DFA Archived Selections (2018-2020) created weekly as an alternate history of new release Friday - part 4

Entropy one

Oliver Coates cover of Bryce Hackford's Another Fantasy. all played on Cello

Oliver Coates - Another Fantasy (Bryce Hackford)

filtered sounds of intermission between two sets by Mitra Sumara at Barbes, Brooklyn, 10 May 2014

Intermission At Barbes, Processed

Steven Ford talks Archangel, influences and stylistic evolution.

For more, visit Resident Advisor: http://www.residentadvisor.net/podcast-episode.aspx?exchange=213

EX.213 Bruno Pronsato

Circoloco
www.facebook.com/circolocoibiza
twitter.com/circolocoibiza
instagram.com/circolocoatdc10official

Margaret Dygas - The Main Room - July 6th @ DC10

Remixed by DJ Koze, I Exhale is the first single taken from Underworld’s new album ‘Barbara Barbara, we face a shining future’ out 18th March 2016. 

Pre-order from Underworld’s official store: http://po.st/UnderworldStore
Pre-order on iTunes: http://po.st/BarbaraBarbaraiTunes

Underworld live in March 2016, Tickets now on sale: http://www.underworldlive.com/events

I Exhale (Spotify): http://po.st/IExhaleSp
Follow the official playlist on Spotify here with added I Exhale http://po.st/UnderworldSpotifyPlaylist

Find out whats going on at;
http://www.underworldlive.com
https://www.facebook.com/underworldlive
https://twitter.com/underworldlive

Pre-order

I Exhale (DJ Koze remix)

Bay Area born and raised, Dave Aju began his life in music rooted in jazz, well versed on the drums and piano. He's taken this musicality forward into electronic production and the more soulful edge of deep house and his 30 minutes for Worldwide follows a similar meandering journey.

Tracklist: bit.ly/dave-aju-mix

Dave Aju mix for Gilles Peterson Worldwide

AC90 - Dave Aju - BOOM YEAH - (EP Teaser)

DJ Richard · Dies Iræ Xerox Dial LP CD 40 / June 15, 2018

Following 2017’s ‘Path of Ruin’, DJ Richard returns to Dial Records with his much-anticipated sophomore LP, ‘Dies Iræ Xerox’.
Undoubtedly one of the most distinctive and fully-formed electronic producers in recent memory, DJ Richard imprinted the sound of a bubbling US underground with his label, White Material, founded in 2012 alongside Young Male. His first solo LP for Dial, 2015’s ‘Grind’, found DJ Richard delicately establishing a discipline between his East Coast noise heritage and a physical, emotive tradition of house music, mastered during an extended stay in Berlin. Now firmly settled once more in his hometown of Providence, ‘Dies Iræ Xerox’ is a personal and uncompromising journey that finds the Rhode Island native in reflective form, journeying without compromise into both his creative influences and personal psyche.
In part adapting its title from the Latin hymn “Dies irae”, otherwise known as ‘Day of Wrath’, ‘Dies Iræ Xerox’ melds the physical and psychological aspects of DJ Richard’s production ethos in sharper, more widescreen vision than before; the oceanic swells of ambience yet more powerful, and the rigid basslines sharper still. With the chaos of the Berlin club scene an increasingly distant memory, the album is enriched with a contemplative, even brittle tone, as informed by film soundtracks and literature as the pulse of city living.
Still, this is new material from DJ Richard, a touring DJ as distinctive as any other to be found behind the decks at some of the world’s finest clubs and festivals. On ‘Dies Iræ Xerox’, the artist finds the space to write “the records I really want to play”, and each suggests a template for genuine dancefloor transcendence, beginning with the electrifying ‘Vanguard’ . The sludgy yet sophisticated crawl of ‘Tunnel Stalker’ sets the tone for the menacing yet somehow melancholy EBM of ‘In Broad Daylight’, while the record draws to a breathless close with the affecting, drum machine lethargy of ‘Gate of Roses’.
Drawing little distinction between his more physically rousing material and searching soundscapes, ‘Dies Iræ Xerox’ instead finds a passage of catharsis throughout both. ‘Dissolving World’, the album’s breathtaking centerpiece, is a choral feature hypnotically overwhelmed by walls of electronic feedback, forging a dramatic link between old ways and new. On the bold and near-beatless ‘Ancestral Helm’ and ‘Final Mercy’, DJ Richard seems to grant both music and raw emotion the ability to simply float in the air, brilliantly, poignantly unresolved.
If 'Grind,' inspired by the weathered coastlines of Rhode Island, was a record concerning "the border between civilization and the ocean," then 'Dies Iræ Xerox' is an unapologetic follow-up concerning that between macabre obsessions and fear of death. Produced during a murky, transitional period, DJ Richard found himself particularly drawn to Medieval European art and mysticism, fascinated by depictions and philosophies of the antichrist and end-times. Greatly influencing the uncompromising, apocalyptic tone of the album, these investigations have created an engaging and personal vision of the 'Day of Wrath.'
John Thorp
DISTRIBUTION (PHYSICAL): KOMPAKT / ROUGH TRADE / FORCED EXPOSURE (US) 
DISTRIBUTION (DIGITAL): WORDANDSOUND
BOOKING: KEIRA@POLY.AM
BOOKING (US): FOREST@ASRAGENCY.COM
PROMOTION: DIAL@DIAL-REC

07. DJ Richard - In Broad Daylight

We were very surprised at Versatile when we received this file from Flocofloco2020@gmail.com. And we still have very little info on the track that was there. “On m’a dit…” by Floco Floco is a lofi afro-disco stomper hailing straight from the new ghettos created by confinement. Something had to give and we are glad that Floco Floco, whoever he is, has chosen us to ease his lock down mind:

“I’ve been told to stay at home, on WhatsApp all day long, working in the studio, reading books I haven’t read, I hope it won’t be too long, I don’t know if I can hold, smoking weed day & night, like never I have been before”

Not a message, just a statement (and a big phat groove).


Artwork.. https://www.instagram.com/turboisland

FLOCO FLOCO.ON M'A DIT(EDIT VERSION)

BSD-01

Grass Bath

24 Hours

24 Hours (Sofia Kourtesis Remix)

A Story of Italo Disco, Indie Dance, Slow Motion, New Wave, Breakbeat ...is now starting.

INCOMING : Pye Corner Audio - Resist (John Talabot Remix) #LapsusRecords

Martin Jenkins, more commonly known as the artist Pye Corner Audio, epitomizes Lapsus' commitment to cutting edge sound experimentation. In 2017, he beguiled the electronic music community by releasing the 'Where Things Are Hollow' EP, on Lapsus Records. Now we are delighted to announce the release of ‘Where Things Are Hollow 2’, consisting of three brand new original cuts and a breath-taking remix from none other than John Talabot.

'Where Things Are Hollow 2' explores a spectral and hypnagogic terrain, establishing an electronic sound that at times invokes Jenkins’ more dance friendly facet -'Self Synchronize', 'Weather The Storm'– while also offering his familiar iridescent dreamlike ambient textures –'Phase B'– that featured prominently on his first EP.

This second EP also includes a remix from John Talabot, unquestionably one of Spain’s most internationally recognised names over the last decade, who exquisitely reimagines 'Resist' -a song from the first EP-, transforming it into a cross between EBM and hypnotic techno.

From a graphic design perspective, renowned artists Alex Trochut and Basora have once again collaborated on this project, repeating the formula that made the artwork for "Where Things Are Hollow" such a collector's item.

The pre-order for "Where Things Are Hollow 2" is now available in two different formats: digitaland a coloured vinyl version.  Reserve your copy now at www.lapsusrecords.cat

Release date : 2020-06-26

☎ Connect ☎

SC :
@lapsus-records
@pye-corner-audio
@john-talabot

FB :
https://www.facebook.com/LapsusBarcelona/
https://www.facebook.com/pyecorneraudio/
https://www.facebook.com/JohnTalabot.JT/

INSTA:
https://www.instagram.com/lapsus_barcelona/
https://www.instagram.com/dystopian_vectors/
https://www.instagram.com/john_talabot/

Where Things Are Hollow 2

INCOMING : Pye Corner Audio - Resist (John Talabot Remix) #LapsusRecords

Keleh (River Yarra's Situationist Rework)

Released: July 17, 2020

Foom label head Benjamin Freeney reworks Tim Burgess & Peter Gordon's restless, psychedelic epic, "Temperature High" into three new forms (two cuts for the dancefloor, and one ambient interlude), rearranging the rich source material of the original (metallic field recordings from the New York subway, Peter Gordon's original Korg bassline reincarnated in sub-bass form, Tim Burgess' ethereal vocal cut-up into new patterns) and fusing it with new percussive and melodic elements. The original track was featured on Tim Burgess & Peter Gordon’s Same Language, Different Worlds album from 2016, with contributions from Arthur Russell's close collaborators Peter Zummo and Mustafa Ahmed, as well as Factory Floor’s Nik Void.

Written by Tim Burgess. Composed by Peter Laurence Gordon.
Produced by Peter Gordon. Mixed by Benjamin Freeney. Vocals by Tim Burgess. Synthesizers, electronics, samples and drum beats by Peter Gordon. Congas and percussion by Mustafa Khaliq Ahmed. Trombone by Peter Zummo. Bowed guitar by Nik Void. Handclaps by Bruno Pronsato. Additional synth and drums by Benjamin Freeney. Mastered by Mike Grinser at Manmade Mastering, Berlin.

Temperature High (Benjamin Freeney Versions)

Temperature High (Benjamin Freeney Warm Blood Dub) – Tim Burgess & Peter Gordon

Independent label, founded and run by Benjamin Freeney.

Temperature High (Benjamin Freeney Warm Blood Dub) – Tim Burgess & Peter Gordon

Foom

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