Admission

Written over the last christmas in the house I grew up in.
Recorded new years day 2018.

The Last Visit

The guitar is a strat (electric), which was recorded with a mic, and a DI simultaneously and subsequently amped. All 3 were blended to get the sound.

Backing vocals by Naomi Walker.

Plans

I made this when I was doing my A levels, so don't judge too harshly.

Might Fall Off Tomorrow

Hello Everyone

Try To Dream

D Is for...

Probably the closest thing to a dance track I've ever made.
Made entirely in the synth, so a very different approach to how I normally do things.

All Fours

Back in January 2009 I turned my parents house into a studio whilst they were away. I don't have any photos, but for once I wrote some notes about the recording...

1st Jan:
Morning - Build The Studio
Mics: Samson C01 + Samson C02 on everything

Afternoon:
Produced & Engineered: Alex Davies + David Honour
Strummy Guitar - Dad's old and slightly broken steel string yamaha
Picked Guitar - Dad's newer and warmer steel string yamaha
Mandolin - Dad's
Violin 1 - Main Violin

2nd Jan:
Produced & Engineered: Peter Hutchison + David Honour
Violin 2 - Great grandad's violin with a bow from a 3/4 size
Pizz & arco bass - Peter Hutchison

Produced & Engineered: Natalie Wren + David Honour
Banjo
Piano

3rd Jan: Pack up

The Studio House

This is sort of an apology that I'm never going to get, but it seemed very accusatory in the second person so... yeah.

I found it so hard to sing that I got some vocal coaching for this one (you know who you are, thank you).

Everything except the vocals and piano was made with a Korg MS10.

Coarse And Tired

A member of Forays and Sunday In The Rain.
This is for stuff that doesn't make sense for either of those projects.

Foolswood Solo Stuff

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