Awesome , evocative just for starters ..... Will be played often

Animix Forty One presented by Austin, Texas based DJ/ Producer Gi Gi ( @keptmale ) with a beautiful trip. The artist focuses on deep and contemplative listening in this xtra long mix.  

In their own words, Gi Gi writes, "the idea for these mixes is to be a collection of longer-form tracks (7+ min) that demand (imo) to be heard front to back, producing a patient wander of a listen, and to serve as a greatest hits of sorts of songs that are especially personal/special to me-- as opposed to just an attempt to show off the deepest digs i've stumbled on (a thought pattern i think i and many other selectors can get caught up in at times..)."

Love the idea behind this mix, and it's the perfect extended listen for a sunny or rainy day wherever you are. 

Gigi released an LP on Quiet Tapes earlier this year, and has a few more LPs in the works, due out later this year --https://quiettimetapes.bandcamp.com/album/lumino-pleco

Thanks again for this one, Gi Gi!

Downloads Enabled

Animix Forty One: Gi Gi

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Welcome to post-post-apocalyptic radio, we’re out the other side with some good momentum, and damn it feels good. Well, it just so happens that I have a mix that fits the mood perfectly, its from Eora specialist Patrin, an expert in audible emotional stabilisers. 

A theoretical therapist in his own right, Patrin is one of the heads behind a fellow ‘outside of the box’ mix series, Theory Therapy (huge tip!! // link below), which has been a personal favorite of mine and many others throughout the last year or so, especially for a much needed hit of inspiration through the recent bleakness. With their debut VA release that recently dropped, and the consistency of their mix series, it’s easy to see that they won’t be slowing down any time soon and I cannot wait to see where they go. 

Patrin in his own right has a beautiful idea of what music is, and what it can do, and that’s exactly what comes through in this mix. I’ve been struggling to really put this mix into words as it's quite emotional on all fronts, the eerie subtleties and haunting soundscapes actually builds the intensity to almost breaking point. It’s so perfectly layered and thought-out that you’d think he made it specifically for you. Ambient done so damn right it hurts, a perfect soundtrack to watching clouds and taking some time out for yourself, the importance of which is going to be unparalleled over the coming few months. This mix is pure relief, make sure you always keep it close by.

Take care of yourself first, then you can take care of others. 

His sounds >>> https://soundcloud.com/patrinnn

Their mix series >>> https://soundcloud.com/theory-therapy

Theory Therapy band camp >>> https://theorytherapy.bandcamp.com/

FHUO # 61 // Patrin

2022 kicks off with a mix by long time dear friend and Lullabies For Insomniacs mastermind Izabel (@lullabiesforinsomniacs) who recorded the mix live in Melbourne outdoors during a Wax'O Paradiso event. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Izabel, nice to have you kicking off the mix series in this new year. You're in sunny Australia now but before that you'd been living in Europe for quite some years. What made you decide to move back?

IZ: Europe was home for almost 7 years, I left Australia in my early 20’s thinking I would be away for some months but fell in love in Amsterdam and spent years living in the city. In 2018, I moved to Berlin where I lived for a year, I found inspiration through all walks and was surrounded by great crew but grew tired of life in the big smoke. I wanted new challenges and yearned to be amongst nature, so left the city and travelled south to the Atlantic where I spent time in France, Spain and Portugal before heading to Corsica. I slept in a tent or stayed with friends and got on by doing seasonal work. I had not been back to Australia to see family and friends for many moons and was homesick, so decided to make my way across the Indian Ocean. Australia had heavy border restrictions, so plans to return were slow.

MFM: Your label Lullabies For Insomniacs had some busy times from 2016 to around 2019, after that it got more quiet and also the format shifted from vinyl to digital and cassette. What can you tell about this transition?

IZ: The transition happened naturally, I was traveling a lot which effected the label and my creative output. The tapes from Unearth Noise and Baldruin are recordings that we had been sitting on for some time but for various reasons kept delaying release. We decided to bring them out on tape as the music was better suited to this format. My sound world has been heavily inspired by the DIY music and tape scenes of Amsterdam and Berlin in the 80’s and there are great tape labels around today that were also motivating, my friend Etkin’s label ‘Kinship’ is one of these.

MFM: And now that you're settled in Australia again, what are your thoughts and plans with the label and music? Did the past 2/3 years change your perspective/vision?

IZ: Visions and inspirations come and go, some solidify and take root while others are fleeting in dream form. My focus has certainly changed as I devote more time to learning new skills and pursuing other crafts like furniture design, ceramics and writing. The music scene here in Melbourne is thriving, there are a lot of great artists and as I was
away for so long there is much to discover.

MFM: What can you say about the set/mix? Perhaps you can describe the setting it was recorded in?

IZ: The records I packed were chosen while isolating at home, this setting could not be more different to the glorious Sunday afternoon on the lawns at the Wax’o event. I played before OK EG who did a live set to celebrate their new record released as the debut on the Wax’o imprint. It was the second time I had the pleasure hearing them perform, their set made way for a great night. I thought a lot about European winter whilst making selections, I do miss spending the end of the year wrapped warm in Winters caress. These reflections and the recent passing of someone close to the family has brought me into a state of deep
introspect these last weeks, the session is both celebratory of life and a lament to lost life. This mix is a recording from the first hour, the second hour I played some psych, dub and percussive jams. 

MFM: Any plans, wishes or anything else for the near future that you'd like to share maybe?

IZ: At the moment I am taking each day as it arrives and am happy to continue on a journey learning and growing and enjoying time with family and friends. In February I will start a little party series in Melbourne with my friend Martha called Dub Cake. All the while my dream to move sea or country side lingers.

MFM Mix 036: Izabel

@milliamusic

"For this mix, I wanted to try something a little bit out of my comfort zone. Instead of a dance mix I went with the downtempo & trip hop sounds I've been inspired by as of late."
Milla's group project, Purelink, just released their debut full length "Puredub" via Chicago's Lillerne Tapes, the outfit's take on ambient, dub, downtempo grooves, and more.

Knekelhuis # 88 - Millia

SPIRITUAL OBJECTS RADIO EPISODE 12 W/ KALEB MARSHALL

@pjenne

~ Tracklist ~

Subsurfing – The Number Readers (Excerpt)
ASC & Inhmost – Storm on Tethys
Alan Backdrop – Kair
Ioon Cosmic Downtempo – Omaia Rocwood
Christian Coiffure – Increased Mutualism (Varuna Remix)
Cinnamint – Flect (Edited)
Electricwaves – Whispering Winds
Claudio PRC – The Water (Vox Version)
Loscil – Black Tusk
State Azure – Tethys
Deepchord – Wind Farm
Kamazi – Untitled
Jon Anderson – Amor Real
Fumitaki Anzai – Sad Sequence

~

I am super excited to present the next @deepmindmusic_ mix, a special edition crafted by Australia's @pjenne. A DJ with an intuitive ear, Pjenné's mixes have always made a deep impression on me, through her thoughtful track selection, immersive world-building and clear narrative arcs – and her mix for Deep Mind Music is no different 🤍

I experienced this mix as one fluid motion: through the course of an hour we billow outwards, and drift inwards, in pulsating undulations. As the rolling waves of circular rhythms, dub techno and fluttering wisps floated through me, I felt as if I had become one with a towering cumulonimbus, expanding and contracting as I drifted across a pristine sky ☁️🦋💠

Pjenné has managed to strike a subtle balance between quiet softness and infinite depth in this beautiful and evocative journey, taking us deep into the beyond. The mix ends with an ascension to a bright and delicate twinkling, like a sparkling sunset on the sea, and we're left feeling warm, pensive and peaceful 🔆🌥️🕊️

Some words from Pjenné about the mix: 

I was inspired by a sound I used to be particularly into during my formative years – I remember buying the Deepchord Silent World double LP at Spacehall in Berlin during my first overseas trip. It was long, long before I was a DJ, and I was too scared to play any records in-store, as I didn't really know how turntables worked, and had no idea how record stores functioned. Although I bagged that winner of a record (which I still own and play today a decade later) I also remember accidentally buying some sampling records that I had absolutely no use for... Can't say it was the most inviting place back then...

Anyway, although the mix was inspired by that sound, it ended up completely different during the process of putting it together. Of course, I had to weave in some form of uplifting resolve by the end.

https://passingnotes.radio/
https://instagram.com/pjenneee/

~~
~ Downloads Enabled ~

Deep Mind Music

Pjenné ~ Deep Mind Music Vol.22

Cousin Live from Music Room

The chop of Cousins guest mix on Otologic Monday Morning program - Stream the full show on NTS with great selections from @otologic in the first hour.

https://www.nts.live/shows/otologic/episodes/otologic-10th-april-2023

Underwater Photograph By Sherry Zheng

NTS Radio - Otologic w/ Cousin (10/04/23)

gallery

estimulo - pleasure gallery s4 e1

Recording of Terekke's set at the listening stage during Dekmantel Festival 2019.

Dekmantel Festival 2019

Listening Stage: Terekke at Dekmantel Festival 2019

Myles Mac - liquid lifeforms

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

FHUO # 61 // Patrin

For Home Use Only

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