Anywhere But Where I Am

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Niklas Paschburg - Behold

For licensing, contact licensing(at)erasedtapesmusic(dot)com

More info: www.erasedtapesmusic.com

Whelm

Nile

Douglas Dare – Nile

released 26 May 2015

Words and music: Siv Jakobsen
Produced by Siv Jakobsen and Charlie Van Kirk
Mixing & Engineering: Charlie Van Kirk
Mastered by Kevin Reeves

String-arrangements and piano: Christian Li
Bass: Jared Henderson
Vln 1: Katie Kresek
Vln 2: Jesse Hanson
Viola: Rachel Golub
Cello: Yoed Nir
Percussion: Charlie Van Kirk

Recorded at Ant Food, Stadiumred Studios & Virtue & Vice, i Brooklyn NY

Assistant-engineering by Jay Marcovitz and Ben Talmi

Artwork & photography by Jørgen Nordby (jorgenordby.com)

How We Used To Love

Buy the EP here:
http://blakeewingmusic.com/store/open-water

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Atlantic

from 'Jörð' [CD|LP|DIGITAL]
Denovali Records · den266
available on all formats at [http://denovali.com/petrels]

Following on from 2015's Flailing Tomb LP, which appeared in numerous 'best of the year' lists, Petrels – the solo project of London-based musician and illustrator, Oliver Barrett – returns with new album, Jörð.

From the ethereal choral build of 'A Little Dust' (adapted from words by W. B. Yeats), to the euphoric aural scree of 'The Last Shard Falls', and the driving, long-form song structures, interwoven arrangements and mythological trappings of 'The Long Man', previous listeners of Barrett's work will find much to welcome in a record that builds on the distinctive, ecstatic Petrels sound.

Elsewhere, Barrett teases this sound into new shapes; 'Terra Nullius' takes an oscillating woodwind cluster and hangs from it a defiant and densely constructed (almost)pop song; 'Waldgeist' slowly unravels a deceptively simple string refrain in an elegiac and gently expanding, haunted pastoral arrangement; and 'Seithenyn Sleeps' encapsulates the joyously overwhelming live Petrels sound into a swirling, enveloping closer.

Drawing together the numerous strands of Petrels releases so far whilst confidently weaving them together into something new that promises even more to come, Jörð is another singular release from this restlessly inventive and inventively restless artist.

Since releasing his debut Haeligewielle in 2011, Petrels has toured across Europe and shared a stage with the likes of Tim Hecker, FIRE!, Nate Young (Wolf Eyes), Trouble Books, Demdike Stare, Nadja, and Hans-Joachim Roedelius (Cluster). Having also collaborated with and provided remixes for artists as varied as Duane Pitre, Brassica, Talvihorros and Max Cooper, Petrels' output is proving to be thrillingly eclectic and unpredictable.

Jör_

Petrels - A Little Dust

written by rey villalobos 
https://www.instagram.com/thecoralsea/
https://www.facebook.com/thecoralsea
https://thecoralseamusic.com
#thecoralsea

Time

From the album Clear Language available September 22, 2017 from Western Vinyl

Pre-Order Clear Language:
Bandcamp https://balmorhea.bandcamp.com/album/clear-language
iTunes https://itunes.apple.com/us/album/clear-language/id1252681306?ls=1&app=itunes
WV http://westernvinyl.com/shop/wv150

Balmorhea
https://balmorheamusic.com/
https://www.facebook.com/balmorhea/
https://twitter.com/balmorheamusic
https://www.instagram.com/balmorheamusic/

A decade-plus on the road, near-constant musical output, and shifting creative priorities caused the revered Austin duo, comprised of multi-instrumentalists Rob Lowe and Michael Muller, to soberly assess the band’s future. What, in the form of Balmorhea, was there left to say? And did they have the energy to say it? 
 
Stranger, the group’s maximalist, genre-leaping full-length from 2012, had already seemed to trace the group’s farthest bounds. And, over the years, they’d worked with a roving cast of accomplished string and rhythm players to craft a glassy-eyed, sage-brushed, instrumental Americana that, while celebrated in The New Yorker, Pitchfork and The Atlantic, among myriad other press, and attracting the film, ad, and television worlds risked pigeonholing them for good. 

As they had in the beginning, in 2006, Muller and Lowe worked simply and with restraint, letting intuition guide them as they molded the 10 elegant, spacious gestures that comprise Clear Language.  A relaxed, clear-eyed sense of reflection flows gracefully through the album as these two old friends transmit unfettered meaning through simple sonic gestures that resonate with the cosmos as much as they echo the pulse of a human heart.

Clear Language

Balmorhea - "Clear Language"

PJ Harvey & Harry Escott - An Acre Of Land

FREE DOWNLOAD: Please feel free to use the track for personal or education use. For any commercial use a licence must be bought, contact: simon.ballard@mute.com 

(click more > download)

As heard on 'So You Think You Can Dance' Ep. 1502 (airdate: 6/11/18)

Taken from the self released 2009 album 'As We FallI into Static Our Hearts Sing'

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