Charlotte Dada - Don't Let Me Down (Ghana 1971)

Jaakko Eino Kalevi - Macho, extract from the Modern Life, released in 2010 on the finish imprint Helmi Levyt.
For more informations about rare repressed and reissued records, visit us : http://www.morerepress.com/blog/2015/11/06/jaakko-eino-kalevi-modern-life/

Jaakko Eino Kalevi - Macho

Lay Me Down | Renée (1982)

A-side of the the Blue Gas 7" single, entitled Shadows From Nowhere (1984), originally released in France by Night Records .

Shadows From Nowhere

Blue Gas - Shadows From Nowhere

Support: http://radi.al/Hream
Follow: https://www.facebook.com/doughreamblunt
More info: https://www.doughreamblunt.com

Doug Hream Blunt learnt to play music at the age of 35, by taking an adult class in the late 1980s. The class was organized by a high school music teacher and his wife, and held in their small garage in the Golden Gate Park neighborhood of San Francisco. The other students of the class became Doug’s band members, while his teacher joined on vibes, and his wife on bass. To promote his music, Doug would play acoustic, solo shows for patients and elderly people at a hospital where he worked as a nurse’s aid. On a few occasions, he also brought the other students together to play on the City Visions Public Access television show.

My Name Is Doug Hream Blunt: Featuring the Hit Gentle Persuasion

Doug Hream Blunt - Gentle Persuasion

Odyssey - Who

Charlotte Adigéry - 1,618

Early in 2018, the world was introduced to Mildlife through their debut album Phase. Few first releases amass praise from Mojo, The Guardian, BBC 6 Music, The Express, and Shindig, then go on to be celebrated by DJ Mag, Resident Advisor, Worldwide FM, Dummy and Indie Shuffle. But it’s precisely this eclectic mix of genres, tastes, and influences that brought Mildlife together, and what they committed to reflecting in their sound. After a surreal start to 2018, the four-piece completed a sold-out national tour of Australia, and recently announced plans to cross the oceans for their debut Europe and UK tours.

With the release of their debut imminent, Mildlife took retreat at Research Records HQ in Melbourne, staying overnight after recording each morning and afternoon. It resulted in the evolution of the title track, newly imagined and re-contextualised at increased tempo with swathes of improvisation throughout. The studio recording was the culmination of the song’s growth in a live setting, evolving on club stages and at festivals throughout 2017.

Mildlife’s knack for locked-in grooves and celestial tones features heavily across ‘Phase II’, a more than 11-minute sonic journey. Kevin McDowell's synth soars while Adam Halliwell’s growing prowess as a flautist is peppered over James Donald’s shimmering percussion. Shortly after, Tom Shanahan's phased bass appears, and the four lock into a groove that gives a subtle nod to 1960s Krautrock band, Can. It’s not long before ‘Phase II’ erupts into a cosmic jazz-funk that urges you to move. It sucks you in, free of worry and consequence; utterly otherworldly. It’s no surprise that the band has been described as “kaleidoscopic”, “irresistible” and “enchanting”. With Mildlife, you’ll always leave wanting more.

Phase II

Mildlife - Phase II (RREP02)

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

Sillyboy’s Ghost Relatives can proudly claim to be “Greek radio’s favourite soft rock band”. The Athens-based quartet – fronted by bass-wielding former TV commercial composer turned Balearic popster Charalambos Kourtaras – are rising stars in their home country, with listeners warming to their distinctive blend of atmospheric guitars, retro-pop synths and head-in-the-clouds grooves.

So far, international stardom has passed them by, though their distinctive songs have caught the ear of a range of DJs across the globe. One was Claremont 56 founder Paul ‘Mudd’ Murphy, who has worked his magic on one of the band’s previously unreleased gems, “In A Small Place”.

Perfectly capturing the claustrophobic reality of life in a small, remote town or village where everyone knows everyone else’s business, the song sees Sillyboy plan his escape over a mesmerizing backing track rich in ghostly synthesizers, chunky bass guitar, spacey electronics and a shuffling groove that sits somewhere between pitched-down dub disco and early ‘80s West Coast AOR.

Murphy’s “Extended Version” allows the track room to breathe, teasing out the clandestine and atmospheric instrumentation – eyes-closed guitar solos included – before introducing Sillyboy’s rueful and paranoid vocals. You’ll find the Greek band’s slimmed-down – and arguably even more trippy – original version on the B-side, completing a fittingly high quality musical package to kick-start Claremont 56’s 2019 release schedule.

In A Small Place (Mudd's Extended Mix)(Clip)

Available on Analog Africa No.13 - The Skeletal Essences of Afro Funk
Release date: April 30th

Min We Tun So

F O R E I G N M A T T E R

Art Director | http://foreignmatter.tv

Lay Me Down | Renée (1982)

F O R E I G N M A T T E R

Recent comments

Daniii..

KHAZBA

Ocean Bloom

Related tracks