What a Joy Division wibes! Track ID please?

What is this track!? Have hunted for hours!

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.'

Welcome back, welcome back, welcome back. It would seem that this fever dream has hints of reality to it, and we are very much pushing forward with this year. I keep thinking that it was a false start and we will get to start over, but, fuck it, let’s ride it out. Our guide through this jungle of sorts is Naarm based legend, Horne Dogg, with a broken compass and a machete in each hand.

David Horne to his mother, "Dad" to his child, is a purveyor of all things pulchritudinous, a sensory professor in every aspect. An incredibly talented graphic designer (TIP!), a blessed bloke on the manners front, a shit hot DJ, and the pure embodiment of a selecta (there! I said it). I've been a huge fan of his 100% mixes since day dot (HUGE TIP!) and every other mix he’s done. A first-class member of the balearic brethren, his record collection spills over the edges of the earth, a hunter and a collector of worldly sounds, from elevator music expert to funeral DJ, he can do it all.

The mix, well, if you’re still reading this then it's everything I’ve mentioned and more. It’s an audible resume, fit for any job. A fun ride on a magic carpet, twice around the world with inflight snacks and entertainment. Country hopping without missing a beat, re-writing the lonely planet guide one song at a time. A perfectly blended collection of indigenous delicacies from every era, proving what’s possible in just under 69 minutes.  Float tank jazz, UAE future pop, Indi kraut folk, sub-ambient dreamscapes, it's all here, wrapped up in a neat little package for your convenience. Listen for yourself.

Stay blessed. X

His sounds >>> https://soundcloud.com/horne_dogg

His design stuff >>> https://www.instagram.com/horne_dogg/

FHOU // Horne Dogg

FHOU # 66 // Horne Dogg

fun one put together for hometown friends synesthesia @ 4zzz 💖💖 strictly 90s aussie & kiwi bops!

be sure to scope their show for consistently high qual local/aussie music 💎
https://4zzz.org.au/program/synesthesia

90s antipodean mix

Yuzo Iwata is back here on Trushmix, this time with and listening mix with a balearic touch. Shifting through different genres for a good blend of flax, listen, and something to get you moving.

A great after work mix, or something for the hot summer evenings! 
Enjoy!

Promo alert!

Yuzo Iwata recently released his album "Kaizu"
on Butter Sessions. Something to check out!

Trushmix.com

Trushmix 194-Yuzo Iwata

Jamie Tiller & Lauren Hansom @ The Lot Radio 07 - 24 - 2022

"She rode with her hat pulled down in the front and fastened under her chin with a drawtie and as she rode her black hair twisted and blew about her shoulders and the lightning fell silently through the black clouds behind her and she rode all seeming unaware down through the low hills while the first spits of rain blew on the wind and onto the upper pasturelands and past the pale and reedy lakes riding erect and stately until the rain caught her up and shrouded her figure away in that wild summer landscape: real horse, real rider, real land and sky 
and yet a dream withal."

Artwork by @tamara-marrington

Cassette

...and yet a dream withal

The '22 review is in with a heavy seasoning of space friendly Australian sounds primed for exploring the world's outer limits. Deeply dished downtempo and dubcentric house moods to set your mind free for the next rotation! Mixed by @myles-mac

Tracklist > > >

3.11 - Dissolve In Patience // PRS
1too - In Your Dream // Planet Trip Records
Purelink - Butterfly Jam (xphresh Good Girl No Infringement Dub) // UwU dust bath
a.s.o. - Go On // Low Lying Records
M & Dust - A Day In June // Temple
Midnight Tenderness - Catamaran // Wax’o Paradiso Recordings
D. Tiffany & Roza Terenzi - Spiritual Delusion // Delicate Records
Dentistry - coral reefer // Good Company Records
Cousin - Nemo’s Dream // Nummer Music
Terekke - 2 The World // Plant Age Digital Sound
Benoit B - Behind The Sun // Natural Selections
Norachi - Sunshine // Vessel
DJOKO - Final Checkpoint // Berg Audio
Youandewan & Mculo - Travel Miles (Paradise Lost Mix) // Pure Shores
DJ Pipe - Puttanesca (Ft. Hartman & Fonte) // Global North
Neil E - No Fred // Neil E
Guiding Principles - Holding On 
Tornado Wallace - Sea Translation // Basic Spirit
Central - Motta // Help Recordings
DJOKO - My Crib // Heavy House Society
Jex Opolis - The Best Ever // Bad Timin’
Fantastic Man - Trojan Force // Kalahari Oyster Cult
Retza - Earthchanges // Retza
Billus - Under The Canopy // Animalia

www.melbournedeepcast.net

MDC 2022 Review

Jamie Tiller and Tako live from Lente Kabinet @ Oudekerk (May, 2014)

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Moonshoe Selects 00013 - Mike Who

Honey Soundsystem Potcast

HNYPOT 374: Millú's Are We Dreaming Mix

A new Safe season has begun. This one turned out slightly different and longer than anticipated since I have so much to say. Wanted to highlight a tiny bit of the amazing music out there - almost 5 hours of different styles, tempos, old records and forthcoming ones. Just how I personally like a mix to be!

BIG thanks to the following people for keeping me inspired, their music and continuous support:

Natal, Milan, Mathias, Mette, Simon, Nils, August, JR, Julius, Fergus, Morten, FH, Martin & Mads (Probably missed someone, but you are not forgotten!)

Last but not least - thank you for listening.

C.K - Safe Radio S05E01

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

FHOU # 66 // Horne Dogg

For Home Use Only

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