The new era: 
You better not follow
the vanity of your fellow men.
You better know the data
and listen to the machine.

Confession To A Higher Intelligence

Partners in crime and love.
The Anti-Heroine's first deed: 
She kills the third man of their gang.

The Anti-Heroine: Sophisticated Murderess

The song presents a haunting yet beautiful meditation on death and remembrance. Instead of traditional mourning, the speaker wishes for "strange flowers" to be planted on their grave, allowing them to symbolically live on through nature. These flowers, growing under moonlight and rain, carry the speaker’s essence, whispering their untold stories. Rejecting stone markers or epitaphs, the song embraces a more ethereal, organic legacy. The repeated chorus suggests a mystical afterlife where the speaker dances through the petals, drinking their nectar, blurring the line between death and an ongoing, poetic existence.

Strange Flowers

If you eat from this spaghetti dish eternal happyness will be yours!

Alien Spaghetti Happy Happy Drug

A jazzy lo-fi interpretation of Franz Schubert (1797-1828) piano sonata in A major D959 part 2: "Andantino."

Andantino Chill-Hop

The inspiration for this song was born from a fleeting moment of observation: an older man with a younger, bejeweled companion, triggering a quiet reflection on male envy. What began as an internal comment turned into a meditation on envy itself—an emotion that demands resolution, either through self-improvement or its darker twin: vengeance.

The track draws on one of humanity’s most enduring narrative structures: sibling rivalry. From Cain and Abel  to Game of Thrones. But here, the roles are flipped: the younger brother rises against the older, the "old industry" faces off with the "investment banker digerati beau." The song transforms ancient conflict into a contemporary tale of status, resentment, and retribution.


#maleenvy #cainandabel #siblingrivalry #envy #vengeance #betrayal #adultery

For an Afternoon in Spring

That Is What You Say beautifully captures the nuances of communication in relationships. The mellow pop vibe pairs perfectly with the reflective lyrics, creating a romantic yet relaxed atmosphere. The vocal delivery is rich and emotive, making each line resonate deeply. It’s a perfect fit for your mood during intimate moments. 
Re-issue. First released in 2024 under the artist profile "Songsforsale.ai".

That is what you say

Re-issue. First released in 2024 under the artist profile "Songsforsale.ai".
The new era:
You better not follow
the vanity of your fellow men.
You better know the data
and listen to the machine.

The Gospel according to AI

Te doy miedo, ¿no?

Al cuore del brano c’è l’affermazione paradossale che amore e paura coesistono.
Non si tratta di una dolce canzone d’amore; parla invece del terrore della vulnerabilità, del pericolo dell’intimità e del caos che una vera connessione emotiva può portare.
Le voci alternate, le immagini mutevoli e il tono accusatorio contribuiscono a una narrazione non di armonia, ma di un confronto tanto bello quanto terribile.
Non è l’amore come unità, ma l’amore come trasformazione attraverso la paura.

Ti faccio paura vero?

La canzone parla dell’apparente affermazione contraddittoria secondo cui l’amore e la paura coesistono.
E per riuscire a farci i conti, a volte è meglio anche tacere.
The song is about the seemingly contradictory claim that love and fear coexist.
And to cope with that, sometimes it’s better to keep quiet.

Parlare attraverso il silenzio

This track provides the soundtrack of an upcoming video of mine. It will deal with "near death" experiences framed in the dreamy memory of Samba marching bands.

Her last Samba dream

Its all about speed and punch.
This track is providing the soundtrack for an upcomping video of mine.

Throwing Punches - The Arena of Echoes

Is it a pop star from the 1980s? Does it look like a club in Liverpool? Is it a Hamburg nightclub? Is it a musical genre that was gradually replaced by the Fab Four? Is this a nonexistent musical style? Does this constitute an alternative history of POP that never transpired? Is it existing right now? Will it come into existence if we all put our VR goggles on?

BlondY at the Star Cavern sings: I scare you, don't I ?

Arranging an early Bach piece, like BWV 106 "In Gottes Zeit," can feel like a sacrilege. The original is just too perfect. Well. Obviously, there is no original recording from 1707, when JS Bach composed at the age of 22. But there is the score. And in the score is the chord progression together with the rhythm and the melody on top. JS Bach wrote it as funeral music. Funeral music. That is when you take somebody to the final rest, the “big sleep.” And there is the “little sleep,” and the music then is called a lullaby. Rest for 10-12 hours until the next sunny morning. This chord progression also works on your little ones. Why is THIS chord progression so close to existential matters? Beginning or end. Short answer: it has “dignity.”

This is an open-source MIDI arrangement for piano. I ran it through the standard piano sample of MuseScore. Then I fed the resulting audio into Suno and prompted it to add some modern rhythmic enhancements. Give yourself and your existential matters a little rest while listening to this music.

For JS Bach back in 1707, everything was embedded and explained in the Christian context. We don't have that luxury anymore. Most of the people I meet lost the connection between belief, music, and their own dignity. Unthinkable for JS Bach.

Sleep for the Sleepless

The Mountain Schoolhouse
In the high mountain valleys, where the air is thin and the peaks touch the clouds, there exists a unique school. It is not for people, but for goats. The children in the image are the offspring of the first humans who befriended the goats long ago, a bond so strong that they now attend class together.

The teacher, a venerable goat with wise eyes and a great white beard, is known as Professor Barnaby. He is teaching an advanced class on the physics of mountain climbing, a crucial subject for any goat hoping to scale the most treacherous peaks. The students, both human and goat, are working through complex equations on their slates. One of the human students, a young boy with a mischievous glint in his eye, seems more interested in a device in his hand than the lesson.

The schoolhouse itself is a cozy, rustic cabin built into the mountainside. The large window offers a stunning view of snow-capped peaks and the world below, reminding the students of what they are learning to conquer. On the wall, mounted antlers serve as a reminder of past successes, while a bearskin rug on the bench provides warmth on cold days.

This is a place where two worlds meet—the ancient wisdom of the mountains and the modern curiosity of a new generation.

Goat School

Yeah, I know: there was the Tambourine man. You could ask him anything. He wouldn`t answer. But you got a good feeling singing to him. Wasn`t he a little bit like a "God in a costume" ? Most of his powers came from not answering, anyway. I am not like that. I am just walking through beautiful meadows and I have a tambourine with me.

Mrs. Tambourine’s Flower Power

They keep me on the line. I somehow feel that I am at the loosing end of this all. But somehow I keep hanging in. I am not happy.

They keep me hanging in

Au cœur de la chanson se trouve l’affirmation paradoxale que l’amour et la peur coexistent. Ce n’est pas une douce chanson d’amour ; elle parle de la terreur de la vulnérabilité, du danger de l’intimité et du chaos qu’une véritable connexion émotionnelle peut engendrer. Les voix qui alternent, les images changeantes et le ton accusateur contribuent tous à raconter une histoire non pas d’harmonie, mais de confrontation à la fois belle et terrible. Ce n’est pas l’amour comme unité, mais l’amour comme transformation par la peur.

English song text:
I scare you, don't I? I scare you with the dark glow,   I scare you with the dream herb. I scare you with the true bread.  I am the hunger   in your gaze. I scare you, don't I?  Because you love me. Don’t you?   Admit it already, you coward!   Temptation is the   allure of opinions. My doubt is the ghost that haunts you. I am the poison in your  burning blood,  the lesson of the cold ember.  I scare you, don't I?  Because you love me. Don’t you?  Admit it already, you coward!    In the heart of songs that no one knows,  I love what separates you from yourself  I am not the day, not the light,  I am what speaks through silence.

Je te fais peur 2010

Je te fais peur 1952

The March of History  (Join the next Season !)

You certainly love yourself. That is not a big deed. That is the way it should be. But you need others to reflect this love. That's where it gets complicated. Here is where the hurting comes in.

The Gallery of self-love and hurt

The Indignity of Anticipation. When will it conclude with a favorable outcome? Is someone exerting control over you? Do you find yourself trapped in an endless cycle?

Girl, they keep you hanging in

Re-issue. First released in 2024 under the artist profile "Songsforsale.ai".
A man has never known his father.
Again and again he questions his mother
about those old holiday pictures of hers.
Is one of these guys his father?

Only a few true Stories

Obiously, the lady was from Andalusia. But her name was not Carmen!

I once loved a scary Lady

Tired Flowers in a forest opening are dreaming of sheep.

Dreamy Flowers

There is passion. And there is fashion. They connect somehow. Certainly when it comes to rhyme.

Wearable Passions are an outworn Fashion

Sometimes it feels like there’s a dizzy, sleepy fog in your head — and it’s pleasant. You don’t want to change it, so you just stay in bed.

Bittersweet Fatigue

A chill-hop version of Haendel's  :
Suite No 4 in D Minor, HWV 437, Sarabande

Sarabande Chill-Hop

Alfred Dobisch is a multimedia artist from Hamburg, Germany. He employs artificial intelligence systems, studio effects, and hybrid men-machine techniques throughout every stage of his creative process. His songs are often simple. But sometimes they become multidimensional works with many layers of meaning.  His tracks are accompanied by his personal artwork and videos. His musical style is influenced by a multitude of musical genres from all epochs and musical traditions. He frequently uses surreal effects and juxtapositions. You can find both his artist blog and newsletter at www.foolishambition.eu. To get an overview of all his releases, visit his official YouTube artist channel under: https://www.youtube.com/@FoolishAmbition-ais.

Foolish Ambition

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