 Sep - Clwb Ifor Bach, Cardiff UK 
29 Sep - The Haunt, Brighton UK

Joanna Gruesome - I Don't Wanna Relax

I wrote and recorded an EP in the last week of August 2016. I submitted it to YouTube's audio library on September 1st 2016. 
So I call this record "September" which can be downloaded here:
http://www.youtube.com/audiolibrary
Just search Otis McDonald or any of the song titles.

September

See you Soon

Eiffel Power

here's a remix of my favorite Run-DMC song

Run-DMC - Sucker MC's [Interdimensional Groove]

Mitch Murder - Refresh

- F R O G U R T -

Guns & Synths II

Déjà Vu (2019)

Listen to another Twin Peaks cover here:
https://soundcloud.com/ec2151/twin-peaks-main-theme-instrumental-genesis-ym2612

In celebration of Twin Peaks Day, here is a FM rendition of the haunting theme of Laura Palmer, the girl at the heart of Twin Peaks. Thank you to David Lynch, Mark Frost, and Angelo Badalamenti for inspiring me so much as an artist and captivating me with their world!

Twin Peaks ~ Laura Palmer's Theme (Sega Genesis/YM2612+SN76489)

double vision (τrngrsk x ethanbar†)

LYRICS & VOCALS BY SLIME DA GARBAGE MANE

PRODUCED BY https://soundcloud.com/maddamn

ENGINEERED BY https://soundcloud.com/prodniimo

ART BY https://soundcloud.com/lenfantlondon & @banaldesign ON INSTAGRAM

WHEN THE MOON
COME OUT IMMA LYCAN
SPEAKING MY MIND
THEY DONT LIKE IT
PULL ME SUM CARDS
LIKE A PSYCHIC
THERE AINT NO HIDIN
I KNOW YOU BEEN BITIN

GET TERRIFIED
IT GET FRIGHTENING
DO NOT APPLY
WE NOT HIRIN
I GOT NO FILTER
LIKE SYPHON
HATE IT WHEN THEY LOOKIN AT ME
LIKE A NIGHTKIN

WHY THEY TAUNTIN ME
WHY THEY BOTHER ME
LIKE THAT SHIT HAUNTING ME
CUZ HONESTLY
MY BRAIN A NOVELTY
NEED ME A LOBOTOMY

STUFFIN
THESE TURKEYS WANNA COME UP TO ME
FRONTIN LIKE THEY SOMETHING
BUT CANT INTIMIDATE
IT ISNT NOTHING

WHY DA WELL ALWAYS RUN DRY
WHEN IT COME DOWN TO THE GRIT
THERES ONLY SO MANY WAYS
THAT YOU CAN RHYME SHIT DICK AND BITCH

IF YOU SIT
ON YOUR ASS
YOU SETTLE BOTTOM OF THE GLASS
IF YOU WANT THIS LIKE YOU SAID
THEN  WHY YOU STILL REPEAT THE CLASS

HEARD SHE LIKE TO FUCK RAPPERS
SO I GAVE HER A REESES
SAID ILL SEE YOU IN A HOUR
LEAVE ME A COUPLE PIECES
I BE CACKLING AT THESE COWARDS
CUZ I GET SO FACETIOUS
FUNNY HOW THEY LOSE THEY POWER
WHEN YOU CALL EM ON THE THESIS

IMA DIRECTOR
MAKIN THEM PLAYS
RAP LIKE A FARMER
YOU PUTTIN OUT MAIZE
FEEL LIKE A SPIDER
WIT 800 LEGS
SWEAR ON MY MAMA
THERE AINT ENOUGH DAYS
IN THE YEAR
TO JUST FUCKIN DEAL
W YOU RODENTS
EXIST TO UNSTEADY MY FOCUS
BREATHIN OUT LOCUSTS
INHALING POISON
I AM THE SHIT
TURN JACUZZIS TO TOILETS

YALL IS PHONIES
REALLY SUM JABRONIS
PUTT NOTHIN BUT BOGEYS
WHILE MY DRIP IMMACULATE
THE SHIT ON PAR
WITH ROCCO BOTTE
BOGUS FOGIES
WANNA KNOW ME
BUT IM AT MY QUOTA FOR HOMIES
I CONSCRIPT MY FUCKIN CRONIES
THEN CHOPPA EAT HIM LIKE HOAGIE

THIS IS SIMPLE
IVE LAID THE FACTS
AINT ROCKET SCIENCE
TRY YO BEST TO UNDERSTAND
THAT IM UP HERE
N YOUR DOWN THERE
IM SORRY BRO
WE DONT EVEN SHARE THE SAME AIR

Run-DMC - Sucker MC's [Interdimensional Groove]

fo0dnippl3

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