Name: Subtle Scatter--Sample by Fogged Records
Duration: 3 min 42 s
Description: Sample from Max Eilbacher's "Subtle Scatter", available on Fogged Records

Sample from Max Eilbacher's "Subtle Scatter", available on Fogged Records

Subtle Scatter--Sample

The London-via-Bilbao DJ marks 15 years of Cartulis with two hours of punchy techno and electro, recorded live at FOLD.

When you think of London label and party Cartulis, dark, muscular electro and tough tech house spring to mind. But the name is more revealing than it first appears: in founder Unai Trotti's native Bilbao dialect, cartulis translates to "nerd." Like any labour of love, the project is driven by a deep, obsessive dedication, centred around sound, mood and community. 

Recorded at Cartulis' 15th anniversary party this autumn, RA.1017 captures why Trotti is such a compelling DJ. Playing only vinyl, he has a deft ability to balance functional club pressure with more leftfield selections, and as he outlines in his Q&A below, it comes from a belief in creative limitation, committing to a finite set of records and trusting instinct over abundance. 

Across the two hours, there are plenty of big, physical tracks built for the dance floor, but also some genuinely strange, confrontational stretches. Around the 15-minute mark, church bells ring out as a gothic female vocal looms overhead—David Lynch, if he needed an electro soundtrack. It's the kind of material you only hear at parties where dancers feel truly at ease, unafraid of the weird. That's Cartulis.

@unai-trotti
@cartulisday 
Read more at ra.co/podcast/1036

RA.1017 Unai Trotti

tong

Malzof at Chillits 2025

Recorded live from within Black Oak(or khotishohol) Ranch in Mendocino County, California - in the historic land of the Northern Pomo, Coastal Pomo/Miwok, Cahto, and Yuki Peoples from 4:10 AM - 5:40 AM PST on Sept 13, 2025 - right after Neonlichter and before Kiernan Laveaux.

Coincidentally this slot time would coincide with 1-year since my dad’s funeral of September 13, 2024. After his passing, I would recover all of the records from his and my mom’s joint collection. Filled with folk music, pretty guitar and instrumentals, classical and comedic sketches, and more. 

To my joyful surprise, one of the records I would encounter in the collection, is one I recognized from my own collection of records: Environments Disc 1: The Psychologically Ultimate Seashore / Optimum Aviary, one of the pinnacle records of the Environments field recordings series. This one presents ocean sounds from Brighton Beach, Coney Island and birds from the Bronx Zoo. Before I left for Chillits, I tossed this record in my tote. I didn’t want to travel with too many records for this trip, but I knew this one had to make the cut.

read more about this mix on my substack: 
https://malzof.substack.com/p/grieving-with-music?r=3f4hsk

Malzof at Chillits 2025

The Leisure System co-founder talks psychology, behavioral science and his standout album of the year, Stochastic Drift.

Sam Barker's influence on contemporary electronic music culture spans many levels—not only as a producer and DJ pushing against traditional genre boundaries, but also as key figure behind the scenes as head of the label Leisure System. He came into RA HQ to talk about the central thesis in his current work: exploring organic, human timing in a genre that has become increasingly obsessed with mechanized grids. 

The Berlin-based artist tells us about how he puts this theory into practice in his standout album of the year, Stochastic Drift, and his recent collaborative project with saxophonist Bendik Giske. Beyond the technical, he also reflects on the evolution of the Berlin scene, the surprising arguments for liberation in the streaming economy and the role of art in imagining a utopian future. Listen to the episode in full.

EX.786 Barker

reek room

Unstable: Stable 125 episode curated by Jakub Juhás from mappa (https://soundcloud.com/mappaeditions).
---
This mix is a selection of this year’s releases I put out on mappa. I wove into it a few field recordings I made myself, or together with my partner Michaela. I wanted to speak about a phenomenon that has fascinated me for a long time, and that is becoming more and more present in my life. It’s the way in which the releases I listen to over and over shape my emotional world, and shift the way I hear and perceive the world I move through. How, in certain tracks, I suddenly catch a glimpse of places I know, memories, scents, joys, or forgotten fears.

How the swamp behind my hometown feels different now—ever since I heard Adela Mede’s howling, which sits so close to the local frog choir. The boundaries blur completely, and sometimes I can’t tell what’s just an echo from some album, what’s a real memory of a creek in northern Romania, what’s the bubbling of volcanic mud on one of the Aeolian islands, and what’s the delicate crunchy electronics of Olli Aarni.

And the voices I hear when I wake from a dream at night—are they my neighbors, or have I heard them already in the worlds of Julek ploski, Plume Girl, Richard Hronský or Areliz Ramos? After ten years, I realized this is the driving force behind all this solitary work: this quiet sound-overflow that connects worlds so different from each other, forming unexpected little constellations of meaning.
Thank you for listening, even when you’re sometimes too far away.

Jakub J 
---
Tracklist:
Jakub Juhás & Michaela Cagáňová - Gârnic, Romania (2023)
Adam Badí Donoval – ⁠thereby losing the weightless delight of being swept along with it (2025)
Jakub Juhás - Béter, Slovakia (2025)
Olli Aarni - Jäämatkailu (2025)
Julek ploski - 1H Of Shame -Loop , (2025)
Richard Hronský - 6 october 2018 (2025)
Plume Girl - Holy Creek (2025)
claire rousay & Gretchen Korsmo - thick walls, thin walls (2025)
Michaela Cagáňová & Jakub Juhás - Bârsana, Romania (2023) / Horná Mičiná, Slovakia (2025)
Yoichi Kamimura - Kōri no ryokō (2025)
Kult Masek & Petr Vrba - Fumarola (2025)
Areliz Ramos - B Side (2025)
fraufraulein - secret first thing (2025)
Lénok - xxx-xxx-x (2025)
---
links:
Soundcloud – https://soundcloud.com/mappaeditions
Bandcamp – https://mappa.bandcamp.com/
Instagram – https://www.instagram.com/___mappa/

125 – mappa – Selection of 2025 year’s releases

Beyond / Below 56 by @cahlsel. Received December 2025.
Photo by Jasper Sharp

"This started as an exercise in tone and texture but I ended up adding a patchwork of media clips to give the mix a loose structure. Those were put together in a free association kind of way, stuff that I think the brain can still latch onto without needing concrete themes attached. Shout out to Hi-Vis for the invite (!)"

KiF Productions - Laugharne Estuary to Welcombe Mouth (Excerpt)
Caldera - Feaves
Tetsu Inoue / Jonah Sharp - Macsquid
Fabiano - Saturated Memory Of A Rooftop
Onokio - TL
Special Guest DJ - waiting for the stars to change
990x - Solace
Kareem Lotfy - Chromosome
Unknown Future - JDDSP4000
Ulla Straus - House
The Orb - Passing the Time
Tylervision - The Last Human
Biosphere - The Things I Tell You
CiM - View
Romantic Warrior - Space Shuttle
another fine day - lazy daisy
M-Age - Mindwarp (Casper Pound & Laurence Elliot Potter Mix)
Señor Coconut - La Noche Cool

56. Cahl Sel

Global Weirding 052 - Chuck Johnson

Mix recorded in 2013 on dying tape deck intended to be listened to on tiny boombox in a kitchen

original notes:


1. This mix is aurally centered around Olivier Messiaen's Vingt Regards sur l'enfant Jesus.  Messiaen expresses Christian spirituality in a way that I find appealing; it's often foreboding, bottom heavy and light on top.  The excerpt from Vingt Regards that I included is one of the lighter parts, I kind of wish I had included one of the darker movements too. 
The part of of Vingt Regards that is actually titled "Noel" (that would be Christmas en francais) is pretty sinister sounding. I'd encourage you to listen to the whole thing if you haven't before, especially if you have to deal with any kind of traditional european Christmas.  


2. Of the composers on this mix, Pierre Boulez and Gerard Grisey both studied under Olivier Messiaen; Horatiu Radulescu chilled with him in Paris for a bit too AND your's truly is a 2nd generation student of Messiaen by way of 4 lessons under some guy in Paris whose name I don't remember; I was too busy faking how much French I could understand to learn much. Xenakis studied with Messiaen a tiny bit too maybe according to Wikipedia - there's a funny Xenakis piece for trombone and tenor where the guy is just kind of wailing along making trombone sounds. I almost put it on here, but in the end........I forgot to.  


3. Much of the music presented here is crudely excerpted from pieces that are quite long and their length is structurally extremely relevant.  OOOOPS! :}~~ hahahahaha 


4. I listen to this mix through a small boombox in the kitchen, so I left the tape hiss on for myself.  Feel free to remove it, free country.  




**


A


Brahms - Four Songs For Women's Chorus, 2 Horns and Harp Op. 17 (mistake version)
Alvin Lucier - Tribute to James Tenney
Olivier Messiaen - "Regard du Fils sur le Fils" from Vingt Regards sur l'enfant Jesus 
Jean Claude Risset - Computer Suite from Little Boy
Henry Cowell - Sinister Resonance
Toru Takemitsu - from Women in the Dunes soundtrack
Harry Partch - Daphne of the Dunes
Paul Hindemith - 7 Triostucke fur 3 Trautonien
Paul Hindemith -  Acht Stucke fur Flote allein


**


B


Pauline Oliveros - Bye Bye Butterfly
Morton Feldman - Rothko Chapel
Morton Feldman - Bass Clarinet and Percussion
Lucien Goethals - Contrapuntos
Gerard Grisey - Vortex Temporum
Pierre Boulez - Messagesquisse
Horatiu Radulescu - Clepsydra
Terry Fox - Berlin Attic Wire, Beating
Earle Brown - Four Systems (realized by Max Neuhaus)


**


xmas alt mix (2013)

ElecTRONIK music for the dumb age. White Limo- WhoMohw out now!
to purchase visit http://foggedrecords.blogspot.com/

Subtle Scatter--Sample

Fogged Records

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