Name: Guntor by forbesgraham
Duration: 4 min 44 s
Description: Opening track on "Return: The Journey" available on Kendra Steiner Editions.

This track fits my body space perfectly; the plod of the drum, the creaks and breaths, and the occasional voices. Really, really like this.

Realllyyyyy good reverb sound with the crackles in the background. Beautiful.

Sometime Record Labels & Remixers jump on the current trend train...when they should just stick with the original mix of the track. This was the case in 1989/1990 with Jane Child's Release of "Don't Wanna Fall In Love" the Video Version aka the Original Version was and still is the best. Instead of a remix or extended mix of it, they jumped on the then "hot" Teddy Riley Train and released mixes only of the R&B/Hip Hop Sound, which totally removed the Driving Energy of the original. Well I've put back the driving energy to create the "Jerrbear's Love of The Original Remix". Now Let's Dance... Enjoy Love DJ Jerrbear Free Download at https://hearthis.at/djjerrbear/

Jane Child - Don't Wanna Fall In Love (Jerrbear's Love of The Original Remix)

Ko'Muso from the split CD with Altars (SA)

01 Ko'Muso

Raiden B2B Noisia & Mc 2Shy @ Renegade Hardware - Guerrilla Warfare Launch Party - 01/04/2005

DJ Loxy B2B DJ Ink & Mc 2Shy @ Renegade Hardware - Guerrilla Warfare Launch Party - 01/04/2005

"Bound" is my dissertation written to complete my DMA in Music Composition at the University of Michigan. The piece is for mezzo-soprano, clarinet, saxophone, cello, and percussion and sets poetry I commissioned from poet Lauren Clark.

This recording is from the work's premiere on Saturday, March 14, 2015 at First Presbyterian Church in Ypsilanti, MI. It features the incredible talents of mezzo Megan Ihnen, along with Andy Hall (saxophone), Jason Paige (clarinet), Jake Woollen (cello), and Chris Sies (percussion) from the accomplished midwest-based chamber ensemble Latitude49.

Below is the program note from the performance along with the work's text as it was presented in the program.

Program Note:

My composition dissertation, "Bound", represents the culmination of a year-long collaboration with mezzo-soprano Megan Ihnen, Latitude 49, and poet Lauren Clark, from whom I commissioned work’s source poetry. Through moments of yearning, austerity, beauty, and power, the work’s eight movements tell a story of vulnerability, loss, and memory. Bound investigates the dissolution of relationships and our efforts to make sense of and protect ourselves from such emotional trauma.

I. Prelude ("It Is June")

It is June.

II. Bound

The head of garlic you gave to me to keep in my pocket or palm, to ward off demons, is a metaphor for the way we are bound in our hearts and minds. The head of garlic is a many-chambered hear, it is a hand with fifteen fingers, it is an ear with an entire section of timpani drums within. It is to protect myself that I live in many bodies at once, it is to feel my elbow, or hip, or pores cry out, when beside me you cry in your sleep.

III. Interlude ("There A Things I Have Forgotten")

There are things I have forgotten. 

IV. Interlude ("The Virginal Blue Glow")

The virginal blue glow beyond the hills and the sudden flesh pink that replaces it. What color came in between the pink and blue and how did I miss it?

V. Interlude ("The Early And Inert Highway")

The early and inert highway

VI. Bound III

This year, no joy seeps across the hull of the boat with the water. This year, no hour of strange silent breath when the moon finally sets. The year, a whisper comes after the water. There is no cradle inside the grotto anymore. The bell rings out our harsh again where once the air was filled with voices. This year, no dancing, not once, no feast to follow feast.

VII. Interlude ("The Wild Wheat Shaking In The Wind")

The wild wheat shaking in the wind.

VIII. Bound V

The wave breaks blue green in the colors. Everything, the orchard full of figs, the road to the sea, the random music of bells singing around a heard of moving goat necks, the house that sits like an eye on the hill, everything disappears. And, after this closing in, there is violence and the body is tossed indiscriminately. There is the impulse to protect the brain, the eyes, the neck, even in the dark blue. Even turned upside down, the brain knows history, the brain knows there is always violence. The body saw the wave, the body felt the wave, the body saw the wave coming, the body felt the wave coming. The wave crashes always.


Special thanks to Nelson T. Gast who engineered this excellent recording.

Text used with the permission of the poet.

Bound

The title track from Desultory's 1993 album, "Into Eternity".

Desultory "Into Eternity"

Adriana Hologram™ (INTRAネット 2.​0 edit)

Vaporwave deity Vektroid turns in a mind-altering selection of melted pop and cracked electronics. 

For more information head here: http://www.factmag.com/2017/09/18/vektroid-fact-mix-vaporwave/

FACT Mixes

FACT mix 619 - Vektroid (Sept '17)

From the CENOTAPH - "Perverse Dehumanized Dysfunctions" album
Song:  Syndromes Of Deadly Endogenous Intoxication
Raw Pre Prod Demo quality.

Raw clean bass DI signal. 

Not for sale or download. All music by Cenotaph band. 
Bassline by Anton Zhikharev

CENOTAPH - Slam Jazz Improvisation (Pre Prod.Demo)

Studio recording of TRUMPETENT, piece for trumpet quartet (Markus Stockhausen, Achim Gorsch, Andreas Adam, Marco Blaauw)and a tent...

Karlheinz Stockhausen, TROMPETENT

Opening track on "Return: The Journey" available on Kendra Steiner Editions.

Guntor

Composer, trumpet player, and electronic musician living and working in the Boston metro area.

Guntor

forbesgraham

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