ROOFTOP STUNMIX 05 - PJENNE | MILLÚ | KATIE PEARSON

Rooftop StunMix 05 ~ Pjenne | Millú | Katie Pearson

Our friend in Berlin, Flørist, also known as his moniker Pavilion, sent us a special one. It’s an hour-ish mix of a few vinyls he collected over his summer travels. Chuggy, bouncy, some great basslines, spiritually it’s somewhere between the pacific west coast and Anjuna Beach. Enjoy your trip.
Thank you all for listening to our mixes this year. Stay warm, and see you again next year!
@fl-rist

DREAMING 018 : Flørist

On 11 June 2022, we had PLO Man and Hashman Deejay at Club Daphnia in Osaka. Our 20th mix is a part of their B2B live at that night.

DREAMING 020 : PLO Man & Hashman Deejay Live @Club Daphnia - 11 June 2022

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Number eighty-five comes courtesy of locally sourced DJ Lily Dalton, exploring sonic adventures with a rhythm-based narrative, complex computer romances with eccentric undertones, sprinkled with a good amount of thump to get the heart rate up. A perfect insight into the art of abstemiousness. 

Her sounds >>> https://soundcloud.com/toypoodle

Her label >>> https://soundcloud.com/maybe_recs

FHUO # 85 // Lily Dalton

Cousin Live from Music Room

Hi.. Go to www.superaarhus.dk for more sets, radio and so on. 
Thanks to all the volunteers at Super and to Shanti for a fun night :)
On instagram our spot is called @8000Super 
Ciao <3

DJ Central warmup set at Super, Århus (4th of March 23)

For Trushmix 206 LNS and DJ Sotofett are back!  This time in full effect as a joint force. A mix they originally did for Bleep, called "The Reformer Mix Vol. 1". This is one hour of extravagant mixing, vinyl and edited into a exciting and genre spanning trip, full of energy and strong twists. As the artists states themselves:

For "The Reformer Mix Vol. 1" we wanted to change it up a bit from our other mixes that are either straight forward, or live recorded in the club. We used two Technics 1200's and recorded a longer mix session, then edited everything down, mixed in live overdubs with turntables, added vocoder melodies, and also a proper amount of shout outs. The idea was to present a highly condensed mix that still has the raw live feeling we love from playing records in the club. With more than 30 tracks in about 55 min we're using some of our favourite cuts, moving through our biggest influences from House, Techno, and Electro, mixing all with a solid base in Hip-Hop. 
- LNS & DJ SOTOFETT, March 2023

Enjoy this mix!
Music from the top!

Trushmix.com

Trushmix 206 - LNS & DJ Sotofett "The Reformer Mix Vol. 1".

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Sleep D from Melbourne, Australia play Techno, Dub, House and everything in between. Sometimes showcasing brand new and upcoming releases on their label Butter Sessions.

http://www.instagram.com/sleepd93

Butter Sessions with Sleep D @ The Lot Radio 05-08-2023

The lovely legends behind @onorecordsperth join forces under their Ernest & Young alter egos to shower us in killer house grooves. 

Q. Hey mates, tell us what’s the latest with your label / mix series / party service ONO Records? 

A. Sup! We’ve been working away for the last couple of months on putting out some records after the summer party period here out west. We should have at least two records coming out this year, one is finished, it's just going through the production process currently. Pretty proud of that one and keen to see it come out, we think it's quite different to what people may expect from the label considering our previous output. Other than putting out records,  planning a couple larger scale parties towards the later stages of the year which we’re also quite excited about. Some solo parties and some collaborations with some great homies!    

Q. What inspiration did you draw upon when putting the mix together? Is there a sound, feeling, or time in dance music history that connects all the different elements in one way or another?

A. We wanted to create a mix that has the ‘live’ feeling, a representation of what we might play in a party setting. We don’t spend much collaborative time planning sets or mixes meticulously, we prefer to show each other a couple of records we think would be good for the setting and bounce off each other after that. We did that with this mix, pulled out some new records and some old favourites and had fun with it. That might speak to our influences though, we always seem to gravitate towards sets or DJs that have a more rough and raw approach or feeling. Musically we seem to enjoy that sweet spot with dance music where records are not specifically one thing, it's not quite house and it's not quite techno and maybe there’s some dubby elements to it. So maybe there’s a musical feeling there that connects it all but we’ve never really been able to describe what that is. 

Q. Are there any records in the mix that are especially close to your hearts, or old favourites that you’ve been keeping up your sleeve for the right moment?

A. (Warwick): Quite a few favourites in there for me, one that sticks out is probably the Mood II Swing record. When we launched the label a couple of years ago we did a warehouse party collaborating with some great friends of ours, the System: crew. It was a really special night for us, being the launch party of the label, but also to be able to do it with them. They’ve always been such big supporters of us, have taught us a lot and are irreplaceable assets to the community here, big love 2 u Kyle, Cheye, Ben and Alex! But at that party another good friend who we have drawn a lot of inspiration from over the years played the tune, which was one of those spesh party moments for me. It has now become one of those records that reminds me of great times and great friends.  

A. (James): The mix is basically a big collection of my favourites, both at the moment and all time! But if I had to choose one it would probably be The Kings of Tomorrow record played around 30 minutes into the mix (Fade II Black the Roger S Blackout Mix being the track in question). I picked it up at a great Record Fair that happens here at Bowls Clubs around the city every month or two and it’s a favourite to play out ever since. It's dubby, soulful, tense, psychedelic and it's got a killer groove. The track has this great tension that creates a really special dancefloor moment every time I play it out and about, so it felt fitting to include it in our mix here and try to capture that feeling!

We’re super grateful to be able to contribute to one of our favourite mix series, the institution that is MDC! And I just wanted to add a shout out to everyone in the community here in Boorloo, we’re so proud and privileged to be a part of this community whose love and support is an endless source of inspiration and motivation.

MDC.285 Ernest & Young

Honey Soundsystem Potcast

HNYPOT 374: Millú's Are We Dreaming Mix

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

FHUO # 85 // Lily Dalton

For Home Use Only

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